American Paintings and Sculpture at the Sterling and Francine Clark Art Institute PDF Download
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Author: Margaret C. Conrads
Publisher: Hudson Hills
ISBN: 9781555950507
Category : Art
Languages : en
Pages : 232
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Book Description
68 treasures of Massachusetts museum: Homer, Sargent, Cassatt, Inness, Remington in depth.
Author: Margaret C. Conrads
Publisher: Hudson Hills
ISBN: 9781555950507
Category : Art
Languages : en
Pages : 232
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Book Description
68 treasures of Massachusetts museum: Homer, Sargent, Cassatt, Inness, Remington in depth.
Author: Sterling and Francine Clark Art Institute
Publisher: Sterling and Francine Clark Art Museum
ISBN: 9781935998129
Category : Art
Languages : en
Pages : 0
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Book Description
"Winslow Homer (1836-1910) is one of the core figures of 19th-century American art. While most well-known for his oil paintings of Civil War scenes and the windswept Atlantic coastline, Homer's oeuvre encompasses a variety of themes, ranging from childhood games through the life-and-death struggles of man and nature. The Clark Art Institute holds one of the greatest collections of Homer's work across all media, including wood engravings, etchings, watercolors, drawings, and paintings from nearly all phases of his career. The collection was assembled predominately by Robert Sterling Clark (1877-1956), who purchased his first Winslow Homer painting in 1915, followed by Two Guides in 1916 and maintained a passion for the artist throughout the rest of his collecting career, acquiring the small oil Playing a Fish in 1955. This book examines Robert Sterling Clark as a collector of Homer and the Clark's extensive holdings of the artist. Over thirty entries discuss the role of individual works in Homer's oeuvre and their larger significance to the art world. An illustrated checklist provides information on titles, dates, and media for the entire collection."--Publisher description.
Author: Robert Sterling Clark
Publisher:
ISBN:
Category : China
Languages : en
Pages : 408
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Book Description
Through Shen-Kan is the account of a 1908-09 expedition to the Shensi and Kansu provinces of northern China. The expedition was funded by Robert Sterling Clark, one of the heirs to the Singer Sewing Machine fortune. Clark was joined by the naturalist and writer, Arthur de Carle Sowerby, with whom he co-wrote the book. Published in 1912, the book recounts their journey, along with observations on geography, zoology, astronomy, geology, meteorology, and culture.
Author: Marc Simpson
Publisher: Yale University Press
ISBN:
Category : Art
Languages : en
Pages : 288
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Book Description
Through an innovative manner of handling paint, a group of American artists around 1900 created deceptively simple canvases that convey images of shimmering transcience, visions suggested rather than delineated. Focusing on this singular aesthetic characteristic - softness - this book explores this painterly phenomenon.
Author: James A. Ganz
Publisher: Skira
ISBN: 0847835537
Category : Art
Languages : en
Pages : 242
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Book Description
Published on the occasion of a series of exhibitions that will travel throughout North America, Europe, and Asia from Feb. 2011 to Feb. 2014.
