American Paintings and Sculpture to 1945 in the Carnegie Museum of Art PDF Download
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Author: Diana J. Strazdes
Publisher:
ISBN: 9781555950552
Category : Art
Languages : en
Pages : 511
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Book Description
"The Carnegie Institute, founded in 1896, was Andrew Carnegie's first great philanthropic endeavor and his grandest tribute to Pittsburgh, the city of his youth. It was originally planned that its Department of Fine Arts would over the years develop a representative collection of "contemporary American art by buying two works from each of the institute's annual international exhibitions beginning with the year of the founding nearly a century ago (the very first purchase was The Wreck by Winslow Homer). Carnegie apparently also saw no point in having more than a single work by any one artist." "Yet the collection has vastly exceeded this initial ambition in terms of both size and scope. Today it is called The Carnegie Museum of Art and owns some four hundred American paintings and sculptures dating from the late eighteenth century (the earliest works are Benjamin West's Venus Lamenting the Death of Adonis and Gilbert Stuart's portrait of Henry Nicols) to the end of World War II. Ranking among the most significant American art collections in the nation, it is especially strong in the work of Pennsylvania artists (including Cassatt, Eakins, Hicks, Kane, and Pippin), and of earlier twentieth-century modernists (for example, such masters as Bellows, Benton, Bruce, Davies, Dove, Feininger, Glackens, Graham, Hartley, Hassam, Henri, Hopper, Luks, Macdonald-Wright, Marsh, Nadelman, O'Keeffe, Prendergast, and Sloan)." "This comprehensive volume is the culmination of the enthusiastic rediscovery in our own time of the invaluable resource that this core collection represents. It catalogues the collection in its entirety, with an essay on each of some 400 works, a biography of each of nearly 200 artists, and complete reference material. It also includes a history of the institution and its collection of American art."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Diana J. Strazdes
Publisher:
ISBN: 9781555950552
Category : Art
Languages : en
Pages : 511
Get Book Here
Book Description
"The Carnegie Institute, founded in 1896, was Andrew Carnegie's first great philanthropic endeavor and his grandest tribute to Pittsburgh, the city of his youth. It was originally planned that its Department of Fine Arts would over the years develop a representative collection of "contemporary American art by buying two works from each of the institute's annual international exhibitions beginning with the year of the founding nearly a century ago (the very first purchase was The Wreck by Winslow Homer). Carnegie apparently also saw no point in having more than a single work by any one artist." "Yet the collection has vastly exceeded this initial ambition in terms of both size and scope. Today it is called The Carnegie Museum of Art and owns some four hundred American paintings and sculptures dating from the late eighteenth century (the earliest works are Benjamin West's Venus Lamenting the Death of Adonis and Gilbert Stuart's portrait of Henry Nicols) to the end of World War II. Ranking among the most significant American art collections in the nation, it is especially strong in the work of Pennsylvania artists (including Cassatt, Eakins, Hicks, Kane, and Pippin), and of earlier twentieth-century modernists (for example, such masters as Bellows, Benton, Bruce, Davies, Dove, Feininger, Glackens, Graham, Hartley, Hassam, Henri, Hopper, Luks, Macdonald-Wright, Marsh, Nadelman, O'Keeffe, Prendergast, and Sloan)." "This comprehensive volume is the culmination of the enthusiastic rediscovery in our own time of the invaluable resource that this core collection represents. It catalogues the collection in its entirety, with an essay on each of some 400 works, a biography of each of nearly 200 artists, and complete reference material. It also includes a history of the institution and its collection of American art."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870999230
Category : Sculpture
Languages : en
Pages : 346
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Book Description
Volume One: This volume catalogues the distinguished and comprehensive collection of approximately 400 works of American sculpture by artists born before 1865. This publication includes an introduction on the history of the collection's formation, particularly in the context of the Museum's early years of acquisitions, and discusses the outstanding personalities involved. --Metropolitan Museum of Art website.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870999141
Category : Sculpture
Languages : en
Pages : 481
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Book Description
Volume One: This volume catalogues the distinguished and comprehensive collection of approximately 400 works of American sculpture by artists born before 1865. This publication includes an introduction on the history of the collection's formation, particularly in the context of the Museum's early years of acquisitions, and discusses the outstanding personalities involved. --Metropolitan Museum of Art website.
