Author: Matthew Baigell
Publisher: New York : Praeger
ISBN:
Category : Art
Languages : en
Pages : 226
Book Description
The American Scene: American Painting of the 1930's
Author: Matthew Baigell
Publisher: New York : Praeger
ISBN:
Category : Art
Languages : en
Pages : 226
Book Description
Publisher: New York : Praeger
ISBN:
Category : Art
Languages : en
Pages : 226
Book Description
American Scene Painting
Author: Ruth Lilly Westphal
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248
Book Description
The American Scene
Author:
Publisher: Ardent Media
ISBN:
Category : Presidents
Languages : en
Pages : 576
Book Description
Publisher: Ardent Media
ISBN:
Category : Presidents
Languages : en
Pages : 576
Book Description
The American scene
Author: Henry James
Publisher: Good Press
ISBN:
Category : Travel
Languages : en
Pages : 394
Book Description
"The American scene" by Henry James. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Publisher: Good Press
ISBN:
Category : Travel
Languages : en
Pages : 394
Book Description
"The American scene" by Henry James. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
The American Scene
Author: David Burner
Publisher: Ardent Media
ISBN: 9780390597731
Category : History
Languages : en
Pages : 428
Book Description
Publisher: Ardent Media
ISBN: 9780390597731
Category : History
Languages : en
Pages : 428
Book Description
New York Revisited
Author: Henry James
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 104
Book Description
In New York Revisited, first published in Harper's Monthly Magazine in 1906, Henry James describes turn-of-the-century New York in vivid detail. Although written in 1904-1905, when James returned to the U.S. after living abroad for more than 20 years, the essay is as pertinent today as it was 100 years ago. The text appears as it was originally published and is enhanced with period illustrations and photographs. Beautifully bound and with a spectacular view of the Flatiron building on the cover, this book is a literary treasure.
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 104
Book Description
In New York Revisited, first published in Harper's Monthly Magazine in 1906, Henry James describes turn-of-the-century New York in vivid detail. Although written in 1904-1905, when James returned to the U.S. after living abroad for more than 20 years, the essay is as pertinent today as it was 100 years ago. The text appears as it was originally published and is enhanced with period illustrations and photographs. Beautifully bound and with a spectacular view of the Flatiron building on the cover, this book is a literary treasure.
The American Scene
Author: Henry James
Publisher: New York : Harper
ISBN:
Category : Atlantic States
Languages : en
Pages : 464
Book Description
Publisher: New York : Harper
ISBN:
Category : Atlantic States
Languages : en
Pages : 464
Book Description
Ben Shahn's New Deal Murals
Author: Diana L. Linden
Publisher: Wayne State University Press
ISBN: 0814339840
Category : Art
Languages : en
Pages : 185
Book Description
A study of Ben Shahn’s New Deal murals (1933–43) in the context of American Jewish history, labor history, and public discourse. Lithuanian-born artist Ben Shahn learned fresco painting as an assistant to Diego Rivera in the 1930s and created his own visually powerful, technically sophisticated, and stylistically innovative artworks as part of the New Deal Arts Project’s national mural program. InBen Shahn’s New Deal Murals: Jewish Identity in the American Scene author Diana L. Linden demonstrates that Shahn mined his Jewish heritage and left-leaning politics for his style and subject matter, offering insight into his murals’ creation and their sometimes complicated reception by officials, the public, and the press. In four chapters, Linden presents case studies of select Shahn murals that were created from 1933 to 1943 and are located in public buildings in New York, New Jersey, and Missouri. She studies Shahn’s famous untitled fresco for the Jersey Homesteads—a utopian socialist cooperative community populated with former Jewish garment workers and funded under the New Deal—Shahn’s mural for the Bronx Central Post Office, a fresco Shahn proposed to the post office in St. Louis, and a related one-panel easel painting titled The First Amendment located in a Queens, New York, post office. By investigating the role of Jewish identity in Shahn’s works, Linden considers the artist’s responses to important issues of the era, such as President Roosevelt’s opposition to open immigration to the United States, New York’s bustling garment industry and its labor unions, ideological concerns about freedom and liberty that had signifcant meaning to Jews, and the encroachment of censorship into American art. Linden shows that throughout his public murals, Shahn literally painted Jews into the American scene with his subjects, themes, and compositions. Readers interested in Jewish American history, art history, and Depression-era American culture will enjoy this insightful volume.
