Author: A. E. Hanson
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 124
Book Description
The architect of some of Southern California's most notable and spectacular gardens of the 1920s reconstructs the making of nine of them. These include the Harold Lloyd estate in Beverly Hills, the Andalusian garden of Archibald Young in Pasadena, and the Italian garden of Kirk Johnson in Montecito. The autobiographic first chapter gives an engaging account of Hansen's self training in the profession and his dealings with clients.
An Arcadian Landscape
Author: A. E. Hanson
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 124
Book Description
The architect of some of Southern California's most notable and spectacular gardens of the 1920s reconstructs the making of nine of them. These include the Harold Lloyd estate in Beverly Hills, the Andalusian garden of Archibald Young in Pasadena, and the Italian garden of Kirk Johnson in Montecito. The autobiographic first chapter gives an engaging account of Hansen's self training in the profession and his dealings with clients.
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 124
Book Description
The architect of some of Southern California's most notable and spectacular gardens of the 1920s reconstructs the making of nine of them. These include the Harold Lloyd estate in Beverly Hills, the Andalusian garden of Archibald Young in Pasadena, and the Italian garden of Kirk Johnson in Montecito. The autobiographic first chapter gives an engaging account of Hansen's self training in the profession and his dealings with clients.
Arcadian America
Author: Aaron Sachs
Publisher: Yale University Press
ISBN: 0300189052
Category : Architecture
Languages : en
Pages : 710
Book Description
Perhaps America's best environmental idea was not the national park but the garden cemetery, a use of space that quickly gained popularity in the mid-nineteenth century. Such spaces of repose brought key elements of the countryside into rapidly expanding cities, making nature accessible to all and serving to remind visitors of the natural cycles of life. In this unique interdisciplinary blend of historical narrative, cultural criticism, and poignant memoir, Aaron Sachs argues that American cemeteries embody a forgotten landscape tradition that has much to teach us in our current moment of environmental crisis. Until the trauma of the Civil War, many Americans sought to shape society into what they thought of as an Arcadia--not an Eden where fruit simply fell off the tree, but a public garden that depended on an ethic of communal care, and whose sense of beauty and repose related directly to an acknowledgement of mortality and limitation. Sachs explores the notion of Arcadia in the works of nineteenth-century nature writers, novelists, painters, horticulturists, landscape architects, and city planners, and holds up for comparison the twenty-first century's--and his own--tendency toward denial of both death and environmental limits. His far-reaching insights suggest new possibilities for the environmental movement today and new ways of understanding American history.
Publisher: Yale University Press
ISBN: 0300189052
Category : Architecture
Languages : en
Pages : 710
Book Description
Perhaps America's best environmental idea was not the national park but the garden cemetery, a use of space that quickly gained popularity in the mid-nineteenth century. Such spaces of repose brought key elements of the countryside into rapidly expanding cities, making nature accessible to all and serving to remind visitors of the natural cycles of life. In this unique interdisciplinary blend of historical narrative, cultural criticism, and poignant memoir, Aaron Sachs argues that American cemeteries embody a forgotten landscape tradition that has much to teach us in our current moment of environmental crisis. Until the trauma of the Civil War, many Americans sought to shape society into what they thought of as an Arcadia--not an Eden where fruit simply fell off the tree, but a public garden that depended on an ethic of communal care, and whose sense of beauty and repose related directly to an acknowledgement of mortality and limitation. Sachs explores the notion of Arcadia in the works of nineteenth-century nature writers, novelists, painters, horticulturists, landscape architects, and city planners, and holds up for comparison the twenty-first century's--and his own--tendency toward denial of both death and environmental limits. His far-reaching insights suggest new possibilities for the environmental movement today and new ways of understanding American history.
Arcadian Visions
Author: Allan R. Ruff
Publisher: Windgather Press
ISBN: 1909686662
Category : Literary Criticism
Languages : en
Pages : 301
Book Description
This book is about Arcadia and the pastoral tradition; what it has meant for successive generations and their vision of the landscape, as well as the implications this has had for its design and management. Today the concept of Arcadia, and way it has shaped our landscape, is dimly perceived and little understood by landscape architects and those responsible for the management of land. This is in marked contrast to previous centuries when the vision of Arcadia and the pastoral was implanted by education among the more privileged in society. Young men spent many hours translating and learning by rote the words of Virgil and other classical authors and on the Grand Tour they would be introduced to work of painters like Poussin and Claude and their interpretations of the Ideal pastoral landscape. Today Arcadia holds as powerful an influence as at any time in the past and it is important that we plan our urban environment in ways that harmonize with the natural world. Arcadian Visions provides an alternative landscape history for all those involved with the landscape - either through its design, management, use or enjoyment. It begins by examining the origins of Arcadia and the pastoral in the classical poetry of Theocritus and Virgil, and the effects of, and on, Christianity before outlining its development in renaissance Italy and subsequently in the Netherlands, America and England. It concludes by looking at how Arcadian ecology is bringing about a reappraisal of the pastoral in the 21st century.
