American Indian Art Magazine PDF Download
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Author:
Publisher:
ISBN:
Category : Indian art
Languages : en
Pages : 100
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Book Description
Author:
Publisher:
ISBN:
Category : Indian art
Languages : en
Pages : 100
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Book Description
Author: Lois Sherr Dubin
Publisher: University of Washington Press
ISBN: 9780615881164
Category : Decoration and ornament
Languages : en
Pages : 0
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Book Description
Issued in connection with an exhibition held March 15, 2014-April 26, 2015, the Autry National Center of the American West in Griffith Park, Los Angeles, California.
Author:
Publisher:
ISBN:
Category : Indian art
Languages : en
Pages : 498
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Book Description
Author: National Museum of the American Indian
Publisher: Harper Collins
ISBN: 006154731X
Category : History
Languages : en
Pages : 324
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Book Description
The National Museum of the American Indian is one of the world's great conservators of cultural heritage, and its collections hold more than 800,000 objects spanning 13,000 years of history of the Native peoples of the Western Hemisphere, from Tierra del Fuego in the south to the Arctic in the north. Drawing on new insights from archaeology, history, and art history, Infinity of Nations uses culturally, historically, and aesthetically significant objects as a point of entry to understanding the people who created them. Following an introduction on the power of objects to engage our imagination, each chapter presents an overview of a region of the Americas and its cultural complexities, written by a noted specialist on that region. Community knowledge-keepers and an impressive new generation of Native scholars contribute highlights on objects that represent important ideas or that capture moments of social change. Together these writers create an extraordinary mosaic. What emerges is a portrait of a complex and dynamic world shaped from its earliest history by contact and exchange among peoples. Illustrated with more than 200 strikingly beautiful photographs published here for the first time, Infinity of Nations opens new avenues that extend well beyond those of conventional cultural studies. Authoritative and accessible, here is an important resource for anyone interested in learning about Native cultures of the Americas.
Author: Jill Ahlberg Yohe
Publisher: University of Washington Press
ISBN: 9780295745794
Category : Indian art
Languages : en
Pages : 0
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Book Description
"Women have long been the creative force behind Native American art, yet their individual contributions have been largely unrecognized, instead treated as anonymous representations of entire cultures. 'Hearts of Our People: Native Women Artists' explores the artistic achievements of Native women and establishes their rightful place in the art world. This lavishly illustrated book, a companion to the landmark exhibition, includes works of art from antiquity to the present, made in a variety of media from textiles and beadwork to video and digital arts. It showcases more than 115 artists from the United States and Canada, spanning over one thousand years, to reveal the ingenuity and innovation fthat have always been foundational to the art of Native women."--Page 4 of cover.
Author: John Canfield Ewers
Publisher:
ISBN: 9780806130613
Category : Animals in art
Languages : en
Pages : 0
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Book Description
Based on years of field research with Native Americans, careful scholarship, and exhaustive firsthand studies of museum collections around the world, Ewers's publications have long been required reading for anyone interested in the cultures of the Plains peoples, especially their visual art traditions. This vividly illustrated collection of Ewers's writings presents studies first published in American Indian Art Magazine and other periodicals between 1968 and 1992.
Author: NMAI
Publisher: Smithsonian Institution
ISBN: 1588346978
Category : History
Languages : en
Pages : 241
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Book Description
Rare stories from more than 250 years of Native Americans' service in the military Why We Serve commemorates the 2020 opening of the National Native American Veterans Memorial at the Smithsonian National Museum of the American Indian, the first landmark in Washington, DC, to recognize the bravery and sacrifice of Native veterans. American Indians' history of military service dates to colonial times, and today, they serve at one of the highest rates of any ethnic group. Why We Serve explores the range of reasons why, from love of their home to an expression of their warrior traditions. The book brings fascinating history to life with historical photographs, sketches, paintings, and maps. Incredible contributions from important voices in the field offer a complex examination of the history of Native American service. Why We Serve celebrates the unsung legacy of Native military service and what it means to their community and country.
Author: Toby Herbst
Publisher: University of Washington Press
ISBN:
Category : Flags
Languages : en
Pages : 128
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Book Description
"The Flag in American Indian Art includes fifty-four examples from the Thaw Collection and sixty-seven lent by Kate and Joel Kopp. The two collections form the most extensive assemblage of images of the American flag in American Indian art. They include the work of more than two dozen different peoples, from the Iroquois of the Northeast to the Makah of Neah Bay at the entrance to Puget Sound, from the Navajo in the Southwest to the Athapaskan of Alaska. When seen together, the objects present a multitude of different forms, uses, construction techniques, and design. Depictions of the American flag vary from close facsimiles to near abstractions"--Page 7.
Author: Philip J. Deloria
Publisher: University of Washington Press
ISBN: 029574524X
Category : Art
Languages : en
Pages : 338
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Book Description
"The moment to savor [Mary Sully]. . . has arrived." —New York Times Dakota Sioux artist Mary Sully was the great-granddaughter of respected nineteenth-century portraitist Thomas Sully, who captured the personalities of America’s first generation of celebrities (including the figure of Andrew Jackson immortalized on the twenty-dollar bill). Born on the Standing Rock reservation in South Dakota in 1896, she was largely self-taught. Steeped in the visual traditions of beadwork, quilling, and hide painting, she also engaged with the experiments in time, space, symbolism, and representation characteristic of early twentieth-century modernist art. And like her great-grandfather Sully was fascinated by celebrity: over two decades, she produced hundreds of colorful and dynamic abstract triptychs, a series of “personality prints” of American public figures like Amelia Earhart, Babe Ruth, and Gertrude Stein. Sully’s position on the margins of the art world meant that her work was exhibited only a handful of times during her life. In Becoming Mary Sully, Philip J. Deloria reclaims that work from obscurity, exploring her stunning portfolio through the lenses of modernism, industrial design, Dakota women’s aesthetics, mental health, ethnography and anthropology, primitivism, and the American Indian politics of the 1930s. Working in a complex territory oscillating between representation, symbolism, and abstraction, Sully evoked multiple and simultaneous perspectives of time and space. With an intimate yet sweeping style, Deloria recovers in Sully’s work a move toward an anti-colonial aesthetic that claimed a critical role for Indigenous women in American Indian futures—within and distinct from American modernity and modernism.
Author: Steven Leuthold
Publisher: University of Texas Press
ISBN: 0292788347
Category : Art
Languages : en
Pages : 260
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Book Description
What happens when a Native or indigenous person turns a video camera on his or her own culture? Are the resulting images different from what a Westernized filmmaker would create, and, if so, in what ways? How does the use of a non-Native art-making medium, specifically video or film, affect the aesthetics of the Native culture? These are some of the questions that underlie this rich study of Native American aesthetics, art, media, and identity. Steven Leuthold opens with a theoretically informed discussion of the core concepts of aesthetics and indigenous culture and then turns to detailed examination of the work of American Indian documentary filmmakers, including George Burdeau and Victor Masayesva, Jr. He shows how Native filmmaking incorporates traditional concepts such as the connection to place, to the sacred, and to the cycles of nature. While these concepts now find expression through Westernized media, they also maintain continuity with earlier aesthetic productions. In this way, Native filmmaking serves to create and preserve a sense of identity for indigenous people.