Author: Debra Bricker Balken
Publisher: Clark Art Institute
ISBN:
Category : Art
Languages : en
Pages : 176
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Book Description
From the outset of her career, Georgia O'Keeffe credited her introduction to modernism as deriving in part from a reproduction of a pastel by Arthur Dove she saw around 1913. By this time Dove was well established as the foremost modernist artist in America, yet O'Keeffe herself would later become a source of renewal for his work. Renowned scholar Debra Bricker Balken here offers the first investigation into the interrelationship between these two great artists. She shows that while Dove's sensual evocations of landscape--his abstractions of nature's undulating rhythms and forms--offered inspiration for O'Keeffe, the influence of O'Keeffe's work on Dove was equally significant. After 1930, Dove turned to O'Keeffe's early works for renewed aesthetic inspiration, mining, as he put it, her "burning watercolors." Beyond examining the impact of these mutual influences, this beautifully illustrated publication situates Dove and O'Keeffe within the circle of Alfred Stieglitz, and brings them into a fuller context within the modernist scene of the 1920s and 1930s. What emerges is a fascinating look at the first pivotal moment of modernism in America. Distributed for the Sterling and Francine Clark Art Institute Exhibition Schedule: Sterling and Francine Clark Art Institute, Williamstown, Massachusetts (June 7 - September 7, 2009)
Author: Sterling and Francine Clark Art Institute
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 194
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Book Description
"The Clark: Selections from the Sterling and Francine Clark Art Institute, published in honor of this unique museum's fortieth anniversary, features eighty-four masterpieces in color, each with an accompanying essay, representing all its curatorial departments: paintings and sculpture, drawings and prints, decorative arts, and illustrated books." "The Clark begins with an early-fourteenth-century altarpiece by Ugolino da Siena and Renaissance works by Piero della Francesca, Hans Memling, and Domenico Ghirlandaio. Later works include canvases by Claude, Gainsborough, Fragonard, Goya, Turner, and Corot; beloved academic masterpieces by Stevens, Gerome, Bouguereau, Alma-Tadema, and Tissot; and works on paper by Durer, Rubens, Rembrandt, Munch, and Picasso." "Among the highlights of seven centuries of Western art are the Clark's world-renowned concentrations of French impressionism (Degas, Gauguin, Van Gogh, Manet, Monet, Pissarro, Renoir, Toulouse-Lautrec), American nineteenth-century art (Cassatt, Homer, Remington, Sargent), and English and American (Paul Revere II) seventeenth- and eighteenth-century silver."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: John Onians
Publisher: Clark Art Institute
ISBN: 9780300097900
Category : Art
Languages : en
Pages : 252
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Book Description
With essays by Cao Yiqiang, Rita Eder, James Elkins, Arlene K. Fleming, Derek Gillman, Jyotindra Jain, Cecelia F. Klein, Yves Le Fur, Dominic Marner, Anitra Nettleton, John Onians, Edmund P. Pillsbury, Michael Rinehart, David Summers, Wilfried van Damme, and Georges S. Zouain _____________________________________________ How do we do justice to art when we treat it not as a discrete European or other regional tradition, but as a worldwide phenomenon with a long history? In this groundbreaking book, leading academics, curators, bibliographers, and representatives of international organizations from every continent explain the ways they deal with the conflict between the need to compress and the desire to express. Anyone who faces this challenge, whether in developing a course at university or school, writing a textbook, installing a museum collection, mounting an exhibition, or otherwise presenting the world’s cultural heritage will want to read it.
Author: Elizabeth Cowling
Publisher: Sterling and Francine Clark Art Museum
ISBN:
Category : Cubism
Languages : en
Pages : 376
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Book Description
"This book is published on the occasion of the exhibition Picasso Looks at Degas, Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 13 June-12 September 2010, Museu Picasso, Barcelona, 14 October 2010-16 January 2011."--T.p. verso.
Author: Darcy Grimaldo Grigsby
Publisher: Yale University Press
ISBN: 9780300088878
Category : Art
Languages : en
Pages : 420
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Book Description
In the decades following the French Revolution, four artists - Girodet, Gros, Gericault, and Delacroix - painted works in their Parisian studios that vividly expressed violent events in faraway, colonial lands. This book examines six of these paintings and argues that their disturbing, erotic depictions of slavery, revolt, plague, decapitation, cannibalism, massacre, and abduction chart the history of France's empire and colonial politics. Darcy Grimaldo Grigsby shows that these paintings about occurrences in the West Indies, Syria, Egypt, Senegal, and Ottoman Empire Greece are preoccupied not with mastery and control but with loss, degradation, and failure, and she explains how such representations of crises in the colonies were able to answer the artists' longings as well as the needs of the government and the opposition parties at home. Empire made painters devoted to the representation of liberty and the new French nation confront liberty's antithesis: slavery. It also forced them to contend with cultural and racial difference. Young male artists responded, says Grigsby, by translating distant crises into images of challenges to the self, making history painting the site where geographic extremities and bodily extremities articulated one another.
