Author: James L. W. West, III
Publisher: University of Pennsylvania Press
ISBN: 0812204530
Category : Literary Criticism
Languages : en
Pages : 189
Book Description
This book examines literary authorship in the twentieth century and covers such topics as publishing, book distribution, the trade editor, the literary agent, the magazine market, subsidiary rights, and the blockbuster mentality.
American Authors and the Literary Marketplace since 1900
Author: James L. W. West, III
Publisher: University of Pennsylvania Press
ISBN: 0812204530
Category : Literary Criticism
Languages : en
Pages : 189
Book Description
This book examines literary authorship in the twentieth century and covers such topics as publishing, book distribution, the trade editor, the literary agent, the magazine market, subsidiary rights, and the blockbuster mentality.
Publisher: University of Pennsylvania Press
ISBN: 0812204530
Category : Literary Criticism
Languages : en
Pages : 189
Book Description
This book examines literary authorship in the twentieth century and covers such topics as publishing, book distribution, the trade editor, the literary agent, the magazine market, subsidiary rights, and the blockbuster mentality.
Fiction and the American Literary Marketplace
Author: Charles Johanningsmeier
Publisher: Cambridge University Press
ISBN: 9780521520188
Category : Language Arts & Disciplines
Languages : en
Pages : 304
Book Description
Conventional literary history has virtually ignored the role of newspaper syndicates in publishing some of the most famous nineteenth-century writers. Stephen Crane, Henry James, Rudyard Kipling, Robert Louis Stevenson and Mark Twain were among those who offered their early fiction to 'Syndicates', firms which subsequently sold the work to newspapers across America for simultaneous, first-time publication. This newly decentralised process profoundly affected not only the economics of publishing, but also the relationship between authors, texts and readers. In the first full-length study of this publishing phenomenon, Charles Johanningsmeier evaluates the unique site of interaction syndicates held between readers and texts.
Publisher: Cambridge University Press
ISBN: 9780521520188
Category : Language Arts & Disciplines
Languages : en
Pages : 304
Book Description
Conventional literary history has virtually ignored the role of newspaper syndicates in publishing some of the most famous nineteenth-century writers. Stephen Crane, Henry James, Rudyard Kipling, Robert Louis Stevenson and Mark Twain were among those who offered their early fiction to 'Syndicates', firms which subsequently sold the work to newspapers across America for simultaneous, first-time publication. This newly decentralised process profoundly affected not only the economics of publishing, but also the relationship between authors, texts and readers. In the first full-length study of this publishing phenomenon, Charles Johanningsmeier evaluates the unique site of interaction syndicates held between readers and texts.
American Authors and the Literary Marketplace Since 1900
Author: James L. W. West, III
Publisher:
ISBN: 9780608097060
Category :
Languages : en
Pages : 184
Book Description
This book examines literary authorship in the twentieth century and covers such topics as publishing, book distribution, the trade editor, the literary agent, the magazine market, subsidiary rights, and the blockbuster mentality.
Publisher:
ISBN: 9780608097060
Category :
Languages : en
Pages : 184
Book Description
This book examines literary authorship in the twentieth century and covers such topics as publishing, book distribution, the trade editor, the literary agent, the magazine market, subsidiary rights, and the blockbuster mentality.
James M. Cain and the American Authors' Authority
Author: Richard Fine
Publisher: University of Texas Press
ISBN: 0292755953
Category : Performing Arts
Languages : en
Pages : 305
Book Description
The 1940s offered ever-increasing outlets for writers in book publishing, magazines, radio, film, and the nascent television industry, but the standard rights arrangements often prevented writers from collecting a fair share of the profits made from their work. To remedy this situation, novelist and screenwriter James M. Cain (The Postman Always Rings Twice,Double Indemnity, Mildred Pierce) proposed that all professional writers, including novelists, playwrights, poets, and screenwriters, should organize into a single cartel that would secure a fairer return on their work from publishers and producers. This organization, conceived and rejected within one turbulent year (1946), was the American Authors' Authority (AAA). In this groundbreaking work, Richard Fine traces the history of the AAA within the cultural context of the 1940s. After discussing the profession of authorship as it had developed in England and the United States, Fine describes how the AAA, which was to be a central copyright repository, was designed to improve the bargaining position of writers in the literary marketplace, keep track of all rights and royalty arrangements, protect writers' interests in the courts, and lobby for more favorable copyright and tax legislation. Although simple enough in its design, the AAA proposal ignited a firestorm of controversy, and a major part of Fine's study explores its impact in literary and political circles. Among writers, the AAA exacerbated a split between East and West Coast writers, who disagreed over whether writing should be treated as a money-making business or as an artistic (and poorly paid) calling. Among politicians, a move to unite all writers into a single organization smacked of communism and sowed seeds of distrust that later flowered in the Hollywood blacklists of the McCarthy era. Drawing insights from the fields of American studies, literature, and Cold War history, Fine's book offers a comprehensive picture of the development of the modern American literary marketplace from the professional writer's perspective. It uncovers the effect of national politics on the affairs of writers, thus illuminating the cultural context in which literature is produced and the institutional forces that affect its production.
