Author: Hamid Dabashi
Publisher:
ISBN:
Category : History
Languages : en
Pages : 344
Book Description
A deeply informed political and cultural narrative of a country thrust into the international spotlight Praised by leading academics in the field as "extraordinary," "a brilliant analysis," "fresh, provocative and iconoclastic," Iran: A People Interrupted has distinguished itself as a major work that has single-handedly effected a revolution in the field of Iranian studies. In this provocative and unprecedented book, Hamid Dabashi--the internationally renowned cultural critic and scholar of Iranian history and Islamic culture--traces the story of Iran over the past two centuries with unparalleled analysis of the key events, cultural trends, and political developments leading up to the collapse of the reform movement and the emergence of the combative presidency of Mahmoud Ahmadinejad. Written in the author's characteristically lively and combative prose, Iran combines "delightful vignettes" (Publishers Weekly) from Dabashi's Iranian childhood and sharp, insightful readings of its contemporary history. In an era of escalating tensions in the Middle East, his defiant moral voice and eloquent account of a national struggle for freedom and democracy against the overwhelming backdrop of U.S. military hegemony fills a crucial gap in our understanding of this country.
Iran
Author: Hamid Dabashi
Publisher:
ISBN:
Category : History
Languages : en
Pages : 344
Book Description
A deeply informed political and cultural narrative of a country thrust into the international spotlight Praised by leading academics in the field as "extraordinary," "a brilliant analysis," "fresh, provocative and iconoclastic," Iran: A People Interrupted has distinguished itself as a major work that has single-handedly effected a revolution in the field of Iranian studies. In this provocative and unprecedented book, Hamid Dabashi--the internationally renowned cultural critic and scholar of Iranian history and Islamic culture--traces the story of Iran over the past two centuries with unparalleled analysis of the key events, cultural trends, and political developments leading up to the collapse of the reform movement and the emergence of the combative presidency of Mahmoud Ahmadinejad. Written in the author's characteristically lively and combative prose, Iran combines "delightful vignettes" (Publishers Weekly) from Dabashi's Iranian childhood and sharp, insightful readings of its contemporary history. In an era of escalating tensions in the Middle East, his defiant moral voice and eloquent account of a national struggle for freedom and democracy against the overwhelming backdrop of U.S. military hegemony fills a crucial gap in our understanding of this country.
Publisher:
ISBN:
Category : History
Languages : en
Pages : 344
Book Description
A deeply informed political and cultural narrative of a country thrust into the international spotlight Praised by leading academics in the field as "extraordinary," "a brilliant analysis," "fresh, provocative and iconoclastic," Iran: A People Interrupted has distinguished itself as a major work that has single-handedly effected a revolution in the field of Iranian studies. In this provocative and unprecedented book, Hamid Dabashi--the internationally renowned cultural critic and scholar of Iranian history and Islamic culture--traces the story of Iran over the past two centuries with unparalleled analysis of the key events, cultural trends, and political developments leading up to the collapse of the reform movement and the emergence of the combative presidency of Mahmoud Ahmadinejad. Written in the author's characteristically lively and combative prose, Iran combines "delightful vignettes" (Publishers Weekly) from Dabashi's Iranian childhood and sharp, insightful readings of its contemporary history. In an era of escalating tensions in the Middle East, his defiant moral voice and eloquent account of a national struggle for freedom and democracy against the overwhelming backdrop of U.S. military hegemony fills a crucial gap in our understanding of this country.
Masters and Masterpieces of Iranian Cinema
Author: Hamid Dabashi
Publisher: Mage Publishers
ISBN: 1949445550
Category : Performing Arts
Languages : en
Pages : 462
Book Description
An academically acclaimed and globally celebrated cultural critic, Hamid Dabashi is the Hagop Kevorkian Professor of Iranian Studies and Comparative Literature at Columbia University. He is the author of a number of highly acclaimed books and articles on Iran, Islam, comparative literature, world cinema, and the philosophy of art, among them Close Up: Iranian Cinema, Past, Present, Future; Dreams of a Nation: On Palestinian Cinema (editor), Iran: A People Interrupted, and Iran without Borders: Towards a Critique of the Postcolonial Nation. He lives with his family in New York City.
