Spatial Biases in Perception and Cognition PDF Download
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Author: Timothy L. Hubbard
Publisher: Cambridge University Press
ISBN: 1107154987
Category : Psychology
Languages : en
Pages : 505
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Book Description
Numerous spatial biases influence navigation, interactions, and preferences in our environment. This volume considers their influences on perception and memory.
Author: Timothy L. Hubbard
Publisher: Cambridge University Press
ISBN: 1107154987
Category : Psychology
Languages : en
Pages : 505
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Book Description
Numerous spatial biases influence navigation, interactions, and preferences in our environment. This volume considers their influences on perception and memory.
Author: Sue-Ellen Case
Publisher: Indiana University Press
ISBN: 0253028205
Category : Art
Languages : en
Pages : 231
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Book Description
“A collection of essays in a variety of disciplines that confront oppressed, marginalized, and invisible space . . . an astonishing array of material.” —Theatre Research International The fluid nature of performance studies and the widening embrace of the idea of performativity have come together in Decomposition to produce a collection that crosses disciplinary lines of academic work. The essays move from the local to the global, from history to sport, from body parts to stage productions, and from race relations to global politics. In the title essay, Elizabeth Wood writes about a basic human relation cast around the question of performance and triangulated by the role that a great performer took within it. Together these essays pursue critical understandings of performance in our postmodern world. Contributors include Philip Brett, Sue-Ellen Case, Susan Leigh Forster, Amelia Jones, Kristine C. Kuramitsu, George Lipsitz, Catherine Lord, Ronald Radano, Timothy D. Taylor, Jeffrey Tobin, Deborah Wong, Elizabeth Wood, and B. J. Wray “Presents interpretive interventions of a more localized, materially and institutionally anchored, and ultimately more specific and powerful nature.” —TDR/The Drama Review
Author: Yang Wang
Publisher:
ISBN:
Category :
Languages : en
Pages : 626
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Book Description
Author: Andrew Durkin
Publisher: Pantheon
ISBN: 0307911764
Category : Music
Languages : en
Pages : 538
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Book Description
Decomposition is a bracing, revisionary, and provocative inquiry into music—from Beethoven to Duke Ellington, from Conlon Nancarrow to Evelyn Glennie—as a personal and cultural experience: how it is composed, how it is idiosyncratically perceived by critics and reviewers, and why we listen to it the way we do. Andrew Durkin, best known as the leader of the West Coast–based Industrial Jazz Group, is singular for his insistence on asking tough questions about the complexity of our presumptions about music and about listening, especially in the digital age. In this winning and lucid study he explodes the age-old concept of musical composition as the work of individual genius, arguing instead that in both its composition and reception music is fundamentally a collaborative enterprise that comes into being only through mediation. Drawing on a rich variety of examples—Big Jay McNeely’s “Deacon’s Hop,” Biz Markie’s “Alone Again,” George Antheil’s Ballet Mécanique, Frank Zappa’s “While You Were Art,” and Pauline Oliveros’s “Tuning Meditation,” to name only a few—Durkin makes clear that our appreciation of any piece of music is always informed by neuroscientific, psychological, technological, and cultural factors. How we listen to music, he maintains, might have as much power to change it as music might have to change how we listen.
Author: Christopher M. Swan
Publisher: Springer Nature
ISBN: 3030728544
Category : Science
Languages : en
Pages : 523
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Book Description
With almost 90% of terrestrial plant material entering the detrital pool, the processing of this significant carbon source is a critical ecosystem function to understand. Riverine ecosystems are estimated to receive, process and transport nearly 1.9 Pg of terrestrial carbon per year globally, highlighting the focus many freshwater ecologists have on the factors that explain decomposition rates of senesced plant material. Since Webster and Benfield offered the first comprehensive review of these factors in 1986, there has been an explosion of research addressing key questions about the ecological interactions at play. Ecologists have developed field and laboratory techniques, as well as created global scale collaborations to disentangle the many drivers involved in the decomposition process. This book encapsulates these 30+ years of research, describing the state of knowledge on the ecology of plant litter decomposition in stream ecosystems in 22 chapters written by internationally renowned experts on the subject.
Author: René Agostini
Publisher: Cambridge Scholars Publishing
ISBN: 1443882313
Category : Art
Languages : en
Pages : 365
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Book Description
The conviction that the development and promotion of the arts, humanities and culture through the study of literature and the aesthetic are the fundamental constituents of any progress in society is at the heart of this volume. The essays gathered here explore the role of the imagination and aesthetic awareness in an age when the corporatization of knowledge is in the process of transforming literary studies, and political commitment is in danger of disappearing behind a supposedly post-ideological late-capitalist consensus. The main focus of the volume is the mutual implication of aesthetics and ideology and the status and value of different types of art within the political arena. Challenging issues in contemporary aesthetics are examined within the wider framework of current debates on the disappearance of the real, the crisis in representation, and the use of new media. The wide range of examples collected here, stretching from experimental poetry in post-war Germany, political commitment in twentieth-century French theatre, and countercultural Rumanian theatre under Ceaușescu, to Neo-Victorian fiction, Verbatim theatre in the UK, and political theatre for the masses in Estonia, vouchsafe unique insights into the intersection of aesthetics and ideology and the practical consequences thereof. As such, the volume opens up a space for a meaningful engagement with authentic forms of art from inside and outside the Anglosphere, and, ultimately, uses these examples as a platform from which to imagine some form of “aesthethics”, representing an ideal union of aesthetics and ideology. This concept, first coined by the French philosopher Philippe Lacoue-Labarthe, will prove to be relevant both within the parameters of the examples discussed here, but also beyond, for the contributors to this volume are unanimous in refusing to believe that aesthetics and ideology can exist one without the other, and in recognizing the centrality of ethics in any discussion of these notions.