Publisher: University of Texas Press
ISBN: 0292755953
Category : Performing Arts
Languages : en
Pages : 305
Book Description
The 1940s offered ever-increasing outlets for writers in book publishing, magazines, radio, film, and the nascent television industry, but the standard rights arrangements often prevented writers from collecting a fair share of the profits made from their work. To remedy this situation, novelist and screenwriter James M. Cain (The Postman Always Rings Twice,Double Indemnity, Mildred Pierce) proposed that all professional writers, including novelists, playwrights, poets, and screenwriters, should organize into a single cartel that would secure a fairer return on their work from publishers and producers. This organization, conceived and rejected within one turbulent year (1946), was the American Authors' Authority (AAA). In this groundbreaking work, Richard Fine traces the history of the AAA within the cultural context of the 1940s. After discussing the profession of authorship as it had developed in England and the United States, Fine describes how the AAA, which was to be a central copyright repository, was designed to improve the bargaining position of writers in the literary marketplace, keep track of all rights and royalty arrangements, protect writers' interests in the courts, and lobby for more favorable copyright and tax legislation. Although simple enough in its design, the AAA proposal ignited a firestorm of controversy, and a major part of Fine's study explores its impact in literary and political circles. Among writers, the AAA exacerbated a split between East and West Coast writers, who disagreed over whether writing should be treated as a money-making business or as an artistic (and poorly paid) calling. Among politicians, a move to unite all writers into a single organization smacked of communism and sowed seeds of distrust that later flowered in the Hollywood blacklists of the McCarthy era. Drawing insights from the fields of American studies, literature, and Cold War history, Fine's book offers a comprehensive picture of the development of the modern American literary marketplace from the professional writer's perspective. It uncovers the effect of national politics on the affairs of writers, thus illuminating the cultural context in which literature is produced and the institutional forces that affect its production.
A History of the Book in America
Author: Carl F. Kaestle
Publisher: UNC Press Books
ISBN: 1469625822
Category : History
Languages : en
Pages : 688
Book Description
In a period characterized by expanding markets, national consolidation, and social upheaval, print culture picked up momentum as the nineteenth century turned into the twentieth. Books, magazines, and newspapers were produced more quickly and more cheaply, reaching ever-increasing numbers of readers. Volume 4 of A History of the Book in America traces the complex, even contradictory consequences of these changes in the production, circulation, and use of print. Contributors to this volume explain that although mass production encouraged consolidation and standardization, readers increasingly adapted print to serve their own purposes, allowing for increased diversity in the midst of concentration and integration. Considering the book in larger social and cultural networks, essays address the rise of consumer culture, the extension of literacy and reading through schooling, the expansion of secondary and postsecondary education and the growth of the textbook industry, the growing influence of the professions and their dependence on print culture, and the history of relevant technology. As the essays here attest, the expansion of print culture between 1880 and 1940 enabled it to become part of Americans' everyday business, social, political, and religious lives. Contributors: Megan Benton, Pacific Lutheran University Paul S. Boyer, University of Wisconsin-Madison Una M. Cadegan, University of Dayton Phyllis Dain, Columbia University James P. Danky, University of Wisconsin-Madison Ellen Gruber Garvey, New Jersey City University Peter Jaszi, American University Carl F. Kaestle, Brown University Nicolas Kanellos, University of Houston Richard L. Kaplan, ABC-Clio Publishing Marcel Chotkowski LaFollette, Washington, D.C. Elizabeth Long, Rice University Elizabeth McHenry, New York University Sally M. Miller, University of the Pacific Richard Ohmann, Wesleyan University Janice A. Radway, Duke University Joan Shelley Rubin, University of Rochester Jonathan D. Sarna, Brandeis University Charles A. Seavey, University of Missouri, Columbia Michael Schudson, University of California, San Diego William Vance Trollinger Jr., University of Dayton Richard L. Venezky (1938-2004) James L. W. West III, Pennsylvania State University Wayne A. Wiegand, Florida State University Michael Winship, University of Texas at Austin Martha Woodmansee, Case Western Reserve University
Publisher: UNC Press Books
ISBN: 1469625822
Category : History
Languages : en
Pages : 688
Book Description
In a period characterized by expanding markets, national consolidation, and social upheaval, print culture picked up momentum as the nineteenth century turned into the twentieth. Books, magazines, and newspapers were produced more quickly and more cheaply, reaching ever-increasing numbers of readers. Volume 4 of A History of the Book in America traces the complex, even contradictory consequences of these changes in the production, circulation, and use of print. Contributors to this volume explain that although mass production encouraged consolidation and standardization, readers increasingly adapted print to serve their own purposes, allowing for increased diversity in the midst of concentration and integration. Considering the book in larger social and cultural networks, essays address the rise of consumer culture, the extension of literacy and reading through schooling, the expansion of secondary and postsecondary education and the growth of the textbook industry, the growing influence of the professions and their dependence on print culture, and the history of relevant technology. As the essays here attest, the expansion of print culture