Author: Carnegie Museum of Art
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 126
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Book Description
Author: Helene Barbara Weinberg
Publisher: Metropolitan Museum of Art
ISBN: 1588391191
Category : Impressionism
Languages : en
Pages : 441
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Book Description
"This illustrated publication accompanies a major exhibition at the Metropolitan Museum, the first retrospective presentation of Hassam's work in a museum since 1972. Unique to this volume are an account of Hassam's lifelong campaign to market his art, a study of the frames he selected and designed for his paintings, and an unprecedented lifetime exhibition record. Included in addition are a checklist of works in the exhibition and a chronology of Hassam's life. All works in the exhibition as well as comparative materials are reproduced."--BOOK JACKET.
Author: Maxwell King
Publisher: University of Pittsburgh Press
ISBN: 0822988682
Category : Art
Languages : en
Pages : 295
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Book Description
American Workman presents a comprehensive, novel reassessment of the life and work of one of America’s most influential self-taught artists, John Kane. With a full account of Kane’s life as a working man, including his time as a steelworker, coal miner, street paver, and commercial painter in and around Pittsburgh in the early twentieth century, the authors explore how these occupations shaped his development as an artist and his breakthrough success in the modern art world. A rough-and-tumble blue-collar man prone to brawling and drinking, Kane also sought out beauty in the industrial world he inhabited. This Kane paradox—brawny and tough, sensitive and creative—was at the heart of much of the public’s interest in Kane as a person. The allure of the Kane saga was heightened all the more by the fact that he did not achieve renown until he was at the age at which most people are retiring from their professions. Kane’s dedication to painting resulted in a fascinating body of work that has ended up in some of America’s most important museums and private collections. His dramatic life story demonstrates the courage, strength, and creativity of his generation of workmen. They may be long gone, but thanks to Kane they cannot be forgotten.
Author: Andrew Hemingway
Publisher: Yale University Press
ISBN: 9780300092202
Category : Art
Languages : en
Pages : 380
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Book Description
Examination of the relation between visual artists and the American communist movement in the first half of the twentieth century, from the rise in prestige of the party during the Great Depression to its decline in the 1950s. Account of how left-wing artists responded to the party's various policy shifts: the communist party exerted a powerful force in American culture.
Author: Janice T. Driesbach
Publisher: Univ of California Press
ISBN: 0520935152
Category : History
Languages : en
Pages : 167
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Book Description
The California Gold Rush captured the get-rich dreams of people around the world more completely than almost any event in American history. This catalog, published in celebration of the sesquicentennial of the 1848 discovery of gold at Sutter's Mill, shows the vitality of the arts in the Golden State during the latter nineteenth century and documents the dramatic impact of the Gold Rush on the American imagination. Among the throngs of gold-seekers in California were artists, many self-taught, others formally trained, and their arrival produced an outpouring of artistic works that provide insights into Gold Rush events, personages, and attitudes. The best-known painting of the Gold Rush era, C.C. Nahl's Sunday Morning in the Mines (1872), was created nearly two decades after gold fever had subsided. By then the Gold Rush's mythic qualities were well established, and new allegories—particularly the American belief in the rewards of hard work and enterprise—can be seen on Nahl's canvas. Other works added to the image of California as a destination for ambitious dreamers, an image that prevails to this day. In bringing together a range of art and archival material such as artists' diaries and contemporary newspaper articles, The Art of the Gold Rush broadens our understanding of American culture during a memorable period in the nation's history.
Author: Bailey Van Hook
Publisher: Ohio University Press
ISBN: 0821415018
Category : Art
Languages : en
Pages : 265
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Book Description
Annotation The first book in almost a century to concentrate exclusively on the beaux-arts mural movement in the United States.
Author: Robert L. Gambone
Publisher: Xlibris Corporation
ISBN: 1524563498
Category : Biography & Autobiography
Languages : en
Pages : 782
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Book Description
The Eight (Ash Can School), artists who joined ranks in 1908 to challenge the conservative dominance of the National Academy, does not count Jerome Myers among its number. Yet the pioneering work done by Myers places him in the forefront of contemporary realist artists. His focused concentration depicting the environment and inhabitants of New York Citys Lower East Side immigrant neighborhood catapults Jerome Myers into the forefront of artists who boldly sought out expressions of contemporary life. Myerss work allows us to understand these immigrant neighborhoods in a way that would not be possible today if his art did not exist. This book examines Myerss biography and art in detail, establishing not only his preeminant claim to a position at the forefront of the Eight, but also his role as artist-historian of a bygone neighborhood and the positive life of immigrants who lived there.
