Author: Orlando Patterson
Publisher: Caribbean Modern Classics
ISBN: 9781845231040
Category : Jamaica
Languages : en
Pages : 0
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Book Description
Through the tangled love life of one Alexander Blackman, Orlando Patterson offers up a devastating critique of middle-class pretension, turning instead to the vibrant realities of the Jamaican working class. Full of sardonic humour and social commentary, the novel looks into the dark heart of social hierarchy, colonial education and the impact both have on the individual and the many.
Author: Orlando Patterson
Publisher:
ISBN:
Category : Jamaica
Languages : en
Pages : 168
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Book Description
"Originally published in 1967, An Absence of Ruins is a poignant portrayal of a man shaped by the colonial education of the Caribbean intellectual class. Orlando Patterson offers a devastating critique of middle-class intellectualism through the self-condemning perceptions of the main character, Alexander Blackman, and the vibrant reality of the world he is unable to embrace - the world of the Jamaican working class. An intensive and inward portrayal of what the world looks like to a man who has been shaped by the deeply entrenched consequences of colonialism, this novel is full of sardonic humor and a nihilism that emerges as a kind of integrity."--Goodreads
Author: Wu Hung
Publisher: Reaktion Books
ISBN: 1861899769
Category : Art
Languages : en
Pages : 296
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Book Description
This richly illustrated book examines the changing significance of ruins as vehicles for cultural memory in Chinese art and visual culture from ancient times to the present. The story of ruins in China is different from but connected to “ruin culture” in the West. This book explores indigenous Chinese concepts of ruins and their visual manifestations, as well as the complex historical interactions between China and the West since the eighteenth century. Wu Hung leads us through an array of traditional and contemporary visual materials, including painting, architecture, photography, prints, and cinema. A Story of Ruins shows how ruins are integral to traditional Chinese culture in both architecture and pictorial forms. It traces the changes in their representation over time, from indigenous methods of recording damage and decay in ancient China, to realistic images of architectural ruins in the nineteenth and twentieth centuries, to the strong interest in urban ruins in contemporary China, as shown in the many artworks that depict demolished houses and decaying industrial sites. The result is an original interpretation of the development of Chinese art, as well as a unique contribution to global art history.
Author: Kevin Powers
Publisher: Little, Brown
ISBN: 0316556483
Category : Fiction
Languages : en
Pages : 200
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Book Description
Set in Virginia during the Civil War and a century beyond, this novel by the award-winning author of The Yellow Birds explores the brutal legacy of violence and exploitation in American society. Spanning over one hundred years, from the antebellum era to the 1980's, A Shout in the Ruins examines the fates of the inhabitants of Beauvais Plantation outside of Richmond, Virginia. When war arrives, the master of Beauvais, Anthony Levallios, foresees that dominion in a new America will be measured not in acres of tobacco under cultivation by his slaves, but in industry and capital. A grievously wounded Confederate veteran loses his grip on a world he no longer understands, and his daughter finds herself married to Levallois, an arrangement that feels little better than imprisonment. And two people enslaved at Beauvais plantation, Nurse and Rawls, overcome impossible odds to be together, only to find that the promise of coming freedom may not be something they will live to see. Seamlessly interwoven is the story of George Seldom, a man orphaned by the storm of the Civil War, looking back from the 1950s on the void where his childhood ought to have been. Watching the government destroy his neighborhood to build a stretch of interstate highway through Richmond, he travels south in an attempt to recover his true origins. With the help of a young woman named Lottie, he goes in search of the place he once called home, all the while reckoning with the more than 90 years he lived as witness to so much that changed during the 20th century, and so much that didn't. As we then watch Lottie grapple with life's disappointments and joys in the 1980's, now in her own middle-age, the questions remain: How do we live in a world built on the suffering of others? And can love exist in a place where for 400 years violence has been the strongest form of intimacy? Written with the same emotional intensity, harrowing realism, and poetic precision that made The Yellow Birds one of the most celebrated novels of the past decade, A Shout in the Ruins cements Powers' place in the forefront of American letters and demands that we reckon with the moral weight of our troubling history.
