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Author: William Gilpin
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 214
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Book Description
"William Gilpin's work is the first English guide to print collecting and one of the first to regard engraving as a fine art. It became a standard bible for the connoisseur and was translated into German, French, and Dutch."--Abebooks website.
Author: William Gilpin
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 214
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Book Description
"William Gilpin's work is the first English guide to print collecting and one of the first to regard engraving as a fine art. It became a standard bible for the connoisseur and was translated into German, French, and Dutch."--Abebooks website.
Author: William Gilpin
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 218
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Book Description
Author: William Morris
Publisher: Read Books Ltd
ISBN: 1473367239
Category : Crafts & Hobbies
Languages : en
Pages : 16
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Book Description
This early work by William Morris was originally published in 1899 and we are now republishing it with a brand new introductory biography. William Morris (1834 - 1896) was born in London, England. Arguably best known as a textile designer, he founded a design partnership which deeply influenced the decoration of churches and homes during the early 20th century. However, he is also considered an important Romantic writer and pioneer of the modern fantasy genre, being a direct influence on authors such as J. R. R. Tolkien. As well as fiction, Morris penned poetry and essays.
Author: Ben Blumson
Publisher: Open Book Publishers
ISBN: 1783740728
Category : Philosophy
Languages : en
Pages : 225
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Book Description
It’s a platitude – which only a philosopher would dream of denying – that whereas words are connected to what they represent merely by arbitrary conventions, pictures are connected to what they represent by resemblance. The most important difference between my portrait and my name, for example, is that whereas my portrait and I are connected by my portrait’s resemblance to me, my name and I are connected merely by an arbitrary convention. The first aim of this book is to defend this platitude from the apparently compelling objections raised against it, by analysing depiction in a way which reveals how it is mediated by resemblance. It’s natural to contrast the platitude that depiction is mediated by resemblance, which emphasises the differences between depictive and descriptive representation, with an extremely close analogy between depiction and description, which emphasises the similarities between depictive and descriptive representation. Whereas the platitude emphasises that the connection between my portrait and me is natural in a way the connection between my name and me is not, the analogy emphasises the contingency of the connection between my portrait and me. Nevertheless, the second aim of this book is to defend an extremely close analogy between depiction and description. The strategy of the book is to argue that the apparently compelling objections raised against the platitude that depiction is mediated by resemblance are manifestations of more general problems, which are familiar from the philosophy of language. These problems, it argues, can be resolved by answers analogous to their counterparts in the philosophy of language, without rejecting the platitude. So the combination of the platitude that depiction is mediated by resemblance with a close analogy between depiction and description turns out to be a compelling theory of depiction, which combines the virtues of common sense with the insights of its detractors.
Author: William Gilpin
Publisher: Legare Street Press
ISBN: 9781016948852
Category : Art
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
![An essay upon prints [by W. Gilpin]. PDF](https://books.google.com/books/content/images/frontcover/h7E-AAAAcAAJ?fife=w80-h100)
Author: William Gilpin
Publisher:
ISBN:
Category : Prints
Languages : en
Pages : 272
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Book Description
Author: Deborah Wye
Publisher:
ISBN: 9780870701535
Category : Art
Languages : en
Pages : 254
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Book Description
Her increasing recognition since then culminated with the selection of her work to represent the United States at the 1993 Venice Biennale.
Author: Nancy Borowick
Publisher: Hatje Cantz Verlag
ISBN: 9783775742481
Category : Bereavement
Languages : en
Pages : 200
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Book Description
When Photojournalist Nancy Borowick's parents--Howie and Laurel--were diagnosed with stage IV cancer and simultaneously underwent treatment, she did the only thing she knew how--she documented it. By turning the camera on her family's life during this most intimate time, Borowick learned a great deal about herself, family, and relationships in general. She discovered that her parents' marriage--while complex--was an intricate symbiosis of compassion. Their partnership and sense of family only deepened. And no matter the prognosis, there was always room for laughter. Today, Borowick, herself, is married. Her father passed away in 2013, and her mom followed suit, 364 days later. The lessons she garnered from Howie and Laurel were plentiful: always call when the airplane lands, never pass on blueberry pie--and most importantly, family is love and love is family.
Author: William Gilpin
Publisher:
ISBN:
Category : Landscape drawing
Languages : en
Pages : 188
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Book Description
Author: Alpheus Hyatt Mayor
Publisher: Metropolitan Museum of Art
ISBN: 0870991086
Category : Art and society
Languages : en
Pages : 497
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Book Description
Discusses the significance and history of printmaking and evaluates 700 prints.
