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Author: Phillip Lopate
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 760
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Book Description
This collection provides not only dozens of close-ups of iconic movies but also a ... panorama of modern times.-Dust jacket.
Author: Phillip Lopate
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 760
Get Book Here
Book Description
This collection provides not only dozens of close-ups of iconic movies but also a ... panorama of modern times.-Dust jacket.
Author: Jerry Roberts
Publisher: Santa Monica Press
ISBN: 1595809228
Category : Performing Arts
Languages : en
Pages : 330
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Book Description
The Complete History of American Film Criticism is a chronicle of the lives and work of the most influential film critics of the past 100 years. From the first movie review in the New York Times in 1896 through the Silent Era, the pre- and postwar years, the Film Generation of the 1960s, the Golden Age of the 1970s, and into the 21st century, critics have educated generations of discriminating moviegoers on the differences between good films and bad. They call attention to great directors, cinematographers, production designers, screenwriters, and actors, and shed light on their artistic visions and storytelling sensibilities. People interested in what the great film critics had to say have usually been shortchanged as to their backgrounds, and just why they are qualified to sit in judgment. Using mini-biographies, placed within a chronological framework, The Complete History of American Film Criticism is the biography of a profession whose cultural impact has left an indelible mark on the 20th century’s most significant art form.
Author: Brian Kellow
Publisher: Penguin
ISBN: 0143122207
Category : Biography & Autobiography
Languages : en
Pages : 441
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Book Description
“A smart and eminently readable examination of the life and career of one of the twentieth century’s most influential movie critics.”—Los Angeles Times “Engrossing and thoroughly researched.”—Entertainment Weekly • A New York Times Book Review Notable Book of 2011 • The first major biography of the most influential, powerful, and controversial film critic of the twentieth century Pauline Kael was, in the words of Entertainment Weekly's movie reviewer Owen Gleiberman, "the Elvis or Beatles of film criticism." During her tenure at The New Yorker from 1968 to 1991, she was the most widely read and, often enough, the most provocative critic in America. In this first full-length biography of the legend who changed the face of film criticism, acclaimed author Brian Kellow (author of Can I Go Now?: The Life of Sue Mengers, Hollywood's First Superagent) gives readers a richly detailed view of Kael's remarkable life—from her youth in rural California to her early struggles to establish her writing career to her peak years at The New Yorker.
Author: Phillip Lopate
Publisher: Anchor
ISBN: 0525567321
Category : Literary Collections
Languages : en
Pages : 641
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Book Description
A dazzling anthology of essays by some of the best writers of the past quarter century—from Barry Lopez and Margo Jefferson to David Sedaris and Samantha Irby—selected by acclaimed essayist Phillip Lopate. The first decades of the twenty-first century have witnessed a blossoming of creative nonfiction. In this extraordinary collection, Phillip Lopate gathers essays by forty-seven of America’s best contemporary writers, mingling long-established eminences with newer voices and making room for a wide variety of perspectives and styles. The Contemporary American Essay is a monument to a remarkably adaptable form and a treat for anyone who loves fantastic writing. Hilton Als • Nicholson Baker • Thomas Beller • Sven Birkerts • Eula Biss • Mary Cappello • Anne Carson • Terry Castle • Alexander Chee • Teju Cole • Bernard Cooper • Sloane Crosley • Charles D’Ambrosio • Meghan Daum • Brian Doyle • Geoff Dyer • Lina Ferreira • Lynn Freed • Rivka Galchen • Ross Gay • Louise Glück • Emily Fox Gordon • Patricia Hampl • Aleksandar Hemon • Samantha Irby • Leslie Jamison • Margo Jefferson • Laura Kipnis • David Lazar • Yiyun Li • Phillip Lopate • Barry Lopez • Thomas Lynch • John McPhee • Ander Monson • Eileen Myles • Maggie Nelson • Meghan O’Gieblyn • Joyce Carol Oates • Darryl Pinckney • Lia Purpura • Karen Russell • David Sedaris • Shifra Sharlin • David Shields • Floyd Skloot • Rebecca Solnit • Clifford Thompson • Wesley Yang An Anchor Original.
Author: Phillip Lopate
Publisher: Anchor
ISBN: 0525436278
Category : Literary Collections
Languages : en
Pages : 929
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Book Description
A monumental, canon-defining anthology of three centuries of American essays, from Cotton Mather and Benjamin Franklin to David Foster Wallace and Zadie Smith—selected by acclaimed essayist Phillip Lopate "Not only an education but a joy. This is a book for the ages." —Rivka Galchen, author of Atmospheric Disturbances The essay form is an especially democratic one, and many of the essays Phillip Lopate has gathered here address themselves—sometimes critically—to American values. We see the Puritans, the Founding Fathers and Mothers, and the stars of the American Renaissance struggle to establish a national culture. A grand tradition of nature writing runs from Audubon, Thoreau, and John Muir to Rachel Carson and Annie Dillard. Marginalized groups use the essay to assert or to complicate notions of identity. Lopate has cast his net wide, embracing critical, personal, political, philosophical, literary, polemical, autobiographical, and humorous essays. Americans by birth as well as immigrants appear here, famous essayists alongside writers more celebrated for fiction or poetry. The result is a dazzling overview of the riches of the American essay.