Author: Maximilian Christian Forte
Publisher:
ISBN: 9780813028286
Category : Social Science
Languages : en
Pages : 283
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Book Description
This study of a contemporary indigenous culture documents the vitality of a number of self-constructed "indigenous" Carib communities in the postcolonial Caribbean. These small groups, which have asserted their presence through folklore, tradition, and ceremony, have received recognition and support from the state, attention from national media, and a privileged place in historical discussions of the figure of the "Carib." The Caribbean is typically thought of as having no precolonial survivors. Maximilian Forte demonstrates that this is not the case. He convincingly argues that an indigenous presence has persisted in Trinidad and Tobago--as an actual demographic presence and a symbolic force--since the colonial period. Focusing on the Santa Rosa Carib Community in Arima, Trinidad, he explores how "Carib" has come into being as a meaningful category in Trinidad, how it has been challenged and reengineered, and how it affects the relationship between colonial political economy and modern identity formation. He also explores two previous resurgences of Amerindian community and identity in Trinidad, in the 1820s and again in the 1870s to the 1920s. Balanced between history and contemporary ethnography, this book ranges from the analysis of the forces of globalization to the performance of local rituals. By tracing notions and labels--Carib, Arawak, Indian--through time, Forte shows how indigeneity is deeply enmeshed in historical processes and has deliberately been constructed from the time of the first encounters between Europeans and Trinidad's native peoples up to the present. He maintains that the social position of "Indian" is created by various agents, including culture brokers or intermediaries, as well as by institutions such as the church and by organs of the state. Using the individual biographies of activists in Arima, where he conducted fieldwork for nearly four years, Forte also shows how intracultural diversity looks at the ground level. In addition, his historical analysis offers a fascinating commentary on attitudes toward African, European, Asian, and Venezuelan peoples and heritages and on the flow of images and information between the Americas and the Caribbean.
Author: Julia Hell
Publisher: Duke University Press
ISBN: 0822390744
Category : Art
Languages : en
Pages : 530
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Book Description
Images of ruins may represent the raw realities created by bombs, natural disasters, or factory closings, but the way we see and understand ruins is not raw or unmediated. Rather, looking at ruins, writing about them, and representing them are acts framed by a long tradition. This unique interdisciplinary collection traces discourses about and representations of ruins from a richly contextualized perspective. In the introduction, Julia Hell and Andreas Schönle discuss how European modernity emerged partly through a confrontation with the ruins of the premodern past. Several contributors discuss ideas about ruins developed by philosophers such as Immanuel Kant, Georg Simmel, and Walter Benjamin. One contributor examines how W. G. Sebald’s novel The Rings of Saturn betrays the ruins erased or forgotten in the Hegelian philosophy of history. Another analyzes the repressed specter of being bombed out of existence that underpins post-Second World War modernist architecture, especially Le Corbusier’s plans for Paris. Still another compares the ways that formerly dominant white populations relate to urban-industrial ruins in Detroit and to colonial ruins in Namibia. Other topics include atomic ruins at a Nevada test site, the connection between the cinema and ruins, the various narratives that have accrued around the Inca ruin of Vilcashuamán, Tolstoy’s response in War and Peace to the destruction of Moscow in the fire of 1812, the Nazis’ obsession with imperial ruins, and the emergence in Mumbai of a new “kinetic city” on what some might consider the ruins of a modernist city. By focusing on the concept of ruin, this collection sheds new light on modernity and its vast ramifications and complexities. Contributors. Kerstin Barndt, Jon Beasley-Murray, Russell A. Berman, Jonathan Bolton, Svetlana Boym, Amir Eshel, Julia Hell, Daniel Herwitz, Andreas Huyssen, Rahul Mehrotra, Johannes von Moltke, Vladimir Paperny, Helen Petrovsky, Todd Presner, Helmut Puff, Alexander Regier, Eric Rentschler, Lucia Saks, Andreas Schönle, Tatiana Smoliarova, George Steinmetz, Jonathan Veitch, Gustavo Verdesio, Anthony Vidler
Author: Susan Stewart
Publisher: University of Chicago Press
ISBN: 022663261X
Category : Literary Criticism
Languages : en
Pages : 401
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Book Description
How have ruins become so valued in Western culture and so central to our art and literature? Covering a vast chronological and geographical range, from ancient Egyptian inscriptions to twentieth-century memorials, Susan Stewart seeks to answer this question as she traces the appeal of ruins and ruins images, and the lessons that writers and artists have drawn from their haunting forms. Stewart takes us on a sweeping journey through founding legends of broken covenants and original sin, the Christian appropriation of the classical past, and images of decay in early modern allegory. Stewart looks in depth at the works of Goethe, Piranesi, Blake, and Wordsworth, each of whom found in ruins a means of reinventing his art. Lively and engaging, The Ruins Lesson ultimately asks what can resist ruination—and finds in the self-transforming, ever-fleeting practices of language and thought a clue to what might truly endure.
