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Author: Museum of Graphic Art
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 188
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Book Description
Author: Museum of Graphic Art
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 188
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Book Description
Author: E. Ashley Rooney
Publisher: Schiffer Pub Limited
ISBN: 9780764346910
Category : Art
Languages : en
Pages : 240
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Book Description
Printmakers today are sustained both by their traditions and by their willingness to embrace new technologies, new mediums, and innovative processes. Over 500 beautiful colour images display the innovative work of 75 talented printmakers and 30 print shops. Traditional printing techniques featured include lithography, intaglio, screen print, and relief, while newer techniques include installation, digital, and fibre, among other forms of new print media. The artists speak for themselves, revealing why they create their art. Consequently, the readers will gain a deeper understanding of their world. These assembled prints reflect the talent of this time and in this place. The artists' mediums, patterns, images, and environments also capture our culture and attempt to foretell our future. This book will be a treasured resource for anyone who appreciates the printmaker's art.
Author: Marianna Kistler Beach Museum of Art
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 268
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Book Description
In 1910, Bertha Jaques co-founded the Chicago Society of Etchers and helped launch a revival of American fine art printmaking. In the decades following, women artists produced some of the most compelling images in U.S. printmaking history and helped advance the medium technically and stylistically. Paths to the Press examines American women artists' contributions to printmaking in the U.S. during the early to mid twentieth century. It features work by internationally and nationally recognized figures such as Isabel Bishop, Louise Nevelson, and Elizabeth Catlett; well-known regional figures such as Chicago artist Bertha Jaques, New Mexico artist Gener Kloss, and Louisiana artist Caroline Durieux; and relatively unknown printmakers such as Chicago artist Fritzi Brod, San Franciscan Pele deLappe, and Texan Mary Bonner. The contributors include David Acton, Nancy E. Green, Melanie Herzog, Helen Langa, Bill North, Mark Pascale, and Mark B. Pohlad.
Author: Allan L. Edmunds
Publisher: Hudson Hills
ISBN: 9781555952419
Category : Art
Languages : en
Pages : 252
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Book Description
This comprehensive volume features exciting and cultrually diverse serigraphs, offset lithographs, and mixed media prints from the Bradywine Workshop
Author: E. Carmen Ramos
Publisher: Princeton University Press
ISBN: 0691210802
Category : Art
Languages : en
Pages : 326
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Book Description
Printing and collecting the revolution : the rise and impact of Chicano graphics, 1965 to now / E. Carmen Ramos -- Aesthetics of the message : Chicana/o posters, 1965-1987 / Terezita Romo -- War at home : conceptual iconoclasm in American printmaking / Tatiana Reinoza -- Chicanx graphics in the digital age / Claudia E. Zapata.
Author: Christina Weyl
Publisher: Yale University Press
ISBN: 0300238509
Category : Art
Languages : en
Pages : 297
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Book Description
This timely reexamination of the experimental New York print studio Atelier 17 focuses on the women whose work defied gender norms through novel aesthetic forms and techniques.
Author: Stephanie Schrader
Publisher: Getty Publications
ISBN: 1606066277
Category : Art
Languages : en
Pages : 120
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Book Description
An engaging look at early twentieth-century American printmaking, which frequently focused on the crowded, chaotic, and gritty modern city. In the first half of the twentieth century, a group of American artists influenced by the painter and teacher Robert Henri aimed to reject the pretenses of academic fine art and polite society. Embracing the democratic inclusiveness of the Progressive movement, these artists turned to making prints, which were relatively inexpensive to produce and easy to distribute. For their subject matter, the artists mined the bustling activity and stark realities of the urban centers in which they lived and worked. Their prints feature sublime towering skyscrapers and stifling city streets, jazzy dance halls and bleak tenement interiors—intimate and anonymous everyday scenes that addressed modern life in America. True Grit examines a rich selection of prints by well-known figures like George Bellows, Edward Hopper, Joseph Pennell, and John Sloan as well as lesser-known artists such as Ida Abelman, Peggy Bacon, Miguel Covarrubias, and Mabel Dwight. Written by three scholars of printmaking and American art, the essays present nuanced discussions of gender, class, literature, and politics, contextualizing the prints in the rapidly changing milieu of the first decades of twentieth-century America.
Author: Jim Sherrarden
Publisher: Chronicle Books
ISBN: 9780811828567
Category : Antiques & Collectibles
Languages : en
Pages : 176
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Book Description
"For more than a century, Nashville's Hatch Show Print has produced show-posters for entertainers of all stripes, from country musicians to magicians, professional wrestlers to rock stars. Hatch Show Print: The History of a Great American Poster Shop is the fully illustrated tour of this iconic institution, offering a glimpse into the history of American entertainment through dynamic and distinctive posters from the 1800s to today." "In this day of new media dominance, the hand-carved, hand-set, hand-inked, and hand-cranked ethic and aesthetic of a Hatch Show Print poster is beyond compare. Complete with over 175 illustrations, including historical photographs and scores of beautiful posters, Hatch Show Print is a dazzling document of this legendary print shop." --Book Jacket.
Author: Roberta Rice Treseder
Publisher: Pomegranate Communications
ISBN: 9780764948039
Category : California
Languages : en
Pages : 0
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Book Description
William Seltzer Rice (American, 1873-1963) was a young artist of twenty-seven when he stepped off a train in Stockton, California, in 1900; he had left his home in Pennsylvania to take the job of assistant art supervisor for the Stockton public schools. California became not only his lifelong home but also his muse, inspiring a prolific career in art. Rice soon moved to the San Francisco Bay Area, where the region's Arts and Crafts movement was flowering. He was talented in several mediums, but block printing ultimately became his favorite, for it gave him the opportunity to combine draftsmanship, carving, and printing. California's flora, fauna, and landscapes-from the Sierra Nevada to the Pacific-were the subjects that fed his creativity. William S. Rice: California Block Prints is the first book published on the artist's work and presents more than sixty of his color block prints dating from 1910 to 1935. Among the prints featured are scenes from Yosemite, Mt. Shasta, Monterey, Carmel, the San Francisco Bay Area, Lake Tahoe, and other California landmarks. An essay by Roberta Rice Treseder, Rice's daughter, recounts his life and achievements, with special emphasis on his block printing methods and materials. William S. Rice's works are in many private and public collections, including the Smithsonian American Art Museum, the Oakland Museum of California, the Achenbach Foundation for Graphic Arts, the New York Public Library, and the Worcester Art Museum.
Author: Henry E. Huntington Library and Art Gallery
Publisher: Huntington Library Press
ISBN:
Category : Art
Languages : en
Pages : 92
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Book Description
"This book was published in conjunction with the exhibition Pressed in Time: American Prints 1905-1950 at the Huntington Library, Art Collections, and Botanical Gardens, October 6, 2007 through January 7, 2008."--BOOK JACKET.
