Author: Alexander Pope
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 96
Book Description
An Essay on Criticism
Author: Alexander Pope
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 96
Book Description
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 96
Book Description
An Essay on Criticism ...
Author: Alexander Pope
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 54
Book Description
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 54
Book Description
Essay on Man
Author: Alexander Pope
Publisher:
ISBN:
Category :
Languages : en
Pages : 168
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 168
Book Description
Pope's Essay on Criticism
Author: Alexander Pope
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 112
Book Description
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 112
Book Description
An Essay on Criticism, and Other Poems
Author: Alexander Pope
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 72
Book Description
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 72
Book Description
Essay on Man and Other Poems
Author: Alexander Pope
Publisher: Courier Corporation
ISBN: 0486125904
Category : Poetry
Languages : en
Pages : 113
Book Description
In addition to the acclaimed title poem, this collection includes "The Rape of the Lock," "Ode on Solitude," "The Dying Christian to His Soul," "An Essay on Criticism," "Epistle to Dr. Arbuthnot" and many others.
Publisher: Courier Corporation
ISBN: 0486125904
Category : Poetry
Languages : en
Pages : 113
Book Description
In addition to the acclaimed title poem, this collection includes "The Rape of the Lock," "Ode on Solitude," "The Dying Christian to His Soul," "An Essay on Criticism," "Epistle to Dr. Arbuthnot" and many others.
An Essay on Mind, with Other Poems
Author: Elizabeth Barrett Browning
Publisher: CreateSpace
ISBN: 9781517563912
Category :
Languages : en
Pages : 122
Book Description
Elizabeth Barrett Browning was one of the most prominent English poets of the Victorian era. In the 1830s Elizabeth's cousin John Kenyon introduced her to prominent literary figures of the day such as William Wordsworth, Mary Russell Mitford, Samuel Taylor Coleridge, Alfred Tennyson and Thomas Carlyle. Her first adult collection, The Seraphim and Other Poems, was published in 1838. During this time she contracted a disease, possibly tuberculosis, which weakened her further. Living at Wimpole Street, in London, she wrote prolifically between 1841 and 1844, producing poetry, translation and prose. She campaigned for the abolition of slavery and her work helped influence reform in the child labour legislation. Her prolific output made her a rival to Tennyson as a candidate for poet laureate on the death of Wordsworth. Barrett Browning was widely popular in the U.K. and America during her lifetime. American poet Edgar Allan Poe was inspired by her poem Lady Geraldine's Courtship and specifically borrowed the poem's meter for his poem The Raven. Poe had reviewed Barrett Browning's work in the January 1845 issue of the Broadway Journal and said that "her poetic inspiration is the highest - we can conceive of nothing more august. Her sense of Art is pure in itself." In return, she praised The Raven and Poe dedicated his 1845 collection The Raven and Other Poems to her, referring to her as "the noblest of her sex." Her poetry greatly influenced Emily Dickinson, who admired her as a woman of achievement. Her popularity in the United States and Britain was further advanced by her stands against social injustice, including slavery in the United States, injustice toward Italian citizens by foreign rulers, and child labour.
Publisher: CreateSpace
ISBN: 9781517563912
Category :
Languages : en
Pages : 122
Book Description
Elizabeth Barrett Browning was one of the most prominent English poets of the Victorian era. In the 1830s Elizabeth's cousin John Kenyon introduced her to prominent literary figures of the day such as William Wordsworth, Mary Russell Mitford, Samuel Taylor Coleridge, Alfred Tennyson and Thomas Carlyle. Her first adult collection, The Seraphim and Other Poems, was published in 1838. During this time she contracted a disease, possibly tuberculosis, which weakened her further. Living at Wimpole Street, in London, she wrote prolifically between 1841 and 1844, producing poetry, translation and prose. She campaigned for the abolition of slavery and her work helped influence reform in the child labour legislation. Her prolific output made her a rival to Tennyson as a candidate for poet laureate on the death of Wordsworth. Barrett Browning was widely popular in the U.K. and America during her lifetime. American poet Edgar Allan Poe was inspired by her poem Lady Geraldine's Courtship and specifically borrowed the poem's meter for his poem The Raven. Poe had reviewed Barrett Browning's work in the January 1845 issue of the Broadway Journal and said that "her poetic inspiration is the highest - we can conceive of nothing more august. Her sense of Art is pure in itself." In return, she praised The Raven and Poe dedicated his 1845 collection The Raven and Other Poems to her, referring to her as "the noblest of her sex." Her poetry greatly influenced Emily Dickinson, who admired her as a woman of achievement. Her popularity in the United States and Britain was further advanced by her stands against social injustice, including slavery in the United States, injustice toward Italian citizens by foreign rulers, and child labour.