Author: Odai Johnson
Publisher: University of Michigan Press
ISBN: 0472131060
Category : Performing Arts
Languages : en
Pages : 359
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Book Description
Much of the theater of antiquity is marked by erasures: missing origins, broken genres, fragments of plays, ruins of architecture, absented gods, remains of older practices imperfectly buried and ghosting through the civic productions that replaced them. Ruins: Classical Theater and Broken Memory traces the remains, the remembering, and the forgetting of performance traditions of classical theater. The book argues that it is only when we look back over the accumulation of small evidence over a thousand-year sweep of classical theater that the remarkable and unequaled endurance of the tradition emerges. In the absence of more evidence, Odai Johnson turns instead to the absence itself, pressing its most legible gaps into a narrative about scars, vanishings, erasures, and silence: all the breakages that constitute the ruins of antiquity. In ten wide-ranging case studies, theater history and performance theory are brought together to examine the texts, artifacts, and icons left behind, reading them in fresh ways to offer an elegantly written, extended meditation on “how the aesthetic of ruins offered a model for an ideal that dislodged and ultimately stood in for the historic.”
Author: Odai Johnson
Publisher: University of Michigan Press
ISBN: 0472124390
Category : Performing Arts
Languages : en
Pages : 359
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Book Description
Much of the theater of antiquity is marked by erasures: missing origins, broken genres, fragments of plays, ruins of architecture, absented gods, remains of older practices imperfectly buried and ghosting through the civic productions that replaced them. Ruins: Classical Theater and Broken Memory traces the remains, the remembering, and the forgetting of performance traditions of classical theater. The book argues that it is only when we look back over the accumulation of small evidence over a thousand-year sweep of classical theater that the remarkable and unequaled endurance of the tradition emerges. In the absence of more evidence, Odai Johnson turns instead to the absence itself, pressing its most legible gaps into a narrative about scars, vanishings, erasures, and silence: all the breakages that constitute the ruins of antiquity. In ten wide-ranging case studies, theater history and performance theory are brought together to examine the texts, artifacts, and icons left behind, reading them in fresh ways to offer an elegantly written, extended meditation on “how the aesthetic of ruins offered a model for an ideal that dislodged and ultimately stood in for the historic.”
Author: Julia Hell
Publisher: University of Chicago Press
ISBN: 022658819X
Category : History
Languages : en
Pages : 633
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Book Description
The Roman Empire has been a source of inspiration and a model for imitation for Western empires practically since the moment Rome fell. Yet, as Julia Hell shows in The Conquest of Ruins, what has had the strongest grip on aspiring imperial imaginations isn’t that empire’s glory but its fall—and the haunting monuments left in its wake. Hell examines centuries of European empire-building—from Charles V in the sixteenth century and Napoleon’s campaigns of the late seventeenth and early eighteenth centuries to the atrocities of Mussolini and the Third Reich in the 1930s and ’40s—and sees a similar fascination with recreating the Roman past in the contemporary image. In every case—particularly that of the Nazi regime—the ruins of Rome seem to represent a mystery to be solved: how could an empire so powerful be brought so low? Hell argues that this fascination with the ruins of greatness expresses a need on the part of would-be conquerors to find something to ward off a similar demise for their particular empire.
