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Author: Richard A. Hall
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 303
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Book Description
The American Villain: Encyclopedia of Bad Guys in Comics, Film, and Television seeks to provide one go-to reference for the study of the most popular and iconic villains in American popular culture. Since the 1980s, pop culture has focused on what makes a villain a villain. The Joker, Darth Vader, and Hannibal Lecter have all been placed under the microscope to get to the origins of their villainy. Additionally, such bad guys as Angelus from Buffy the Vampire Slayer and Barnabas Collins from Dark Shadows have emphasized the desire for redemption—in even the darkest of villains. Various incarnations of Lucifer/Satan have even gone so far as to explore the very foundations of what we consider "evil." The American Villain: Encyclopedia of Bad Guys in Comics, Film, and Television seeks to collect all of those stories into one comprehensive volume. The volume opens with essays about villains in popular culture, followed by 100 A–Z entries on the most notorious bad guys in film, comics, and more. Sidebars highlight ancillary points of interest, such as authors, creators, and tropes that illuminate the motives of various villains. A glossary of key terms and a bibliography provide students with resources to continue their study of what makes the "baddest" among us so bad.
Author: Richard A. Hall
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 303
Get Book Here
Book Description
The American Villain: Encyclopedia of Bad Guys in Comics, Film, and Television seeks to provide one go-to reference for the study of the most popular and iconic villains in American popular culture. Since the 1980s, pop culture has focused on what makes a villain a villain. The Joker, Darth Vader, and Hannibal Lecter have all been placed under the microscope to get to the origins of their villainy. Additionally, such bad guys as Angelus from Buffy the Vampire Slayer and Barnabas Collins from Dark Shadows have emphasized the desire for redemption—in even the darkest of villains. Various incarnations of Lucifer/Satan have even gone so far as to explore the very foundations of what we consider "evil." The American Villain: Encyclopedia of Bad Guys in Comics, Film, and Television seeks to collect all of those stories into one comprehensive volume. The volume opens with essays about villains in popular culture, followed by 100 A–Z entries on the most notorious bad guys in film, comics, and more. Sidebars highlight ancillary points of interest, such as authors, creators, and tropes that illuminate the motives of various villains. A glossary of key terms and a bibliography provide students with resources to continue their study of what makes the "baddest" among us so bad.
Author: Salem Press
Publisher: Salem Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 350
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Book Description
American Villains explores the lives, deeds and punishments of 177 of the most infamous villains of our time. What makes this set unique is that it focuses on U.S. criminals who are not generally covered in American biographical surveys. While there are many books that cover fictional villains in videogames, comic-books, and movies, few cover real villains of history in one convenient set.
Author: Walter Benn Michaels
Publisher: Duke University Press
ISBN: 9780822320647
Category : History
Languages : en
Pages : 220
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Book Description
Arguing that the contemporary commitment to the importance of cultural identity has renovated rather than replaced an earlier commitment to racial identity, Walter Benn Michaels asserts that the idea of culture, far from constituting a challenge to racism, is actually a form of racism. Our America offers both a provocative reinterpretation of the role of identity in modernism and a sustained critique of the role of identity in postmodernism. "We have a great desire to be supremely American," Calvin Coolidge wrote in 1924. That desire, Michaels tells us, is at the very heart of American modernism, giving form and substance to a cultural movement that would in turn redefine America's cultural and collective identity--ultimately along racial lines. A provocative reinterpretation of American modernism, Our America also offers a new way of understanding current debates over the meaning of race, identity, multiculturalism, and pluralism. Michaels contends that the aesthetic movement of modernism and the social movement of nativism came together in the 1920s in their commitment to resolve the meaning of identity--linguistic, national, cultural, and racial. Just as the Johnson Immigration Act of 1924, which excluded aliens, and the Indian Citizenship Act of the same year, which honored the truly native, reconceptualized national identity, so the major texts of American writers such as Cather, Faulkner, Hurston, and Williams reinvented identity as an object of pathos--something that can be lost or found, defended or betrayed. Our America is both a history and a critique of this invention, tracing its development from the white supremacism of the Progressive period through the cultural pluralism of the Twenties. Michaels's sustained rereading of the texts of the period--the canonical, the popular, and the less familiar--exposes recurring concerns such as the reconception of the image of the Indian as a symbol of racial purity and national origins, the relation between World War I and race, contradictory appeals to the family as a model for the nation, and anxieties about reproduction that subliminally tie whiteness and national identity to incest, sterility, and impotence.
Author: Brion McClanahan
Publisher: Simon and Schuster
ISBN: 1596988061
Category : Political Science
Languages : en
Pages : 290
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Book Description
As presidential candidates sling dirt at each other, America desperately needs a few real heroes. Tragically, liberal historians and educators have virtually erased traditional American heroes from history. According to the Left, the Founding Fathers were not noble architects of America, but selfish demagogues. And self–made entrepreneurs like Rockefeller were robber–barons and corporate polluters. Instead of honoring great men from America’s past, kids today now idolize rock stars, pro athletes and Hollywood celebrities. In his new book, The Politically Incorrect Guide™ to Real American Heroes, author Brion McClanahan rescues the legendary deeds of the greatest Americans and shows why we ought to venerate heroes like Captain John Smith, adventurer Daniel Boone, General Robert E. Lee and many more. The Politically Incorrect Guide™ to Real American Heroes not only resuscitates America’s forgotten heroes, but sheds light on the Left’s most cherished figures, including Franklin Delano Roosevelt and the Kennedys. With biting wit and devastating detail, McClanahan strikes back against the multicultural narrative peddled by liberal historians who make heroes out of pop culture icons and corrupt politicians. In America’s hour of peril, McClanahan’s book is a timely and entertaining call to remember the heritage of this great nation and the heroes who built it.