The Virtues of Poetry
Author: James Longenbach
Publisher: Graywolf Press
ISBN: 1555970672
Category : Literary Criticism
Languages : en
Pages : 179
Book Description
An illuminating look at the many forms of poetry's essential excellence by James Longenbach, a writer with "an ear as subtle and assured as any American poet now writing" (John Koethe) "This book proposes some of the virtues to which the next poem might aspire: boldness, change, compression, dilation, doubt, excess, inevitability, intimacy, otherness, particularity, restraint, shyness, surprise, and worldliness. The word ‘virtue' came to English from Latin, via Old French, and while it has acquired a moral valence, the word in its earliest uses gestured toward a magical or transcendental power, a power that might be embodied by any particular substance or act. With vices I am not concerned. Unlike the short-term history of taste, which is fueled by reprimand or correction, the history of art moves from achievement to achievement. Contemporary embodiments of poetry's virtues abound, and only our devotion to a long history of excellence allows us to recognize them." –from James Longenbach's preface The Virtues of Poetry is a resplendent and ultimately moving work of twelve interconnected essays, each of which describes the way in which a particular excellence is enacted in poetry. Longenbach closely reads poems by Shakespeare, Donne, Blake, Keats, Dickinson, Yeats, Pound, Bishop, and Ashbery (among others), sometimes exploring the ways in which these writers transmuted the material of their lives into art, and always emphasizing that the notions of excellence we derive from art are fluid, never fixed. Provocative, funny, and astute, The Virtues of Poetry is indispensable for readers, teachers, and writers. Longenbach reminds us that poetry delivers meaning in exacting ways, and that it is through its precision that we experience this art's lasting virtues.
Publisher: Graywolf Press
ISBN: 1555970672
Category : Literary Criticism
Languages : en
Pages : 179
Book Description
An illuminating look at the many forms of poetry's essential excellence by James Longenbach, a writer with "an ear as subtle and assured as any American poet now writing" (John Koethe) "This book proposes some of the virtues to which the next poem might aspire: boldness, change, compression, dilation, doubt, excess, inevitability, intimacy, otherness, particularity, restraint, shyness, surprise, and worldliness. The word ‘virtue' came to English from Latin, via Old French, and while it has acquired a moral valence, the word in its earliest uses gestured toward a magical or transcendental power, a power that might be embodied by any particular substance or act. With vices I am not concerned. Unlike the short-term history of taste, which is fueled by reprimand or correction, the history of art moves from achievement to achievement. Contemporary embodiments of poetry's virtues abound, and only our devotion to a long history of excellence allows us to recognize them." –from James Longenbach's preface The Virtues of Poetry is a resplendent and ultimately moving work of twelve interconnected essays, each of which describes the way in which a particular excellence is enacted in poetry. Longenbach closely reads poems by Shakespeare, Donne, Blake, Keats, Dickinson, Yeats, Pound, Bishop, and Ashbery (among others), sometimes exploring the ways in which these writers transmuted the material of their lives into art, and always emphasizing that the notions of excellence we derive from art are fluid, never fixed. Provocative, funny, and astute, The Virtues of Poetry is indispensable for readers, teachers, and writers. Longenbach reminds us that poetry delivers meaning in exacting ways, and that it is through its precision that we experience this art's lasting virtues.
