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Author: Robert Browning
Publisher:
ISBN:
Category :
Languages : en
Pages : 534
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Author: Robert Browning
Publisher:
ISBN:
Category :
Languages : en
Pages : 534
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Author: David Duff
Publisher:
ISBN:
Category :
Languages : en
Pages : 286
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Author: Robert Browning
Publisher:
ISBN:
Category : Poetry, Modern
Languages : en
Pages : 284
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Author: Robert Browning
Publisher:
ISBN:
Category : Rome (Italy)
Languages : en
Pages : 252
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Book Description
This is the final of the four volumes published from 1868-1869that make up Robert Browning'sThe Ring and the Book, a long blank-verse poem composed of 12 books and over 20,000 lines. This volume includes the booksThe Pope, GuidoandThe Book and the Ring.
Author: John Woolford
Publisher: Routledge
ISBN: 1317873173
Category : Literary Criticism
Languages : en
Pages : 836
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Book Description
The Poems of Browning is the first collected edition to be based on the earliest printed texts, and to present these texts in order of their composition.Together, volumes I and II provide an authoritative and accessible tribute to this great poet. Volume I, 1826-1840 traces Browning's career up to the writing of Sordello. It includes his only surviving juvenilia: The Dance of Death and The First-Borm of Egypt; Pauline, his first anonymous publication, and Paracelsus, the poem which made his literary reputation.
Author: Vernon Charles Harrington
Publisher:
ISBN:
Category :
Languages : en
Pages : 412
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Author: Frances Winwar
Publisher:
ISBN:
Category :
Languages : en
Pages : 388
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Author: George Willis Cooke
Publisher:
ISBN:
Category :
Languages : en
Pages : 484
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Author: Dr Britta Martens
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409478874
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
Taking an original approach to Robert Browning's poetics, Britta Martens focuses on a corpus of relatively neglected poems in Browning's own voice in which he reflects on his poetry, his self-conceptualization and his place in the poetic tradition. She analyzes his work in relation to Romanticism, Victorian reactions to the Romantic legacy, and wider nineteenth-century changes in poetic taste, to argue that in these poems, as in his more frequently studied dramatic monologues, Browning deploys varied dramatic methods of self-representation, often critically and ironically exposing the biases and limitations of the seemingly authoritative speaker 'Browning'. The poems thus become devices for Browning's detached evaluation of his own and of others' poetics, an evaluation never fully explicit but presented with elusive economy for the astute reader to interpret. The confrontation between the personal authorial voice and the dramatic voice in these poems provides revealing insights into the poet's highly self-conscious, conflicted and sustained engagement with the Romantic tradition and the diversely challenging reader expectations that he faces in a post-Romantic age. As the Victorian most rigorous in his rejection of Romantic self-expression, Browning is a key transitional figure between the sharply antagonistic periods of Romanticism and Modernism. He is also, as Martens persuasively demonstrates, a poet of complex contradictions and an illuminating case study for addressing the perennial issues of voice, authorial authority and self-reference.
Author: James Maclehose
Publisher:
ISBN:
Category : Scotland
Languages : en
Pages : 538
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Book Description