Author: Dobby Gibson
Publisher: Graywolf Press
ISBN: 9781555976323
Category : Poetry
Languages : en
Pages : 0
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Book Description
"Dobby Gibson's poetry . . . is equal parts tender, triumphant, exhilarating, disturbing, and thought provoking: it's fantastic." (The Corresponder) * Shortlisted for the Believer Poetry Award * From the backs of the books I love and am terrified by, the great thinkers stare back at me with little encouragement. I am prepared to follow them anywhere! —from "Ago" Meditative, lyrical, aphoristic, and always leavened with a wry wit, the poems in Dobby Gibson's It Becomes You explore the divergent conditions by which we're perpetually defined—the daily weather, the fluctuations of the Dow, the growth of a cancer cell, the politics of the day. What surrounds us becomes us, Gibson suggests, in a book that will ultimately become you.
Author: Michel Delville
Publisher: Routledge
ISBN: 1135904693
Category : Literary Criticism
Languages : en
Pages : 162
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Book Description
From Plato’s dismissal of food as a distraction from thought to Kant’s relegation of the palate to the bottom of the hierarchy of the senses, the sense of taste has consistently been devalued by Western aesthetics. Kant is often invoked as evidence that philosophers consider taste as an inferior sense because it belongs to the realm of the private and subjective and does not seem to be required in the development of higher types of knowledge. From a gastrosophical perspective, however, what Kant perceives as a limitation becomes a new field of enquiry that investigates the dialectics of diet and discourse, self and matter, inside and outside. The essays in this book examine the importance of food as a pivotal element – both materially and conceptually – in the history of the Western avant-garde. From Gertrude Stein to Alain Robbe-Grillet and Samuel Beckett, from F.T. Marinetti to Andy Warhol, from Marcel Duchamp to Eleanor Antin, the examples chosen explore the conjunction of art and foodstuff in ways that interrogate contemporary notions of the body, language, and subjectivity.
Author: Peter le Huray
Publisher: CUP Archive
ISBN: 9780521359016
Category : Music
Languages : en
Pages : 420
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Book Description
This is an abridged, paperback edition of Peter le Huray and James Day's invaluable anthology of writings concerned with the role of music in eighteenth- and early-nineteenth-century aesthetics. This volume retains all the most important and significant items from the original hardcover edition. Over fifty writers are represented here, including such major figures as Rousseau, Kant, Schlegel, Schopenhauer and Hegel, and the useful introductions and biographical details of the original are also retained. The aesthetic literature of the period is profuse but this carefully edited volume offers a balanced selection which illuminates the ways people experienced music and how they came to an understanding in particular of the new music of their day.
Author: Ian Fleishman
Publisher: Northwestern University Press
ISBN: 0810136813
Category : Literary Criticism
Languages : en
Pages : 450
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Book Description
An Aesthetics of Injury exposes wounding as a foundational principle of modernism in literature and film. Theorizing the genre of the narrative wound—texts that aim not only to depict but also to inflict injury—Ian Fleishman reveals harm as an essential aesthetic strategy in ten exemplary authors and filmmakers: Charles Baudelaire, Franz Kafka, Georges Bataille, Jean Genet, Hélène Cixous, Ingeborg Bachmann, Elfriede Jelinek, Werner Schroeter, Michael Haneke, and Quentin Tarantino. Violence in the modernist mode, an ostensible intrusion of raw bodily harm into the artwork, aspires to transcend its own textuality, and yet, as An Aesthetics of Injury establishes, the wound paradoxically remains the essence of inscription. Fleishman thus shows how the wound, once the modernist emblem par excellence of an immediate aesthetic experience, comes to be implicated in a postmodern understanding of reality reduced to ceaseless mediation. In so doing, he demonstrates how what we think of as the most real object, the human body, becomes indistinguishable from its “nonreal” function as text. At stake in this tautological textual model is the heritage of narrative thought: both the narratological workings of these texts (how they tell stories) and the underlying epistemology exposed (whether these narrativists still believe in narrative at all). With fresh and revealing readings of canonical authors and filmmakers seldom treated alongside one another, An Aesthetics of Injury is important reading for scholars working on literary or cinematic modernism and the postmodern, philosophy, narratology, body culture studies, queer and gender studies, trauma studies, and cultural theory.
