An Apology for the Life of Colley Cibber PDF Download
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Author: Colley Cibber
Publisher: Courier Corporation
ISBN: 9780486414720
Category : Performing Arts
Languages : en
Pages : 418
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Book Description
Actor, manager, and playwright Cibber was among the most influential people in 18th century London theater. This book chronicles the era's plays, playwrights, and actors, offering a glimpse into modern theater's beginnings.
Author: Colley Cibber
Publisher: Courier Corporation
ISBN: 9780486414720
Category : Performing Arts
Languages : en
Pages : 418
Get Book Here
Book Description
Actor, manager, and playwright Cibber was among the most influential people in 18th century London theater. This book chronicles the era's plays, playwrights, and actors, offering a glimpse into modern theater's beginnings.
Author: Colley Cibber
Publisher:
ISBN:
Category :
Languages : en
Pages : 356
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Book Description
Author: Colley Cibber
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 558
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Book Description
Author: Colley Cibber
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 360
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Book Description
Author: Colley Cibber
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 208
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Book Description
Author: Colley Cibber
Publisher:
ISBN:
Category : Cibber, Colley
Languages : en
Pages : 368
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Book Description
Author: Diederikus Marius Elbertus Habbema
Publisher:
ISBN:
Category :
Languages : en
Pages : 202
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Book Description
Author: Theophilus Cibber
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 152
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Book Description
Author: Helene Koon
Publisher: University Press of Kentucky
ISBN: 081318522X
Category : Biography & Autobiography
Languages : en
Pages : 355
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Book Description
Colley Cibber changed the course of the English-speaking theater. One of the most complete theater men in the history of the stage, he fostered the change from drama as the handmaiden of literature to theater as an independent and lively art. In the process, Cibber became one of London's brightest stars, one of its most popular playwrights and, for thirty years, manager of the most important theater in England, Drury Lane. Yet above all, Cibber was an actor, and this fact governed his life and career. In his plays, he demonstrated a remarkable awareness of the audience in the playhouse, while the character of a fool, which he created for the stage, gradually became the mask he wore in private life. The man himself achieved fame and wealth and gained powerful friends who gave him the post of Poet Laureate. But the mask and his success brought equally powerful enemies who made him the target of their ridicule and succeeded in destroying his reputation. Since then the distorted image created by Pope and Fielding has amused generations of readers, but it does not explain how such a supposed fool remained a favorite with the public throughout his career, had more plays in the repertory than any other contemporary author, successfully managed a major theatrical company, or wrote the best theatrical history of his age. This biography looks at the man behind that distorting mask, his position in his own time, and his contribution to the theater.
Author: Ian Newman
Publisher: Liverpool University Press
ISBN: 1800855605
Category : Performing Arts
Languages : en
Pages : 352
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Book Description
Charles Macklin (1699?–1797) was one of the most important figures in the eighteenth-century theatre. Born in Ireland, he began acting in London in around 1725 and gave his final performance in 1789 – no other actor can claim to have acted across seven decades of the century, from the reign of George I to the Regency Crisis of 1788. He is credited alongside Garrick with the development of the natural school of acting and gave a famous performance of Shylock that gave George II nightmares. As a dramatist, he wrote one of the great comic pieces of the mid-century (Love à la Mode, 1759), as well as the only play of the century to be twice refused a performance licence (The Man of the World, 1781). He opened an experimental coffeehouse in Covent Garden, he advocated energetically for actors’ rights and copyright reform for dramatists, and he successfully sued theatre rioters. In short, he had an astonishingly varied career. With essays by leading experts on eighteenth-century culture, this volume provides a sustained critical examination of his career, illuminating many aspects of eighteenth-century theatrical culture and of the European Enlightenment, and explores the scholarly benefit – and thrill – of restaging Macklin’s work in the twenty-first century.
