An Essay on Prints (Classic Reprint)

An Essay on Prints (Classic Reprint) PDF Author: William Gilpin
Publisher: Forgotten Books
ISBN: 9780365182252
Category : Art
Languages : en
Pages : 206

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Book Description
Excerpt from An Essay on Prints With this view the author thought it neceffiry to apply the principles of painting to prints: and as his ohfer vations are not always new, he bath at leafi made them concife. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

An Essay on Prints (Classic Reprint)

An Essay on Prints (Classic Reprint) PDF Author: William Gilpin
Publisher: Forgotten Books
ISBN: 9780365182252
Category : Art
Languages : en
Pages : 206

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Book Description
Excerpt from An Essay on Prints With this view the author thought it neceffiry to apply the principles of painting to prints: and as his ohfer vations are not always new, he bath at leafi made them concife. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

An Essay Upon Prints

An Essay Upon Prints PDF Author: William Gilpin
Publisher:
ISBN: 9780259899211
Category : Art
Languages : en
Pages : 276

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Book Description
Excerpt from An Essay Upon Prints: Containing Remarks Upon the Principles of Picturesque Beauty, the Different Kinds of Prints, and the Characters of the Most Noted Masters; Illustrated by Criticisms Upon Particular PiecesW'ith this shiew, the thought it neceflary to apply the principles'of painting to prints: and as his ohfirvations, in this part of his work, are not always new, he hath endea fvoured, at lea/t, to make them concije.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

An Essay Upon Prints

An Essay Upon Prints PDF Author: WILLIAM. GILPIN
Publisher: Gale Ecco, Print Editions
ISBN: 9781385355442
Category :
Languages : en
Pages : 270

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Book Description
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Harvard University Houghton Library T094039 Anonymous. By William Gilpin. With an index. London: printed by G. Scott, for J. Robson, 1768. xii, [2],246, [12]p.; 8°

Eighteenth Century Colour Prints

Eighteenth Century Colour Prints PDF Author: Julia Frankau
Publisher: Forgotten Books
ISBN: 9780484589628
Category : Art
Languages : en
Pages : 334

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Book Description
Eighteenth Century Colour Prints An Essay on Certain Stipple Engravers & Their Work in Colour was written by the British novelist Julia Frankau. While Frankau wrote many novels over the course of her life, she spent her later years focused more heavily on non-fiction works with subjects ranging from printing, to artwork, and engraving. This particular book focuses on printing and engraving, specifically as it pertains to the creation of full color images in books. The illustration of books includes both full color images and the large intricately colored letters at the beginning of chapters is a practice almost as old as the written word itself. In her book, Frankau aims to enlighten readers who are curious about the creation of color images in print and the process by which images are colored for books. The text thoroughly describes both how the artist forms letters and images and how the artist colors these for publication. Frankau expresses the fervent hope that her book will grant the reader a full understanding of the proper procedure for creating and printing color in books.. Eighteenth Century Colour Prints An Essay on Certain Stipple Engravers & Their Work in Colour is an interesting book for any art student, printer, publisher, book aficionado, or historian. Julia Frankau presents a thoroughly engaging and understandable discussion on the proper way to create and print color images in books. This book is a great resource for readers interested in the topic of color prints and for readers interested in the history of books and publishing. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

An essay upon prints [by W. Gilpin].

An essay upon prints [by W. Gilpin]. PDF Author: William Gilpin
Publisher:
ISBN:
Category : Prints
Languages : en
Pages : 272

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Book Description


An Essay on Prints. By William Gilpin, ... Fourth Edition

An Essay on Prints. By William Gilpin, ... Fourth Edition PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 174

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Book Description


An Essay on Prints...

An Essay on Prints... PDF Author: HardPress
Publisher: Hardpress Publishing
ISBN: 9781314821321
Category :
Languages : en
Pages : 218

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Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

A Catalogue of the Prints, Which Have Been Engraved After Martin Heemskerck; Or Rather, an Essay Towards Such a Catalogue (Classic Reprint)

A Catalogue of the Prints, Which Have Been Engraved After Martin Heemskerck; Or Rather, an Essay Towards Such a Catalogue (Classic Reprint) PDF Author: Thomas Kerrich
Publisher: Forgotten Books
ISBN: 9780282428389
Category : Art
Languages : en
Pages : 162

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Book Description
Excerpt from A Catalogue of the Prints, Which Have Been Engraved After Martin Heemskerck; Or Rather, an Essay Towards Such a Catalogue The Original of the Memoir prefixed to the Work is contained in Van Mander's Lives of Painters of the German and Flemish Schools, first published in the year 1604; and is believed to be the earliest general account, now extant, of this once celebrated Blaster. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

An Essay on Prints. by William Gilpin, M.A. ... Fourth Edition

An Essay on Prints. by William Gilpin, M.A. ... Fourth Edition PDF Author: William Gilpin
Publisher: Gale Ecco, Print Editions
ISBN: 9781379464693
Category :
Languages : en
Pages : 200

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Book Description
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T099004 Large paper issue. With a half-title. London: printed for R. Blamire, 1792. xiii, [3],174, xi, [1]p.; 8°

How Prints Are Made (Classic Reprint)

How Prints Are Made (Classic Reprint) PDF Author: Atherton Curtis
Publisher: Forgotten Books
ISBN: 9780331910919
Category : Art
Languages : en
Pages : 34

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Book Description
Excerpt from How Prints Are Made About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.