Publisher: Mage Publishers
ISBN: 1949445550
Category : Performing Arts
Languages : en
Pages : 462
Book Description
An academically acclaimed and globally celebrated cultural critic, Hamid Dabashi is the Hagop Kevorkian Professor of Iranian Studies and Comparative Literature at Columbia University. He is the author of a number of highly acclaimed books and articles on Iran, Islam, comparative literature, world cinema, and the philosophy of art, among them Close Up: Iranian Cinema, Past, Present, Future; Dreams of a Nation: On Palestinian Cinema (editor), Iran: A People Interrupted, and Iran without Borders: Towards a Critique of the Postcolonial Nation. He lives with his family in New York City.
An Analysis of Hamid Dabashi's Iran
Author: Bryan Gibson
Publisher: CRC Press
ISBN: 1351352377
Category : Literary Criticism
Languages : en
Pages : 109
Book Description
Hamid Dabashi’s 2007 Iran: A People Interrupted is simultaneously subtle, passionate, polarizing and polemical. A concise account of Iranian history from the early 19th-century onward, Dabashi’s book uses his incisive analytical skills as a basis for creating a persuasive argument against the views of Iran that predominate in the West. In Dabashi’s view, Western approaches to Iran have been colored time and time again by the assumption that it is somehow trapped between regressive ‘tradition,’ and progressive ‘modernity.’ The reality, he argues, is quite the opposite: Iran has its own distinctive ideology of modernity, which is nevertheless opposed to many Western ideals. In order to prove his point, Dabashi draws on a lifetime’s experience of literary criticism to analyse the relationship between Iran’s intellectual and political elites over two centuries. His analysis provides the key evidence for his reasoning by teasing out the implicit assumptions that underly the texts and people he examines. Looking beneath the surface of the evidence, Dabashi finds – time and time again – the traces of a uniquely Iranian notion of modernity that is quite at odds with its Western counterpart.
Publisher: CRC Press
ISBN: 1351352377
Category : Literary Criticism
Languages : en
Pages : 109
Book Description
Hamid Dabashi’s 2007 Iran: A People Interrupted is simultaneously subtle, passionate, polarizing and polemical. A concise account of Iranian history from the early 19th-century onward, Dabashi’s book uses his incisive analytical skills as a basis for creating a persuasive argument against the views of Iran that predominate in the West. In Dabashi’s view, Western approaches to Iran have been colored time and time again by the assumption that it is somehow trapped between regressive ‘tradition,’ and progressive ‘modernity.’ The reality, he argues, is quite the opposite: Iran has its own distinctive ideology of modernity, which is nevertheless opposed to many Western ideals. In order to prove his point, Dabashi draws on a lifetime’s experience of literary criticism to analyse the relationship between Iran’s intellectual and political elites over two centuries. His analysis provides the key evidence for his reasoning by teasing out the implicit assumptions that underly the texts and people he examines. Looking beneath the surface of the evidence, Dabashi finds – time and time again – the traces of a uniquely Iranian notion of modernity that is quite at odds with its Western counterpart.
Theology of Discontent
Author: Hamid Dabashi
Publisher: Routledge
ISBN: 1351472356
Category : History
Languages : en
Pages : 678
Book Description
Scores of books and articles have been published, addressing one or another aspect of the Islamic Revolution in Iran. Missing from this body of scholarship, however, has been a comprehensive analysis of the intellectual and ideological cornerstones of one of the most dramatic revolutions in our time. In this remarkable volume, Hamid Dabashi brings together, in a sustained and engagingly written narrative, the leading revolutionaries who have shaped the ideological disposition of this cataclysmic event. Dabashi has spent over ten years studying the writings, in their original Persian and Arabic, of the most influential Iranian clerics and thinkers.Examining the revolutionary sentiments and ideas of such figures as Jalal Al-e Ahmad, Ali Sharicati, Morteza Motahhari, Sayyad Abolhasan Bani-Sadr, and finally the Ayatollah Khomeini, the work also analyzes the larger historical and theoretical implications of any construction of the Islamic Ideology. Carefully located in the social and intellectual context of the four decades preceding the 1979 revolution, Theology of Discontent is the definitive treatment of the ideological foundations of the Islamic Revolution, with particular attention to the larger, more enduring ramifications of this revolution for radical Islamic revivalism in the entire Muslim world.This volume will be of interest to Islamicists, Middle East historians and specialists, as well as scholars and students of liberation theologies, comparative religious revolutions, and mass collective behavior. Bruce Lawrence of Duke University calls this volume a superb and unprecedented study.... In brilliant figural strokes, he arrays EuroAmerican sociological theory as the crucial backdrop of a deeper understanding of contemporary Iranian history.