Braiding the Voices
Author: Peter Steele
Publisher:
ISBN: 9780980852349
Category : Australian poetry
Languages : en
Pages : 310
Book Description
In Braiding the Voices, Peter Steele brings to bear a lifetime of reading, writing, and teaching prose and poetry. With gusto and focus, these essays concert poets and poems of different tempers and aspirations. They are by Gwen Harwood, Les Murray, Peter Porter, Vincent Buckley and, further afield, Fleur Adcock, Richard Wilbur, Anthony Hecht, W.S. Merwin, Deborah Randall, Ben Belitt, Norman MacCaig, R.S. Thomas, P.J. Kavanagh, Seamus Heaney and Gerard Manley Hopkins. The writing of some of his own poems is also addressed. Characteristically, Steele refers copiously also to much else. The book investigates some of the ways in which individual poets have found what they most wanted to say, and how their art takes its place in the general conversation of humanity itself. Applauding the dexterity and the variety with which this feat is carried off by the poets, Steele's distinctive prose is deliberately fashioned to be as hospitable to insight as possible.
Publisher:
ISBN: 9780980852349
Category : Australian poetry
Languages : en
Pages : 310
Book Description
In Braiding the Voices, Peter Steele brings to bear a lifetime of reading, writing, and teaching prose and poetry. With gusto and focus, these essays concert poets and poems of different tempers and aspirations. They are by Gwen Harwood, Les Murray, Peter Porter, Vincent Buckley and, further afield, Fleur Adcock, Richard Wilbur, Anthony Hecht, W.S. Merwin, Deborah Randall, Ben Belitt, Norman MacCaig, R.S. Thomas, P.J. Kavanagh, Seamus Heaney and Gerard Manley Hopkins. The writing of some of his own poems is also addressed. Characteristically, Steele refers copiously also to much else. The book investigates some of the ways in which individual poets have found what they most wanted to say, and how their art takes its place in the general conversation of humanity itself. Applauding the dexterity and the variety with which this feat is carried off by the poets, Steele's distinctive prose is deliberately fashioned to be as hospitable to insight as possible.
The Rape of the Lock and Other Major Writings
Author: Alexander Pope
Publisher: Penguin UK
ISBN: 0141946296
Category : Philosophy
Languages : en
Pages : 566
Book Description
Alexander Pope (1688-1744) was the greatest English poet of his age, whose acerbic insights into human nature have entered the language, and whose verse still astonishes with its energy and inventiveness centuries after his death. This new selection of Pope's work follows the path of his poetic genius over his lifetime. It contains early poems including the masterly mock-epic 'The Rape of the Lock', which satirizes a notorious society scandal through glorious heroic couplets, the brilliantly aphoristic 'An Essay on Criticism' and excerpts from his translation of the Iliad. Later poems represented include Pope's ironic adaptations of Horace's Epistles, Satires and Odes, and the remarkable 'Dunciad', a stinging attack on his literary rivals and the mediocrity of Grub Street hacks. Here too are selected prose works and letters from Pope to his contemporaries such as John Gay and Jonathan Swift.
Publisher: Penguin UK
ISBN: 0141946296
Category : Philosophy
Languages : en
Pages : 566
Book Description
Alexander Pope (1688-1744) was the greatest English poet of his age, whose acerbic insights into human nature have entered the language, and whose verse still astonishes with its energy and inventiveness centuries after his death. This new selection of Pope's work follows the path of his poetic genius over his lifetime. It contains early poems including the masterly mock-epic 'The Rape of the Lock', which satirizes a notorious society scandal through glorious heroic couplets, the brilliantly aphoristic 'An Essay on Criticism' and excerpts from his translation of the Iliad. Later poems represented include Pope's ironic adaptations of Horace's Epistles, Satires and Odes, and the remarkable 'Dunciad', a stinging attack on his literary rivals and the mediocrity of Grub Street hacks. Here too are selected prose works and letters from Pope to his contemporaries such as John Gay and Jonathan Swift.