Publisher: Windgather Press
ISBN: 1909686662
Category : Literary Criticism
Languages : en
Pages : 301
Book Description
This book is about Arcadia and the pastoral tradition; what it has meant for successive generations and their vision of the landscape, as well as the implications this has had for its design and management. Today the concept of Arcadia, and way it has shaped our landscape, is dimly perceived and little understood by landscape architects and those responsible for the management of land. This is in marked contrast to previous centuries when the vision of Arcadia and the pastoral was implanted by education among the more privileged in society. Young men spent many hours translating and learning by rote the words of Virgil and other classical authors and on the Grand Tour they would be introduced to work of painters like Poussin and Claude and their interpretations of the Ideal pastoral landscape. Today Arcadia holds as powerful an influence as at any time in the past and it is important that we plan our urban environment in ways that harmonize with the natural world. Arcadian Visions provides an alternative landscape history for all those involved with the landscape - either through its design, management, use or enjoyment. It begins by examining the origins of Arcadia and the pastoral in the classical poetry of Theocritus and Virgil, and the effects of, and on, Christianity before outlining its development in renaissance Italy and subsequently in the Netherlands, America and England. It concludes by looking at how Arcadian ecology is bringing about a reappraisal of the pastoral in the 21st century.
Poussin and Nature
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588392430
Category : Classicism in art
Languages : en
Pages : 434
Book Description
"The work of the great French painter Nicolas Poussin (15941665) is most often associated with classically inspired settings and figures depicting solemn scenes from mythology or the Bible. Yet he also created some of the most influential landscapes in Western art, endowing them with a poetic quality that has been admired by artists as different as Constable, Turner, and Ce;zanne. As the British critic William Hazlitt noted in 1844, 'This great and learned man might be said to see nature through the glass of time'. This beautiful catalogue presents the first in-depth examination of Poussin's landscapes. Featured here are more than 40 paintings, ranging from the artist's early Venetian-inspired pastorals to his grandly structured and austere works, designed as metaphors or allegories for the processes of nature. Also included are approximately 60 drawings and essays by internationally renowned scholars who examine the painter's visual, literary, and philosophical influences as well as his relationships with his patrons and his place in the art-historical canon."--Publisher description.
Publisher: Metropolitan Museum of Art
ISBN: 1588392430
Category : Classicism in art
Languages : en
Pages : 434
Book Description
"The work of the great French painter Nicolas Poussin (15941665) is most often associated with classically inspired settings and figures depicting solemn scenes from mythology or the Bible. Yet he also created some of the most influential landscapes in Western art, endowing them with a poetic quality that has been admired by artists as different as Constable, Turner, and Ce;zanne. As the British critic William Hazlitt noted in 1844, 'This great and learned man might be said to see nature through the glass of time'. This beautiful catalogue presents the first in-depth examination of Poussin's landscapes. Featured here are more than 40 paintings, ranging from the artist's early Venetian-inspired pastorals to his grandly structured and austere works, designed as metaphors or allegories for the processes of nature. Also included are approximately 60 drawings and essays by internationally renowned scholars who examine the painter's visual, literary, and philosophical influences as well as his relationships with his patrons and his place in the art-historical canon."--Publisher description.
The Arcadian Friends
Author: Tim Richardson
Publisher: Random House
ISBN: 0593060377
Category : Gardens
Languages : en
Pages : 560
Book Description
Between the 1680s and the 1750s, a group of politicians and poets, farmers and businessmen, heiresses and landowners began to experiment with the phenomenon that was to become the English landscape garden. This title takes a perspective on the politics and culture of England during the Enlightenment.
Publisher: Random House
ISBN: 0593060377
Category : Gardens
Languages : en
Pages : 560
Book Description
Between the 1680s and the 1750s, a group of politicians and poets, farmers and businessmen, heiresses and landowners began to experiment with the phenomenon that was to become the English landscape garden. This title takes a perspective on the politics and culture of England during the Enlightenment.
Landscape and Western Art
Author: Malcolm Andrews
Publisher: Oxford University Press, USA
ISBN: 9780192842336
Category : Art
Languages : en
Pages : 260
Book Description
This book explores many issues raised by the range of ideas and images of the natural world in Western art since the Renaissance. The whole concept of landscape is examined as a representation of the relationship between the human and natural worlds. Featured artists include Claude, Freidrich, Turner, Cole and Ruisdael, and many different forms of landscape art are addressed, such as land art, painting, photography, garden design, panorama and cartography.
Publisher: Oxford University Press, USA
ISBN: 9780192842336
Category : Art
Languages : en
Pages : 260
Book Description
This book explores many issues raised by the range of ideas and images of the natural world in Western art since the Renaissance. The whole concept of landscape is examined as a representation of the relationship between the human and natural worlds. Featured artists include Claude, Freidrich, Turner, Cole and Ruisdael, and many different forms of landscape art are addressed, such as land art, painting, photography, garden design, panorama and cartography.