Publisher: Routledge
ISBN: 1351472356
Category : History
Languages : en
Pages : 678
Book Description
Scores of books and articles have been published, addressing one or another aspect of the Islamic Revolution in Iran. Missing from this body of scholarship, however, has been a comprehensive analysis of the intellectual and ideological cornerstones of one of the most dramatic revolutions in our time. In this remarkable volume, Hamid Dabashi brings together, in a sustained and engagingly written narrative, the leading revolutionaries who have shaped the ideological disposition of this cataclysmic event. Dabashi has spent over ten years studying the writings, in their original Persian and Arabic, of the most influential Iranian clerics and thinkers.Examining the revolutionary sentiments and ideas of such figures as Jalal Al-e Ahmad, Ali Sharicati, Morteza Motahhari, Sayyad Abolhasan Bani-Sadr, and finally the Ayatollah Khomeini, the work also analyzes the larger historical and theoretical implications of any construction of the Islamic Ideology. Carefully located in the social and intellectual context of the four decades preceding the 1979 revolution, Theology of Discontent is the definitive treatment of the ideological foundations of the Islamic Revolution, with particular attention to the larger, more enduring ramifications of this revolution for radical Islamic revivalism in the entire Muslim world.This volume will be of interest to Islamicists, Middle East historians and specialists, as well as scholars and students of liberation theologies, comparative religious revolutions, and mass collective behavior. Bruce Lawrence of Duke University calls this volume a superb and unprecedented study.... In brilliant figural strokes, he arrays EuroAmerican sociological theory as the crucial backdrop of a deeper understanding of contemporary Iranian history.
Shi'ism
Author: Hamid Dabashi
Publisher: Harvard University Press
ISBN: 0674064283
Category : Religion
Languages : en
Pages : 449
Book Description
For a Western world anxious to understand Islam and, in particular, ShiÕism, this book arrives with urgently needed information and critical analysis. Hamid Dabashi exposes the soul of ShiÕism as a religion of protestÑsuccessful only when in a warring position, and losing its legitimacy when in power. Dabashi makes his case through a detailed discussion of the ShiÕi doctrinal foundations, a panoramic view of its historical unfolding, a varied investigation into its visual and performing arts, and finally a focus on the three major sites of its contemporary contestations: Iran, Iraq, and Lebanon. In these states, ShiÕism seems to have ceased to be a sect within the larger context of Islam and has instead emerged to claim global political attention. Here we see ShiÕism in its combative modeÑreminiscent of its traumatic birth in early Islamic history. Hezbollah in Lebanon claims ShiÕism, as do the militant insurgents in Iraq, the ruling Ayatollahs in Iran, and the masses of youthful demonstrators rebelling against their reign. All declare their active loyalties to a religion of protest that has defined them and their ancestry for almost fourteen hundred years. ShiÕsm: A Religion of Protest attends to the explosive conflicts in the Middle East with an abiding attention to historical facts, cultural forces, religious convictions, literary and artistic nuances, and metaphysical details. This timely book offers readers a bravely intelligent history of a world religion.
Publisher: Harvard University Press
ISBN: 0674064283
Category : Religion
Languages : en
Pages : 449
Book Description
For a Western world anxious to understand Islam and, in particular, ShiÕism, this book arrives with urgently needed information and critical analysis. Hamid Dabashi exposes the soul of ShiÕism as a religion of protestÑsuccessful only when in a warring position, and losing its legitimacy when in power. Dabashi makes his case through a detailed discussion of the ShiÕi doctrinal foundations, a panoramic view of its historical unfolding, a varied investigation into its visual and performing arts, and finally a focus on the three major sites of its contemporary contestations: Iran, Iraq, and Lebanon. In these states, ShiÕism seems to have ceased to be a sect within the larger context of Islam and has instead emerged to claim global political attention. Here we see ShiÕism in its combative modeÑreminiscent of its traumatic birth in early Islamic history. Hezbollah in Lebanon claims ShiÕism, as do the militant insurgents in Iraq, the ruling Ayatollahs in Iran, and the masses of youthful demonstrators rebelling against their reign. All declare their active loyalties to a religion of protest that has defined them and their ancestry for almost fourteen hundred years. ShiÕsm: A Religion of Protest attends to the explosive conflicts in the Middle East with an abiding attention to historical facts, cultural forces, religious convictions, literary and artistic nuances, and metaphysical details. This timely book offers readers a bravely intelligent history of a world religion.
