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Author: Zeese Papanikolas
Publisher: Stanford University Press
ISBN: 0804795398
Category : Biography & Autobiography
Languages : en
Pages : 255
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Book Description
The profound economic and social changes in the post-Civil War United States created new challenges to a nation founded on Enlightenment and transcendental values, religious certainties, and rural traditions. Newly-freed African Americans, emboldened women, intellectuals and artists, and a polyglot tide of immigrants found themselves in a restless new world of railroads, factories, and skyscrapers where old assumptions were being challenged and new values had yet to be created. In An American Cakewalk: Ten Syncopators of the Modern World, Zeese Papanikolas tells the lively and entertaining story of a diverse group of figures in the arts and sciences who inhabited this new America. Just as ragtime composers subverted musical expectations by combining European march timing with African syncopation, so this book's protagonists—who range from Emily Dickinson to Thorstein Veblen and from Henry and William James to Charles Mingus—interrogated the modern American world through their own "syncopations" of cultural givens. The old antebellum slave dance, the cakewalk, with its parody of the manners and pretensions of the white folks in the Big House, provides a template of how the tricksters, shamans, poets, philosophers, ragtime pianists, and jazz musicians who inhabit this book used the arts of parody, satire, and disguise to subvert American cultural norms and to create new works of astonishing beauty and intellectual vigor.
Author: Zeese Papanikolas
Publisher: Stanford University Press
ISBN: 0804795398
Category : Biography & Autobiography
Languages : en
Pages : 255
Get Book Here
Book Description
The profound economic and social changes in the post-Civil War United States created new challenges to a nation founded on Enlightenment and transcendental values, religious certainties, and rural traditions. Newly-freed African Americans, emboldened women, intellectuals and artists, and a polyglot tide of immigrants found themselves in a restless new world of railroads, factories, and skyscrapers where old assumptions were being challenged and new values had yet to be created. In An American Cakewalk: Ten Syncopators of the Modern World, Zeese Papanikolas tells the lively and entertaining story of a diverse group of figures in the arts and sciences who inhabited this new America. Just as ragtime composers subverted musical expectations by combining European march timing with African syncopation, so this book's protagonists—who range from Emily Dickinson to Thorstein Veblen and from Henry and William James to Charles Mingus—interrogated the modern American world through their own "syncopations" of cultural givens. The old antebellum slave dance, the cakewalk, with its parody of the manners and pretensions of the white folks in the Big House, provides a template of how the tricksters, shamans, poets, philosophers, ragtime pianists, and jazz musicians who inhabit this book used the arts of parody, satire, and disguise to subvert American cultural norms and to create new works of astonishing beauty and intellectual vigor.
Author: Zeese Papanikolas
Publisher: Stanford University Press
ISBN: 9780804791991
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
The profound economic and social changes in the post-Civil War United States created new challenges to a nation founded on Enlightenment and transcendental values, religious certainties, and rural traditions. Newly-freed African Americans, emboldened women, intellectuals and artists,and a polyglot tide of immigrants found themselves in a restless new world of railroads, factories, and skyscrapers where old assumptions were being challenged and new values had yet to be created. In An American Cakewalk: Ten Syncopators of the Modern World, Zeese Papanikolas tells the lively and entertaining story of a diverse group of figures in the arts and sciences who inhabited this new America. Just as ragtime composers subverted musical expectations by combining European march timing with African syncopation, so this book's protagonists—who range from Emily Dickinson to Thorstein Veblen and from Henry and William James to Charles Mingus—interrogated the modern American world through their own "syncopations" of cultural givens. The old antebellum slave dance, the cakewalk, with its parody of the manners and pretensions of the white folks in the Big House, provides a template of how the tricksters, shamans, poets, philosophers, ragtime pianists, and jazz musicians who inhabit this book used the arts of parody, satire, and disguise to subvert American cultural norms and to create new works of astonishing beauty and intellectual vigor.