Arcadian Thames
Author: Mavis Batey
Publisher:
ISBN: 9781899531073
Category : Landscape assessment
Languages : en
Pages : 131
Book Description
This work is based on the much-acclaimed survey The Thames Landscape Strategy: Hampton to Kew. Each of 12 stretches of the river is given a map and described in detail along with its wildlife habitats, historical origins and suggestions for its future. Anyone visiting or living in the area should find that they have a useful companion guide to hand.
Publisher:
ISBN: 9781899531073
Category : Landscape assessment
Languages : en
Pages : 131
Book Description
This work is based on the much-acclaimed survey The Thames Landscape Strategy: Hampton to Kew. Each of 12 stretches of the river is given a map and described in detail along with its wildlife habitats, historical origins and suggestions for its future. Anyone visiting or living in the area should find that they have a useful companion guide to hand.
Back to Nature
Author: Peter J. Schmitt
Publisher: New York : Oxford University Press
ISBN:
Category : Human beings
Languages : en
Pages : 262
Book Description
Publisher: New York : Oxford University Press
ISBN:
Category : Human beings
Languages : en
Pages : 262
Book Description
Adrian Berg
Author: Marco Livingstone
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848223943
Category : Art
Languages : en
Pages : 224
Book Description
Exploring the full breadth of work by British artist Adrian Berg RA (1929-2011), and drawing heavily on the artist's personal archive, this book discusses Berg's meticulous engagement with the landscape which resulted in an impressive oeuvre created over a long career.00Embracing the figurative when abstraction was in the ascendancy, Berg's artistic mission was to push the boundaries of representative painting to discover new interpretations of familiar scenes. Accordingly, his paintings revisited particular places repeatedly ? most notably the view of Regent's Park from his studio window at Gloucester Gate.00Highly colourful and engagingly written, this book provides a long overdue appraisal and celebration of an artist who is key to the conversation around the development of British landscape painting, that most celebrated of British traditions.00Exhibition: Frestonian Gallery, London, UK (opening April 2020).
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848223943
Category : Art
Languages : en
Pages : 224
Book Description
Exploring the full breadth of work by British artist Adrian Berg RA (1929-2011), and drawing heavily on the artist's personal archive, this book discusses Berg's meticulous engagement with the landscape which resulted in an impressive oeuvre created over a long career.00Embracing the figurative when abstraction was in the ascendancy, Berg's artistic mission was to push the boundaries of representative painting to discover new interpretations of familiar scenes. Accordingly, his paintings revisited particular places repeatedly ? most notably the view of Regent's Park from his studio window at Gloucester Gate.00Highly colourful and engagingly written, this book provides a long overdue appraisal and celebration of an artist who is key to the conversation around the development of British landscape painting, that most celebrated of British traditions.00Exhibition: Frestonian Gallery, London, UK (opening April 2020).
Landscape and the Arts in Early Modern Italy
Author: Katrina Grant
Publisher: Visual and Material Culture
ISBN: 9789463721530
Category :
Languages : en
Pages : 338
Book Description
This book argues that theatre, and the new genre of opera in particular, played a key role in creating a new vision of landscape during the long seventeenth century in Italy. It explores how the idea of gardens as theatres emerged at the same time as opera was developed in Italian courts around the turn of the seventeenth century. During this period landscape painting emerged as a genre and the aesthetic of designed landscapes and gardens was wholly transformed, which resulted in a reconceptualization of the relationship between humans and landscape. The importance of theatre as a key cultural expression Italy is widely recognised, but the visual culture of theatre and its relationship to the broader artistic culture is still being untangled. This book argues that the combination of narratives playing out in natural settings (Arcadia, Parnassus, Alcina), the emotional responses elicited by sets and special effects (the apparent magical manipulation of the laws of nature), and, the way that garden theatres were used for displays of power and to enact princely virtue and social order, all contributed to this shifting idea of landscape in the seventeenth century.
Publisher: Visual and Material Culture
ISBN: 9789463721530
Category :
Languages : en
Pages : 338
Book Description
This book argues that theatre, and the new genre of opera in particular, played a key role in creating a new vision of landscape during the long seventeenth century in Italy. It explores how the idea of gardens as theatres emerged at the same time as opera was developed in Italian courts around the turn of the seventeenth century. During this period landscape painting emerged as a genre and the aesthetic of designed landscapes and gardens was wholly transformed, which resulted in a reconceptualization of the relationship between humans and landscape. The importance of theatre as a key cultural expression Italy is widely recognised, but the visual culture of theatre and its relationship to the broader artistic culture is still being untangled. This book argues that the combination of narratives playing out in natural settings (Arcadia, Parnassus, Alcina), the emotional responses elicited by sets and special effects (the apparent magical manipulation of the laws of nature), and, the way that garden theatres were used for displays of power and to enact princely virtue and social order, all contributed to this shifting idea of landscape in the seventeenth century.