Author: Teri Louise Kelly
Publisher: Open Books
ISBN: 1452475849
Category : Literary Collections
Languages : en
Pages : 155
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Book Description
With neither mercy nor apology, AMERICAN BLOW JOB penetrates to the core of America's now vacuous soul and exposes Lady Liberty for the paramour that in fact she has become in the late twentieth and early twenty-first centuries.
Author: Harry M. Benshoff
Publisher: John Wiley & Sons
ISBN: 144435759X
Category : Performing Arts
Languages : en
Pages : 472
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Book Description
America on Film: Representing Race, Class, Gender, and Sexuality in the Movies, 2nd Edition is a lively introduction to issues of diversity as represented within the American cinema. Provides a comprehensive overview of the industrial, socio-cultural, and aesthetic factors that contribute to cinematic representations of race, class, gender, and sexuality Includes over 100 illustrations, glossary of key terms, questions for discussion, and lists for further reading/viewing Includes new case studies of a number of films, including Crash, Brokeback Mountain, and Quinceañera
Author: Jaime Javier Rodríguez
Publisher: University of Texas Press
ISBN: 0292774575
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
The literary archive of the U.S.-Mexican War (1846–1848) opens to view the conflicts and relationships across one of the most contested borders in the Americas. Most studies of this literature focus on the war's nineteenth-century moment of national expansion. In The Literatures of the U.S.-Mexican War, Jaime Javier Rodríguez brings the discussion forward to our own moment by charting a new path into the legacies of a military conflict embedded in the cultural cores of both nations. Rodríguez's groundbreaking study moves beyond the terms of Manifest Destiny to ask a fundamental question: How do the war's literary expressions shape contemporary tensions and exchanges among Anglo Americans, Mexicans, and Mexican Americans. By probing the war's traumas, anxieties, and consequences with a fresh attention to narrative, Rodríguez shows us the relevance of the U.S.-Mexican War to our own era of demographic and cultural change. Reading across dime novels, frontline battle accounts, Mexican American writings and a wide range of other popular discourse about the war, Rodríguez reveals how historical awareness itself lies at the center of contemporary cultural fears of a Mexican "invasion," and how the displacements caused by the war set key terms for the ways Mexican Americans in subsequent generations would come to understand their own identities. Further, this is also the first major comparative study that analyzes key Mexican war texts and their impact on Mexico's national identity.
Author: Helena Vanhala
Publisher: McFarland
ISBN: 0786456906
Category : Performing Arts
Languages : en
Pages : 365
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Book Description
This book examines how American foreign policy and the commercial film industry's economic interests influenced the portrayal of international terrorism in Hollywood blockbuster films from the time of the Iran hostage crisis to the 9/11 terrorist attacks. Part I provides a historical overview of modern international terrorism and how it relates to the United States, its news media, and its film industry. Part II covers depictions of terrorism during the Cold War under President Reagan, including films like Commando and Iron Eagle. Part III covers the Hollywood terrorist after the Cold War, including European terrorists in the Die Hard franchise, Passenger 57, Patriot Games, Blown Away, The Jackal and Ronin; fundamentalist Islamic terrorists in True Lies and Executive Decision; the return of the communist threat in Air Force One; and 9/11 foreshadowing in The Siege.
Author: David C Oh
Publisher: Rutgers University Press
ISBN: 197880864X
Category : Performing Arts
Languages : en
Pages : 137
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Book Description
Whitewashing the Movies addresses the popular practice of excluding Asian actors from playing Asian characters in film. Media activists and critics have denounced contemporary decisions to cast White actors to play Asians and Asian Americans in movies such as Ghost in the Shell and Aloha. The purpose of this book is to apply the concept of “whitewashing” in stories that privilege White identities at the expense of Asian/American stories and characters. To understand whitewashing across various contexts, the book analyzes films produced in Hollywood, Asian American independent production, and US-China co-productions. Through the analysis, the book examines the ways in which whitewashing matters in the project of Whiteness and White racial hegemony. The book contributes to contemporary understanding of mediated representations of race by theorizing whitewashing, contributing to studies of Whiteness in media studies, and producing a counter-imagination of Asian/American representation in Asian-centered stories.
Author: American Bankers Association
Publisher:
ISBN:
Category : Banks and banking
Languages : en
Pages : 456
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Book Description
Proceedings of the sections of the association are included in the volumes as follows: Trust company section (organized 1896) 1st, 3rd-7th, 14th- annual meetings, in v. 23, 25-29, 35- 1897, 1899-1903, 1909- ;Savings bank section (organized 1902) 2d, 8th- annual meetings in v. 29, 35- 1903, 1909- ; Clearing house section (organized 1906) 3d- annual meetings, in v. 35- 1909-