Author: Megan Pugh
Publisher: Yale University Press
ISBN: 0300201311
Category : Performing Arts
Languages : en
Pages : 413
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Book Description
"The history of American dance reflects the nation's tangled culture. Dancers from wildly different backgrounds watched, imitated, and stole from one another. Audiences everywhere embraced the result as deeply American. Chronicling dance from the minstrel stage to the music video, Megan Pugh shows how freedom--that nebulous, contested American ideal--emerged as a genre-defining aesthetic. Ballerinas mingled with slumming thrill-seekers, and hoedowns showed up on elite opera-house stages. Steps invented by slaves captivated the British royalty and the Parisian avant-garde. Dances were better boundary crossers than their dancers, however, and the racism and class conflicts that haunt everyday life shadow American dance as well. Center stage in America Dancing is a cast of performers who slide, glide, stomp, and swing their way through history. At the nadir of U.S. race relations, cakewalkers embraced the rhythms of black America. On the heels of the Harlem Renaissance, Bill Robinson tap-danced to stardom. At the height of the Great Depression, Fred Astaire and Ginger Rogers unified highbrow and popular art. In the midst of 1940s patriotism, Agnes de Mille brought jazz and square dance to ballet, then took it all to Broadway. In the decades to come, the choreographer Paul Taylor turned pedestrian movements into modern masterpiecds, and Michael Jackson moonwalked his way to otherworldly stardom. These artists both celebrated and criticized the country, all while inspiring others to get moving. For it is partly by pretending to be other people, Pugh argues, that Americans discover themselves ... America Dancing demonstrates the centrality of dance in American art, life, and identity, taking us to watershed moments when the nation worked out a sense of itself through public movement"--Publisher's description.
Author: Rita Mae Brown
Publisher: Bantam
ISBN: 0553392662
Category : Fiction
Languages : en
Pages : 321
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Book Description
Continuing in the exuberant tradition of Six of One, Bingo, and Loose Lips, New York Times bestselling author Rita Mae Brown returns to her much-loved fictional hamlet of Runnymede, whose memorable citizens are welcoming both the end of the Great War and the beginning of a new era. The night a riot breaks out at the Capitol Theater movie house—during a Mary Pickford picture, no less—you can bet that the Hunsenmeir sisters, Louise and Julia, are nearby. Known locally as Wheezie and Juts, the inimitable, irrepressible, distinctly freethinking sisters and their delightful circle of friends are coming of age in a shifting world—and are determined to understand their place in it. Across town, the well-to-do Chalfonte siblings are preparing for the upcoming wedding of brother Curtis. But for youngest sister Celeste, the celebration brings about a change she never expected and a lesson about love she’ll not soon forget. Set against the backdrop of America emerging from World War I, Cakewalk is an outrageous and affecting novel about a small town where ideas of sin and virtue, love and sex, men and women, politics and religion, can be as divided as the Mason-Dixon Line that runs right through it—and where there’s no problem that can’t be cured by a good yarn and an even better scotch. With her signature Southern voice, Rita Mae Brown deftly weaves generations of family stories into a spirited patchwork quilt of not-so-simple but joyously rich life. Praise for Cakewalk “[Cakewalk] is brimming over with [Rita Mae Brown’s] distinctive Southern voice that infuses every page with merriment, which allows her vibrant characters to take over the story and touch readers’ hearts. Her depictions of the inhabitants and the era are pitch-perfect as are the many subplots. Readers will feel as if they are living in Runnymede; running around with the teenagers, eavesdropping on the matrons planning the annual cakewalk and hiding in the closet of the wealthy families. An utterly delightful story.”—RT Book Reviews “Brown has said that the Runnymede novels, starting with Six of One, are the ones she was born to write. . . . This is more loving domestic comedy of small-town life when times were simpler. Recommended for fans of Brown and beyond.”—Library Journal “A delightful romp through small-town America, with all of its gossips and laughs, passions and rivalries, and through it all the importance of the thread of family.”—Historical Novels Review “A feel-good novel told by an expert storyteller who delights in creating colorful and quirky characters.”—Shelf Awareness “Two independent and free-thinking sisters, Louise and Julia Hunsenmeir (called Wheezie and Juts), push against the old-fashioned ways of drinking, dancing, and courting. . . . Characters were inspired by Brown’s own mother and sister, adding realism and depth to this uplifting story. Fans of Amy Hill Heath and Mary Kay Andrews will eat up this multigenerational ‘slice-of-life’ novel.”—Booklist “There seems to be no end to [Rita Mae Brown’s] imagination, inventiveness, or storytelling artistry. . . . What is [Cakewalk] about? Life, love, baseball, war, peace, good whiskey, fashion, sex, religion, friendship–all in a rollicking and lively story that just keeps rolling along at a brisk pace. Ms. Brown paints such vivid scenes. . . . [Cakewalk is] entertaining, outrageous, thought-provoking, nostalgic, and great fun.”—My Merri Way
Author: Julie Malnig
Publisher: University of Illinois Press
ISBN: 0252055144
Category : Performing Arts
Languages : en
Pages : 394
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Book Description
This dynamic collection documents the rich and varied history of social dance and the multiple styles it has generated, while drawing on some of the most current forms of critical and theoretical inquiry. The essays cover different historical periods and styles; encompass regional influences from North and South America, Britain, Europe, and Africa; and emphasize a variety of methodological approaches, including ethnography, anthropology, gender studies, and critical race theory. While social dance is defined primarily as dance performed by the public in ballrooms, clubs, dance halls, and other meeting spots, contributors also examine social dance’s symbiotic relationship with popular, theatrical stage dance forms. Contributors are Elizabeth Aldrich, Barbara Cohen-Stratyner, Yvonne Daniel, Sherril Dodds, Lisa Doolittle, David F. García, Nadine George-Graves, Jurretta Jordan Heckscher, Constance Valis Hill, Karen W. Hubbard, Tim Lawrence, Julie Malnig, Carol Martin, Juliet McMains, Terry Monaghan, Halifu Osumare, Sally R. Sommer, May Gwin Waggoner, Tim Wall, and Christina Zanfagna.
