American Popular Music and Its Business: From 1790 to 1909 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download American Popular Music and Its Business: From 1790 to 1909 PDF full book. Access full book title American Popular Music and Its Business: From 1790 to 1909 by Russell Sanjek. Download full books in PDF and EPUB format.
Author: Russell Sanjek
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 506
Get Book
Book Description
Author: Russell Sanjek
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 506
Get Book
Book Description
Author: Russell Sanjek
Publisher:
ISBN:
Category : Music
Languages : en
Pages :
Get Book
Book Description
Author: the late Russell Sanjek
Publisher: Oxford University Press
ISBN: 0195364627
Category : Music
Languages : en
Pages : 494
Get Book
Book Description
Volume two concentrates exclusively on music activity in the United States in the nineteenth century. Among the topics discussed are how changing technology affected the printing of music, the development of sheet music publishing, the growth of the American musical theater, popular religious music, black music (including spirituals and ragtime), music during the Civil War, and finally "music in the era of monopoly," including such subjects as copyright, changing technology and distribution, invention of the phonograph, copyright revision, and the establishment of Tin Pan Alley.
Author: the late Russell Sanjek
Publisher: Oxford University Press
ISBN: 0198021275
Category : Music
Languages : en
Pages : 741
Get Book
Book Description
This volume focuses on developments in the music business in the twentieth century, including vaudeville, music boxes, the relationship of Hollywood to the music business, the "fall and rise" of the record business in the 1930s, new technology (TV, FM, and the LP record) after World War II, the dominance of rock-and-roll and the huge increase in the music business during the 1950s and 1960s, and finally the changing music business scene from 1967 to the present, especially regarding government regulations, music licensing, and the record business.
Author: the late Russell Sanjek
Publisher: Oxford University Press
ISBN: 0190243295
Category : Music
Languages : en
Pages : 494
Get Book
Book Description
Volume two concentrates exclusively on music activity in the United States in the nineteenth century. Among the topics discussed are how changing technology affected the printing of music, the development of sheet music publishing, the growth of the American musical theater, popular religious music, black music (including spirituals and ragtime), music during the Civil War, and finally "music in the era of monopoly," including such subjects as copyright, changing technology and distribution, invention of the phonograph, copyright revision, and the establishment of Tin Pan Alley.
Author: Russell Sanjek
Publisher: New York : Oxford University Press
ISBN: 0195043111
Category : Music
Languages : en
Pages : 741
Get Book
Book Description
Volume three of this work focuses on developments in the music business in the twentieth century, from its earliest days to the present era.
Author: David Sanjek
Publisher: Routledge
ISBN: 1351333380
Category : Music
Languages : en
Pages : 242
Get Book
Book Description
How has the history of rock ‘n’ roll been told? Has it become formulaic? Or remained, like the music itself, open to outside influences? Who have been the genre’s primary historians? What common frameworks or sets of assumptions have music history narratives shared? And, most importantly, what is the cost of failing to question such assumptions?? "Stories We Could Tell:Putting Words to American Popular Music" identifies eight typical strategies used when critics and historians write about American popular music, and subjects each to forensic analysis.?This posthumous book is a unique work of cultural historiography that analyses, catalogues, and contextualizes music writing in order to afford the reader new perspectives on the field of cultural production, and offer new ways of thinking about, and writing about, popular music.
Author: Dick Weissman
Publisher: Taylor & Francis
ISBN: 1317192648
Category : Music
Languages : en
Pages : 412
Get Book
Book Description
In today’s fast-moving music industry, what does it take to build a life-long career? Now more than ever, all those working in music need to be aware of many aspects of the business, and take control of their own careers. Understanding the Music Business offers students a concise yet comprehensive overview of the rapidly evolving music industry, rooted in real-world experiences. Anchored by a wealth of career profiles and case studies, this second edition has been updated throughout to include the most important contemporary developments, including the advent of streaming and the shift to a DIY paradigm. A new "Both Sides Now" feature helps readers understand differing opinions on key issues. Highly readable, Understanding the Music Business is the perfect introduction for anyone seeking to understand how musical talents connect to making a living.
Author: Richard Weissman
Publisher: Routledge
ISBN: 1317342712
Category : Music
Languages : en
Pages : 361
Get Book
Book Description
Understanding the Music Business offers students a current overview of the music business. Going beyond what most music business texts offer, Weismann delivers a contemporary approach that addresses the unanswered questions for today's music students, such as, "Is it really possible to make a living as musician?" Understanding the Music Business covers the basics in the first part of the text. This first section deals with the fundamentals of the industry, including recording, music publishing, agents, managers, radio and television, unions, the internet and new technology, and regional and international music markets. However, it is the second half of the text that breaks new ground by covering the career paths of new artists in the industry, the development and need for entrepreneurial skills, and the ways that individuals forge careers in the industry.
Author: Derek B. Scott
Publisher: Oxford University Press
ISBN: 0190294892
Category : Music
Languages : en
Pages : 320
Get Book
Book Description
The phrase "popular music revolution" may instantly bring to mind such twentieth-century musical movements as jazz and rock 'n' roll. In Sounds of the Metropolis, however, Derek Scott argues that the first popular music revolution actually occurred in the nineteenth century, illustrating how a distinct group of popular styles first began to assert their independence and values. He explains the popular music revolution as driven by social changes and the incorporation of music into a system of capitalist enterprise, which ultimately resulted in a polarization between musical entertainment (or "commercial" music) and "serious" art. He focuses on the key genres and styles that precipitated musical change at that time, and that continued to have an impact upon popular music in the next century. By the end of the nineteenth century, popular music could no longer be viewed as watered down or more easily assimilated art music; it had its own characteristic techniques, forms, and devices. As Scott shows, "popular" refers here, for the first time, not only to the music's reception, but also to the presence of these specific features of style. The shift in meaning of "popular" provided critics with tools to condemn music that bore the signs of the popular-which they regarded as fashionable and facile, rather than progressive and serious. A fresh and persuasive consideration of the genesis of popular music on its own terms, Sounds of the Metropolis breaks new ground in the study of music, cultural sociology, and history.