Author: David Bordwell
Publisher: University of Chicago Press
ISBN: 022635234X
Category : Performing Arts
Languages : en
Pages : 183
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Book Description
An engaging look at four pioneering film critics—“besides being a pleasure to read, [it] makes a sophisticated contribution to the study of film criticism” (Cineaste). In the 1960s, Pauline Kael, Andrew Sarris, and Roger Ebert were three of America’s most popular and influential film critics. But their remarkable contributions to the cinema landscape were deeply influenced by the work of four earlier critics who are too often overlooked: Otis Ferguson, James Agee, Manny Farber, and Parker Tyler. Throughout the ’30s and ’40s, these pioneering critics scrutinized movies with an intensity not previously seen in popular reviewing. With The Rhapsodes, renowned film scholar and critic David Bordwell restores their work to a wider audience. Bordwell calls these four critics the “Rhapsodes”, in honor of their passionate and deliberately offbeat prose. Each broke with prevailing currents in criticism, finding new ways to discuss popular films that their contemporaries regarded as trivial. With his customary clarity and brio, Bordwell considers each critics’ writing style, their conceptions of films, and their many quarrels. He then concludes by examining their profound impact on later generations of film writers.
Author: Douglas Rosenberg
Publisher: Oxford University Press
ISBN: 0199981620
Category : Music
Languages : en
Pages : 817
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Book Description
The Oxford Handbook of Screendance Studies offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation. Each chapter discusses and reframe current issues, as a means of promoting and enriching dialogue within the wider community of dance and the moving image. Topics addressed embrace politics of the body; agency, race, and gender in screendance; the relationship of choreography to image; constructs of space and time; representation and effacement; production and curatorial practice; and other areas of intersecting disciplines. The Oxford Handbook of Screendance Studies features newly-commissioned and original scholarship that will be essential reading for all those interested in the intersection of dance and the moving image, including film and video-makers, dance artists, screendance artists, academics and writers, producers, composers, as well as the wider interested public. It will become an invaluable resource for researchers and professionals in the field.
Author:
Publisher: Oxford University Press
ISBN: 0192659073
Category : Literary Criticism
Languages : en
Pages : 705
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Book Description
The Oxford History of the Novel in English is a twelve-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction, written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, and tendencies. This book offers an account of US fiction during a period demarcated by two traumatic moments: the eve of the entry of the United States into the Second World War and the onset of the Covid-19 pandemic. The aftermath of the Second World War was arguably the high point of US nationalism, but in the years that followed, US writers would increasingly explore the possibility that US democracy was a failure, both at home and abroad. For so many of the writers whose work this volume explores, the idea of "nation" became suspect as did the idea of "national literature" as the foundation for US writing. Looking at post-1940s writing, the literary historian might well chart a movement within literary cultures away from nationalism and toward what we would call "cosmopolitanism," a perspective that fosters conversations between the occupants of different cultural spaces and that regards difference as an opportunity to be embraced rather than a problem to be solved. During this period, the novel has had significant competition for the US public's attention from other forms of narrative and media: film, television, comic books, videogames, and the internet and the various forms of social media that it spawned. If, however, the novel becomes a "residual" form during this period, it is by no means archaic. The novel has been reinvigorated over the past eighty years by its encounters with both emergent forms (such as film, television, comic books, and digital media) and the emergent voices typically associated with multiculturalism in the United States.
Author: Michael Dear
Publisher: Univ of California Press
ISBN: 0520391950
Category : Social Science
Languages : en
Pages : 317
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Book Description
What a century of border films teaches about the real and imagined worlds of the US-Mexico borderlands—and how this understanding helps build better relations across boundaries. Border Witness is an account of cultural collision and fusion between Mexico and the United States, as seen on the ground and in films from the past hundred years. Blending film studies with political and cultural geography, Michael Dear investigates the making of cross-border identity and community in the territories between two nations. Border Witness introduces a new "border film" genre just now entering its golden age. A geographer and activist, Dear adopts an accessible and engaged perspective, combining the stories told by these films with insights drawn from his own decades-long research and travel. From early silent films to virtual reality, and from revolution to the present global crisis, border films provide fresh evidence for real and imagined politics and for envisioning future transborder architectures carved from in-between spaces. In an era of global geopolitics that favors walls and war over diplomacy, Dear's insights have relevance for borders around the world.
Author: Sam Edwards
Publisher: Bloomsbury Publishing
ISBN: 1474217052
Category : History
Languages : en
Pages : 353
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Book Description
How, as historians, should we 'read' a film? Histories on Screen answers this and other questions in a crucial volume for any history student keen to master source use. The book begins with a theoretical 'Thinking about Film' section that explores the ways in which films can be analyzed and interrogated as either primary sources, secondary sources or indeed as both. The much larger 'Using Film' segment of the book then offers engaging case studies which put this theory into practice. Topics including gender, class, race, war, propaganda, national identity and memory all receive good coverage in what is an eclectic multi-contributor volume. Documentaries, films and television from Britain and the United States are examined and there is a jargon-free emphasis on the skills and methods needed to analyze films in historical study featuring prominently throughout the text. Histories on Screen is a vital resource for all history students as it enables them to understand film as a source and empowers them with the analytical tools needed to use that knowledge in their own work.