Close Up
Author: Hamid Dabashi
Publisher: Verso
ISBN: 9781859846261
Category : Performing Arts
Languages : en
Pages : 328
Book Description
Abbas Kiarostami planted Iran firmly on the map of world cinema when he won the Palme d'Or at the Cannes film festival for his film A Taste of Cherry in 1997. In this book Hamid Dabashi examines the growing reputation of Iranian cinema from its origins in the films of Kimiyai and Mehrjui, through the work of established directors such as Kiarostami, Beyzai and Bani-Etemad, to young filmmakers like Samira Makhmalbaf and Bahman Qobadi, who triumphed at the Cannes 2000 festival. Dabashi combines exclusive interviews with directors, detailed and insightful commentary, critical cultural context, an extensive filmography, and generous illustration to provide an indispensable guide to a globally celebrated but little-studied cinematic genre. Book jacket.
Publisher: Verso
ISBN: 9781859846261
Category : Performing Arts
Languages : en
Pages : 328
Book Description
Abbas Kiarostami planted Iran firmly on the map of world cinema when he won the Palme d'Or at the Cannes film festival for his film A Taste of Cherry in 1997. In this book Hamid Dabashi examines the growing reputation of Iranian cinema from its origins in the films of Kimiyai and Mehrjui, through the work of established directors such as Kiarostami, Beyzai and Bani-Etemad, to young filmmakers like Samira Makhmalbaf and Bahman Qobadi, who triumphed at the Cannes 2000 festival. Dabashi combines exclusive interviews with directors, detailed and insightful commentary, critical cultural context, an extensive filmography, and generous illustration to provide an indispensable guide to a globally celebrated but little-studied cinematic genre. Book jacket.
The World of Persian Literary Humanism
Author: Hamid Dabashi
Publisher: Harvard University Press
ISBN: 0674067592
Category : Literary Criticism
Languages : en
Pages : 385
Book Description
Humanism has mostly considered the question “What does it mean to be human?” from a Western perspective. Dabashi asks it anew from a non-European perspective, in a groundbreaking study of 1,400 years of Persian literary humanism. He presents the unfolding of this vast tradition as the creative and subversive subconscious of Islamic civilization.
Publisher: Harvard University Press
ISBN: 0674067592
Category : Literary Criticism
Languages : en
Pages : 385
Book Description
Humanism has mostly considered the question “What does it mean to be human?” from a Western perspective. Dabashi asks it anew from a non-European perspective, in a groundbreaking study of 1,400 years of Persian literary humanism. He presents the unfolding of this vast tradition as the creative and subversive subconscious of Islamic civilization.
Post-Orientalism
Author: Hamid Dabashi
Publisher: Routledge
ISBN: 1351295861
Category : History
Languages : en
Pages : 440
Book Description
Post-Orientalism is a sustained record of Hamid Dabashi's reflections over many years on the question of authority and power. Who gets to represent whom and by what authority? Dabashi's work picks up where Edward Said's Orientalism left off. Said traced the origin of the power of representation and the normative agency that it entails to the colonial hubris that carried a militant band of mercenary merchants, military officers, Christian missionaries, and European Orientalists around the globe. This hubris enabled them to write and represent the people they sought to rule. Dabashi's book is not as much a critique of colonial representation as it is of the manners and modes of fighting back and resisting it. He does not question the significance of Orientalism and its principal concern with the colonial acts of representation, but he provides a different angle that argues for the primacy of the question of postcolonial agency. Dabashi uses the United States as an example of a country that initiated militant acts of representation in Iraq and Afghanistan. He attempts to unearth and examine the United States' deeply rooted claim to normative and moral agency, particularly in light of the world's post-9/11 political reality.
Publisher: Routledge
ISBN: 1351295861
Category : History
Languages : en
Pages : 440
Book Description
Post-Orientalism is a sustained record of Hamid Dabashi's reflections over many years on the question of authority and power. Who gets to represent whom and by what authority? Dabashi's work picks up where Edward Said's Orientalism left off. Said traced the origin of the power of representation and the normative agency that it entails to the colonial hubris that carried a militant band of mercenary merchants, military officers, Christian missionaries, and European Orientalists around the globe. This hubris enabled them to write and represent the people they sought to rule. Dabashi's book is not as much a critique of colonial representation as it is of the manners and modes of fighting back and resisting it. He does not question the significance of Orientalism and its principal concern with the colonial acts of representation, but he provides a different angle that argues for the primacy of the question of postcolonial agency. Dabashi uses the United States as an example of a country that initiated militant acts of representation in Iraq and Afghanistan. He attempts to unearth and examine the United States' deeply rooted claim to normative and moral agency, particularly in light of the world's post-9/11 political reality.
