American Film and Society Since 1945 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download American Film and Society Since 1945 PDF full book. Access full book title American Film and Society Since 1945 by Leonard Quart. Download full books in PDF and EPUB format.
Author: Leonard Quart
Publisher: Greenwood Publishing Group
ISBN:
Category : History
Languages : en
Pages : 256
Get Book Here
Book Description
Although films rarely act as mirror reflections of everyday reality, they are, nevertheless, powerful cultural expressions of the dreams and desires of the American public. This work provides a complete post-World War II survey of American cinema and its often complex and contradictory values.
Author: Leonard Quart
Publisher: Greenwood Publishing Group
ISBN:
Category : History
Languages : en
Pages : 256
Get Book Here
Book Description
Although films rarely act as mirror reflections of everyday reality, they are, nevertheless, powerful cultural expressions of the dreams and desires of the American public. This work provides a complete post-World War II survey of American cinema and its often complex and contradictory values.
Author: Leonard Quart
Publisher: Palgrave
ISBN: 9780333300237
Category : Performing Arts
Languages : en
Pages : 156
Get Book Here
Book Description
Author: Eric Loren Smoodin
Publisher: Univ of California Press
ISBN: 9780520232747
Category : Performing Arts
Languages : en
Pages : 428
Get Book Here
Book Description
This selection of essays taken from Hollywood Quarterly reflect the eclecticism of the journal, with sections on animation, the avant-garde, and documentary to go along with a representative sampling of articles about feature-length narrative films.
Author: Leonard Quart
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 522
Get Book Here
Book Description
From Steven Spielberg's Lincoln to Clint Eastwood's American Sniper, this fifth edition of this classic film study text adds even more recent films and examines how these movies depict and represent the feelings and values of American society. One of the few authoritative books about American film and society, American Film and Society since 1945 combines accessible, fun-to-read text with a detailed, insightful, and scholarly political and social analysis that thoroughly explores the relationship of American film to society and provides essential historical context. The historical overview provides a "capsule analysis" of both American and Hollywood history for the most recent decade as well as past eras, in which topics like American realism; Vietnam, counterculture revolutions, and 1960s films; and Hollywood depictions of big business like Wall Street are covered. Readers will better understand the explicit and hidden meanings of films and appreciate the effects of the passion and personal engagement that viewers experience with films. This new edition prominently features a new chapter on American and Hollywood history from 2010 to 2017, giving readers an expanded examination of a breadth of culturally and socially important modern films that serves student research or pleasure reading. The coauthors have also included additional analysis of classic films such as To Kill a Mockingbird (1962) and A Face in the Crowd (1957).
Author: Michael Allen
Publisher: Routledge
ISBN: 1317874188
Category : Performing Arts
Languages : en
Pages : 295
Get Book Here
Book Description
Contemporary U.S. Cinema is a forceful exploration of the tumultuous changes that have dominated the shifting landscape of American film-making over the past three decades. From the explosive release of Easy Rider to the excesses of Heaven's Gate and the comic book figures of Spider-Man, its aim is to examine the economic, social and cultural contexts of mainstream and independent American films. The book divides into nine provocative chapters with material on: the most significant individual film-makers, such as Scorsese, Coppola and Lucas, as well as independent film-makers like Jarmusch and Anders the careers of leading actors of the last thirty years, such as Jack Nicholson, Robert Redford and Julia Roberts, whilst exploring the powerful position of the film star in the modern American film-making process the economics of Contemporary U.S. Cinema with particular reference to the tortuous journey from production, distribution and exhibition of Waterworld and Titanic the artistic influence of foreign film-makers, such as François Truffaut and Jean-Luc Godard, and explores Hollywood's increasing dominance and reliance on the global market genres, sequels and the recent developments in computer-based technologies, using examples from The Godfather I - III, The Matrix, the Star Wars saga and remakes from Shaft to Ocean's Eleven The book is illustrated with stills throughout and includes a bibliography and annotated further reading list.
Author: David Welch
Publisher: Bloomsbury Publishing
ISBN: 085771595X
Category : History
Languages : en
Pages : 329
Get Book Here
Book Description
This is the most comprehensive analysis to date of Nazi film propaganda in its political, social, and economic contexts, from the pre-war cinema as it fell under the control of the Propaganda Minister, Joseph Goebbels, through to the end of the Second World War. David Welch studies more than one hundred films of all types, identifying those aspects of Nazi ideology that were concealed in the framework of popular entertainment.
Author: Raymond Haberski, Jr.
Publisher: Rutgers University Press
ISBN: 0813553180
Category : History
Languages : en
Pages : 301
Get Book Here
Book Description
Americans have long considered their country to be good—a nation "under God" with a profound role to play in the world. Yet nothing tests that proposition like war. Raymond Haberski argues that since 1945 the common moral assumptions expressed in an American civil religion have become increasingly defined by the nation's experience with war. God and War traces how three great postwar “trials”—the Cold War, the Vietnam War, and the War on Terror—have revealed the promise and perils of an American civil religion. Throughout the Cold War, Americans combined faith in God and faith in the nation to struggle against not only communism but their own internal demons. The Vietnam War tested whether America remained a nation "under God," inspiring, somewhat ironically, an awakening among a group of religious, intellectual and political leaders to save the nation's soul. With the tenth anniversary of 9/11 behind us and the subsequent wars in Iraq and Afghanistan winding down, Americans might now explore whether civil religion can exist apart from the power of war to affirm the value of the nation to its people and the world.
Author: Steven J. Ross
Publisher: Wiley-Blackwell
ISBN: 9780631219590
Category : History
Languages : en
Pages : 400
Get Book Here
Book Description
This outstanding collection of the best film history scholarship gathers recent essays and supporting documents to illustrate the power of movies to change, and be changed by, American society.
Author: Raymond Borde
Publisher: City Lights Books
ISBN: 9780872864122
Category : Performing Arts
Languages : en
Pages : 284
Get Book Here
Book Description
This first book published on film noir established the genre--a classic, at last in translation.
Author: Salvador Jiménez Murguía
Publisher: Rowman & Littlefield
ISBN: 1442269065
Category : Performing Arts
Languages : en
Pages : 825
Get Book Here
Book Description
Winner, RUSA 2019 Outstanding References Source Winner and named a Library Journal Best Reference Book of the Year 2018 From D.W. Griffith’s Birth of a Nation in 1915 to the recent Get Out, audiences and critics alike have responded to racism in motion pictures for more than a century. Whether subtle or blatant, racially biased images and narratives erase minorities, perpetuate stereotypes, and keep alive practices of discrimination and marginalization. Even in the 21st century, the American film industry is not “color blind,” evidenced by films such as Babel (2006), A Better Life (2011), and 12 Years a Slave (2013). The Encyclopedia of Racism in American Film documents one facet of racism in the film industry, wherein historically underrepresented peoples are misrepresented—through a lack of roles for actors of color, stereotyping, negative associations, and an absence of rich, nuanced characters. Offering insights and analysis from over seventy scholars, critics, and activists, the volume highlights issues such as: Hollywood’s diversity crisis White Savior films Magic Negro tropes The disconnect between screen images and lived realities of African Americans, Latinos, Native Americans, and Asians A companion to the ever-growing field of race studies, this volume opens up a critical dialogue on an always timely issue. The Encyclopedia of Racism in American Film will appeal to scholars of cinema, race and ethnicity studies, and cultural history.
