An Eighteenth Century Artist & Engraver: John Raphael Smith PDF Download
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Author: Julia Frankau
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 406
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Book Description
Author: Julia Frankau
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 406
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Book Description
Author: Perrin Stein
Publisher: Yale University Press
ISBN: 0300197004
Category : Art
Languages : en
Pages : 247
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Book Description
Catalog of an exhibition held at the Metropolitan Museum of Art, New York, October 1, 2013-January 5, 2014.
Author: Julia Frankau
Publisher:
ISBN:
Category :
Languages : de
Pages : 259
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Book Description
Author:
Publisher:
ISBN:
Category : Color prints
Languages : en
Pages : 340
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Book Description
Author: William Loring Andrews
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 192
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Book Description
Author: Julia Frankau
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Julia Frankau
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Susanne Anderson-Riedel
Publisher: Cambridge Scholars Publishing
ISBN: 1443820202
Category : Art
Languages : en
Pages : 275
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Book Description
The study investigates the engravers’ rise within the French academic system and demonstrates their success in transforming a reproductive medium into a creative and original art genre. In the nineteenth century, graphic artists developed an artistic language that was independent and on par with the original model that they reproduced. The Académie royale de peinture et de sculpture welcomed graphic artists into its ranks in 1655. As talented reproductive artists were able to disseminate works of art produced at the Academy, engravers rose to occupy administrative positions at the compagnie in the eighteenth century. Their success notwithstanding, graphic artists remained unable to overcome the perception of being reproductive artisans rather than creative and original fine artists. The proof of their predicament was the continuous refusal of advanced artistic training for graphic artists within the French academic system. The Section de Gravure at the Institut de France, established in 1803, was the first academic institution that distinguished between imitative and creative artistic execution in the reproductive graphic arts. Through patronage, the supervision of competitions, and the administration of the Prix de Rome program for graphic artists, the Engraving Department established specific guidelines for artistic reproduction and encouraged the formulation of an independent, artistic language in the reproductive arts. Finally, it defined the characteristics of fine engraving as a creative art medium. The Prix de Rome for engraving was crucial in consolidating the new understanding of engraving as an original art form. The engravers’ participation in the Grand Prix competition transformed their artisanal training practice in the master’s workshop into an artistic and academic education of graphic artists in the engraving ateliers. Furthermore, their sojourn at the French Academy in Rome encouraged the collegial collaboration between painters, sculptors, and engravers, leading engravers to develop a free and graphic interpretation of their model. The reproductive engraver was now able to rival painters and sculptors and, consequently, he emerged as a creative and original artist.
Author: Ralph Nevill
Publisher: Theclassics.Us
ISBN: 9781230355740
Category :
Languages : en
Pages : 42
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Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1908 edition. Excerpt: ... iv detailed descriptions of the most important french engravings executed in the Xviiith century together with notes on their various states note For the purposes of convenience the engravings have been classified according to the names of the artists and designers of the originals from which they were taken. Where not specially described the states are as set forth on page 80. In cases where the artist and engraver are the same individual, no mention is made of an engraver's name. When, however, prints have been executed by any one else the name is given. The relative merits of the various engravings have, as far as possible, been indicated, every important print being noted, and in most cases described. Where not otherwise specified the engravings are in line. It must not be forgotten that in the eighteenth century spelling was more elastic than it is now, and that consequently many small variations are to be found in the spelling of the names alike of artists, engravers, and prints. In most cases, however, these differences are not so great as to lead to confusion; except in one or two instances, therefore, attention has not been directed to them in the present volume. A typical example is the name "Lavreince," which is found spelt in about a dozen different ways, the most common variation being "Lavereince." The auction prices given were in the majority of instances realised by impressions of extreme perfection or scarcity. 1
Author: Julia Frankau
Publisher:
ISBN: 9781104737955
Category : Literary Collections
Languages : en
Pages : 334
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Book Description
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