Publisher: Wayne State University Press
ISBN: 0814339840
Category : Art
Languages : en
Pages : 185
Book Description
A study of Ben Shahn’s New Deal murals (1933–43) in the context of American Jewish history, labor history, and public discourse. Lithuanian-born artist Ben Shahn learned fresco painting as an assistant to Diego Rivera in the 1930s and created his own visually powerful, technically sophisticated, and stylistically innovative artworks as part of the New Deal Arts Project’s national mural program. InBen Shahn’s New Deal Murals: Jewish Identity in the American Scene author Diana L. Linden demonstrates that Shahn mined his Jewish heritage and left-leaning politics for his style and subject matter, offering insight into his murals’ creation and their sometimes complicated reception by officials, the public, and the press. In four chapters, Linden presents case studies of select Shahn murals that were created from 1933 to 1943 and are located in public buildings in New York, New Jersey, and Missouri. She studies Shahn’s famous untitled fresco for the Jersey Homesteads—a utopian socialist cooperative community populated with former Jewish garment workers and funded under the New Deal—Shahn’s mural for the Bronx Central Post Office, a fresco Shahn proposed to the post office in St. Louis, and a related one-panel easel painting titled The First Amendment located in a Queens, New York, post office. By investigating the role of Jewish identity in Shahn’s works, Linden considers the artist’s responses to important issues of the era, such as President Roosevelt’s opposition to open immigration to the United States, New York’s bustling garment industry and its labor unions, ideological concerns about freedom and liberty that had signifcant meaning to Jews, and the encroachment of censorship into American art. Linden shows that throughout his public murals, Shahn literally painted Jews into the American scene with his subjects, themes, and compositions. Readers interested in Jewish American history, art history, and Depression-era American culture will enjoy this insightful volume.
The American Scene
Author: Stuart Hutchinson
Publisher: Springer
ISBN: 0230373194
Category : Literary Criticism
Languages : en
Pages : 167
Book Description
The American Scene considers major texts of nineteenth century American literature: The Leatherstocking Tales, Poe's fiction, The Scarlet Letter, Moby-Dick, Leaves of Grass, Dickinson's poetry, Huckleberry Finn, James's The American Scene. It sees these works as attempts to articulate relationships between the self and the New World. The indeterminacy of the relationships is expressed in the formal instability of the works themselves. In these respects, nineteenth century American literature is shown to offer a striking contrast to comparable English literature.
Publisher: Springer
ISBN: 0230373194
Category : Literary Criticism
Languages : en
Pages : 167
Book Description
The American Scene considers major texts of nineteenth century American literature: The Leatherstocking Tales, Poe's fiction, The Scarlet Letter, Moby-Dick, Leaves of Grass, Dickinson's poetry, Huckleberry Finn, James's The American Scene. It sees these works as attempts to articulate relationships between the self and the New World. The indeterminacy of the relationships is expressed in the formal instability of the works themselves. In these respects, nineteenth century American literature is shown to offer a striking contrast to comparable English literature.
The Urban Scene
Author: Carmenita Higginbotham
Publisher: Penn State University Press
ISBN: 9780271063935
Category : African Americans in art
Languages : en
Pages : 0
Book Description
Examines the portrayal of race in interwar American art. Focuses on the works of urban realist Reginald Marsh and his contemporaries to show how black figures acted as cultural and visual markers and embodied complex concerns about the presence of African Americans in urban centers.
Publisher: Penn State University Press
ISBN: 9780271063935
Category : African Americans in art
Languages : en
Pages : 0
Book Description
Examines the portrayal of race in interwar American art. Focuses on the works of urban realist Reginald Marsh and his contemporaries to show how black figures acted as cultural and visual markers and embodied complex concerns about the presence of African Americans in urban centers.