Author: Jacqui Malone
Publisher: University of Illinois Press
ISBN: 9780252065088
Category : History
Languages : en
Pages : 316
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Book Description
Former dancer Jacqui Malone throws a fresh spotlight on the cultural history of black dance, the Africanisms that have influenced it, and the significant role that vocal harmony groups, black college and university marching bands, and black sorority and fraternity stepping teams have played in the evolution of dance in African American life.
Author: Lee Smith
Publisher: Southern Revivals
ISBN: 9781611174199
Category : Fiction
Languages : en
Pages : 0
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Book Description
A new edition of Smith's comic short stories featuring an array of memorable southern characters
Author:
Publisher: Rizzoli International Publications
ISBN: 9780847823345
Category : Cake
Languages : en
Pages : 0
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Book Description
Filled with detailed photos and accessible writing, this is the first book to showcase Braun's exquisite cake decorations. Includes recipes and step-by-step instructions for constructing 15 of Braun's creations. 200 illustrations.
Author: Catherine Kautsky
Publisher: Rowman & Littlefield
ISBN: 1442269839
Category : Music
Languages : en
Pages : 255
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Book Description
Claude Debussy’s exquisite piano works have captivated generations with their dreamlike atmosphere and mysterious soundscapes. Written in Paris at the height of the Belle Époque, the music creates a soundtrack for Parisians’ enjoyment of such delights as clowns, mermaids, eccentric dances, and the dark tales of Edgar Allan Poe. Debussy’s Paris: Piano Portraits of the Belle Époque explores how key works reflect not only the most appealing and innocent aspects of Paris but also more disquieting attitudes of the time such as racism, colonial domination, and nationalistic hostility. Debussy left no avenue unexplored, and his piano works present a sweeping overview of the passions, vices, and obsessions of the era. Pianist Catherine Kautsky reveals little-known elements of Parisian culture and weaves the music, the man, the city, and the era into an indissoluble whole. Her portrait will delight anyone who has ever been entranced by Debussy’s music or the city that inspired it.
Author: Kate Moses
Publisher: Dial Press
ISBN: 0440338387
Category : Biography & Autobiography
Languages : en
Pages : 369
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Book Description
From the author of the internationally acclaimed Wintering: A Novel of Sylvia Plath comes a funny, touching memoir of a crummy—and crumby—childhood. Growing up in the 1960s and ’70s, Kate Moses was surrounded by sugar: Twinkies in the basement freezer, honey on the fried chicken, Baby Ruth bars in her father’s sock drawer. But sweetness of the more intangible variety was harder to come by. Her parents were disastrously mismatched, far too preoccupied with their mutual misery to notice its effects on their kids. A frustrated artist, Kate’s beautiful, capricious mother lived in a constant state of creative and marital emergency, enlisting Kate as her confidante—“We’re the girls, we have to stick together”—and instructing her three children to refer to her in public as their babysitter. Kate’s father was aloof, ambitious, and prone to blasts of withering abuse increasingly directed at the daughter who found herself standing between her embattled parents. Kate looked for comfort in the imaginary worlds of books and found refuge in the kitchen, where she taught herself to bake and entered the one realm where she was able to wield control. Telling her own story with the same lyricism, compassion, and eye for lush detail she brings to her fiction, coupled with the candor and humor she is known for in her personal essays, Kate Moses leavens each tale of her coming-of-age in Cakewalk with a recipe from her lifetime of confectionary obsession. There is the mysteriously erotic German Chocolate Cake implicated in a birds-and-bees speech when Kate was seven, the gingerbread people her mother baked for Christmas the year Kate officially realized she was fat, the chocolate chip cookies Kate used to curry favor during a hilariously gruesome adolescence, and the brownies she baked for her idol, the legendary M.F.K. Fisher, who pronounced them “delicious.” Filled with the abundance and joy that were so lacking in Kate’s youth, Cakewalk is a wise, loving tribute to life in all its sweetness as well as its bitterness and, ultimately, a recipe for forgiveness.