The Arab Spring
Author: Hamid Dabashi
Publisher: Zed Books Ltd.
ISBN: 1780322267
Category : Political Science
Languages : en
Pages : 362
Book Description
This pioneering explanation of the Arab Spring will define a new era of thinking about the Middle East. In this landmark book, Hamid Dabashi argues that the revolutionary uprisings that have engulfed multiple countries and political climes from Morocco to Iran and from Syria to Yemen, were driven by a 'Delayed Defiance' - a point of rebellion against domestic tyranny and globalized disempowerment alike - that signifies no less than the end of Postcolonialism. Sketching a new geography of liberation, Dabashi shows how the Arab Spring has altered the geopolitics of the region so radically that we must begin re-imagining the 'the Middle East'. Ultimately, the 'permanent revolutionary mood' Dabashi brilliantly explains has the potential to liberate not only those societies already ignited, but many others through a universal geopolitics of hope.
Publisher: Zed Books Ltd.
ISBN: 1780322267
Category : Political Science
Languages : en
Pages : 362
Book Description
This pioneering explanation of the Arab Spring will define a new era of thinking about the Middle East. In this landmark book, Hamid Dabashi argues that the revolutionary uprisings that have engulfed multiple countries and political climes from Morocco to Iran and from Syria to Yemen, were driven by a 'Delayed Defiance' - a point of rebellion against domestic tyranny and globalized disempowerment alike - that signifies no less than the end of Postcolonialism. Sketching a new geography of liberation, Dabashi shows how the Arab Spring has altered the geopolitics of the region so radically that we must begin re-imagining the 'the Middle East'. Ultimately, the 'permanent revolutionary mood' Dabashi brilliantly explains has the potential to liberate not only those societies already ignited, but many others through a universal geopolitics of hope.
The Shahnameh
Author: Hamid Dabashi
Publisher: Columbia University Press
ISBN: 0231544944
Category : Literary Criticism
Languages : en
Pages : 269
Book Description
The Shahnameh, an epic poem recounting the foundation of Iran across mythical, heroic, and historical ages, is the beating heart of Persian literature and culture. Composed by Abu al-Qasem Ferdowsi over a thirty-year period and completed in the year 1010, the epic has entertained generations of readers and profoundly shaped Persian culture, society, and politics. For a millennium, Iranian and Persian-speaking people around the globe have read, memorized, discussed, performed, adapted, and loved the poem. In this book, Hamid Dabashi brings the Shahnameh to renewed global attention, encapsulating a lifetime of learning and teaching the Persian epic for a new generation of readers. Dabashi insightfully traces the epic’s history, authorship, poetic significance, complicated legacy of political uses and abuses, and enduring significance in colonial and postcolonial contexts. In addition to explaining and celebrating what makes the Shahnameh such a distinctive literary work, he also considers the poem in the context of other epics, such as the Aeneid and the Odyssey, and critical debates about the concept of world literature. Arguing that Ferdowsi’s epic and its reception broached this idea long before nineteenth-century Western literary criticism, Dabashi makes a powerful case that we need to rethink the very notion of “world literature” in light of his reading of the Persian epic.
Publisher: Columbia University Press
ISBN: 0231544944
Category : Literary Criticism
Languages : en
Pages : 269
Book Description
The Shahnameh, an epic poem recounting the foundation of Iran across mythical, heroic, and historical ages, is the beating heart of Persian literature and culture. Composed by Abu al-Qasem Ferdowsi over a thirty-year period and completed in the year 1010, the epic has entertained generations of readers and profoundly shaped Persian culture, society, and politics. For a millennium, Iranian and Persian-speaking people around the globe have read, memorized, discussed, performed, adapted, and loved the poem. In this book, Hamid Dabashi brings the Shahnameh to renewed global attention, encapsulating a lifetime of learning and teaching the Persian epic for a new generation of readers. Dabashi insightfully traces the epic’s history, authorship, poetic significance, complicated legacy of political uses and abuses, and enduring significance in colonial and postcolonial contexts. In addition to explaining and celebrating what makes the Shahnameh such a distinctive literary work, he also considers the poem in the context of other epics, such as the Aeneid and the Odyssey, and critical debates about the concept of world literature. Arguing that Ferdowsi’s epic and its reception broached this idea long before nineteenth-century Western literary criticism, Dabashi makes a powerful case that we need to rethink the very notion of “world literature” in light of his reading of the Persian epic.