An Epistle to Robert Anderson, M.D. on Receiving from Him a Present of Various Poetical Works. [In Verse.]. PDF Download
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Author: William Preston (M.R.I.A.)
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Languages : en
Pages :
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![An Epistle to Robert Anderson, M.D. on Receiving from Him a Present of Various Poetical Works. [In Verse.]. PDF](https://books.google.com/books/content/images/frontcover/FB2JXwAACAAJ?fife=w80-h100)
Author: William Preston (M.R.I.A.)
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Preston
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Languages : en
Pages : 14
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Author: William Preston
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Category :
Languages : en
Pages : 10
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Author: William Preston
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Category :
Languages : en
Pages : 0
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Category : English poetry
Languages : en
Pages : 542
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Category :
Languages : en
Pages : 532
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Author:
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Category : English poetry
Languages : en
Pages : 536
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Author: Adriana Craciun
Publisher: Cambridge University Press
ISBN: 1139436333
Category : Literary Criticism
Languages : en
Pages : 350
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Incarnations of fatal women, or femmes fatales, recur throughout the works of women writers in the Romantic period. Adriana Craciun demonstrates how portrayals of femmes fatales or fatal women played an important role in the development of Romantic women's poetic identities and informed their exploration of issues surrounding the body, sexuality and politics. Craciun covers a wide range of writers and genres from the 1790s through the 1830s. She discusses the work of well-known figures including Mary Wollstonecraft, as well as lesser-known writers like Anne Bannerman. By examining women writers' fatal women in historical, political and medical contexts, Craciun uncovers a far-ranging debate on sexual difference. She also engages with current research on the history of the body and sexuality, providing an important historical precedent for modern feminist theory's ongoing dilemma regarding the status of 'woman' as a sex.
Author: Andrew Elfenbein
Publisher: Columbia University Press
ISBN: 9780231107525
Category : Education
Languages : en
Pages : 282
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-- Lisa Moore, Albion
Author: Thomas F. Bonnell
Publisher: OUP Oxford
ISBN: 0191559733
Category : Literary Criticism
Languages : en
Pages : 403
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A publishing phenomenon began in Glasgow in 1765. Uniform pocket editions of the English Poets printed by Robert and Andrew Foulis formed the first link in a chain of literary products that has grown ever since, as we see from series like Penguin Classics and Oxford World Classics. Bonnell explores the origins of this phenomenon, analysing more than a dozen multi-volume poetry collections that sprang from the British press over the next half century. Why such collections flourished so quickly, who published them, what forms they assumed, how they were marketed and advertised, how they initiated their readers into the rites of mass-market consumerism, and what role they played in the construction of a national literature are all questions central to the study. The collections played out against an epic battle over copyright law, and involved fierce contention for market share in the 'classics' among rival publishers. It brought despair to the most powerful of London printers, William Strahan, who prophesied that competition of this nature would ruin bookselling, turning it into 'the most pitiful, beggarly, precarious, unprofitable, and disreputable Trade in Britain'. Samuel Johnson's Lives of the Poets were part of such a collection, dubbed 'Johnson's Poets'. The third edition of this collection, published in 1810, brought the national project to its high water mark: it contained 129 poets, plus extensive translations from the Greek and Roman classics. By this point, all the features that characterize modern series of vernacular classics had been established, and never since has such an ambitious expression of the poetic canon been repeated, as Bonnell shows by peering forward into the nineteenth century and beyond. Based on work with archival materials, newspapers, handbills, prospectuses, and above all the books themselves, Bonnell's findings shed light on all aspects of the book trade. Valuable bibliographical data is presented regarding every collection, forming an indispensable resource for future work on the history of the English poetry canon.