between 1880 and 1940 enabled it to become part of Americans' everyday business, social, political, and religious lives. Contributors: Megan Benton, Pacific Lutheran University Paul S. Boyer, University of Wisconsin-Madison Una M. Cadegan, University of Dayton Phyllis Dain, Columbia University James P. Danky, University of Wisconsin-Madison Ellen Gruber Garvey, New Jersey City University Peter Jaszi, American University Carl F. Kaestle, Brown University Nicolas Kanellos, University of Houston Richard L. Kaplan, ABC-Clio Publishing Marcel Chotkowski LaFollette, Washington, D.C. Elizabeth Long, Rice University Elizabeth McHenry, New York University Sally M. Miller, University of the Pacific Richard Ohmann, Wesleyan University Janice A. Radway, Duke University Joan Shelley Rubin, University of Rochester Jonathan D. Sarna, Brandeis University Charles A. Seavey, University of Missouri, Columbia Michael Schudson, University of California, San Diego William Vance Trollinger Jr., University of Dayton Richard L. Venezky (1938-2004) James L. W. West III, Pennsylvania State University Wayne A. Wiegand, Florida State University Michael Winship, University of Texas at Austin Martha Woodmansee, Case Western Reserve University
Print Cultures
Author: Caroline Davis
Publisher: Bloomsbury Publishing
ISBN: 1350310034
Category : Literary Criticism
Languages : en
Pages : 600
Book Description
This reader is the most comprehensive selection of key texts on twentieth and twenty-first century print culture yet compiled. Illuminating the networks and processes that have shaped reading, writing and publishing, the selected extracts also examine the effect of printed and digital texts on society. Featuring a general introduction to contemporary print culture and publishing studies, the volume includes 42 influential and innovative pieces of writing, arranged around themes such as authorship, women and print culture, colonial and postcolonial publishing and globalisation. Offering a concise survey of critical work, this volume is an essential companion for students of literature or publishing with an interest in the history of the book.
Publisher: Bloomsbury Publishing
ISBN: 1350310034
Category : Literary Criticism
Languages : en
Pages : 600
Book Description
This reader is the most comprehensive selection of key texts on twentieth and twenty-first century print culture yet compiled. Illuminating the networks and processes that have shaped reading, writing and publishing, the selected extracts also examine the effect of printed and digital texts on society. Featuring a general introduction to contemporary print culture and publishing studies, the volume includes 42 influential and innovative pieces of writing, arranged around themes such as authorship, women and print culture, colonial and postcolonial publishing and globalisation. Offering a concise survey of critical work, this volume is an essential companion for students of literature or publishing with an interest in the history of the book.
American Women during World War II
Author: Doris Weatherford
Publisher: Routledge
ISBN: 1135201897
Category : History
Languages : en
Pages : 2059
Book Description
American Women during World War II documents the lives and stories of women who contributed directly to the war effort via official and semi-official military organizations, as well as the millions of women who worked in civilian defense industries, ranging from aircraft maintenance to munitions manufacturing and much more. It also illuminates how the war changed the lives of women in more traditional home front roles. All women had to cope with rationing of basic household goods, and most women volunteered in war-related programs. Other entries discuss institutional change, as the war affected every aspect of life, including as schools, hospitals, and even religion. American Women during World War II provides a handy one-volume collection of information and images suitable for any public or professional library.
Publisher: Routledge
ISBN: 1135201897
Category : History
Languages : en
Pages : 2059
Book Description
American Women during World War II documents the lives and stories of women who contributed directly to the war effort via official and semi-official military organizations, as well as the millions of women who worked in civilian defense industries, ranging from aircraft maintenance to munitions manufacturing and much more. It also illuminates how the war changed the lives of women in more traditional home front roles. All women had to cope with rationing of basic household goods, and most women volunteered in war-related programs. Other entries discuss institutional change, as the war affected every aspect of life, including as schools, hospitals, and even religion. American Women during World War II provides a handy one-volume collection of information and images suitable for any public or professional library.
Edith Wharton in Context
Author: Laura Rattray
Publisher: Cambridge University Press
ISBN: 1107010195
Category : Literary Criticism
Languages : en
Pages : 423
Book Description
This collection of essays examines the various social, cultural and historical contexts surrounding Edith Wharton's popular and prolific literary career.
Publisher: Cambridge University Press
ISBN: 1107010195
Category : Literary Criticism
Languages : en
Pages : 423
Book Description
This collection of essays examines the various social, cultural and historical contexts surrounding Edith Wharton's popular and prolific literary career.
The Cambridge Companion to the History of the Book
Author: Leslie Howsam
Publisher: Cambridge University Press
ISBN: 1107023734
Category : Language Arts & Disciplines
Languages : en
Pages : 301
Book Description
An accessible and wide-ranging study of the history of the book within local, national and global contexts.
Publisher: Cambridge University Press
ISBN: 1107023734
Category : Language Arts & Disciplines
Languages : en
Pages : 301
Book Description
An accessible and wide-ranging study of the history of the book within local, national and global contexts.
New Perspectives in Book History
Author: Dr. H. van den Braber
Publisher: Uitgeversmaatschappij Walburg Pers
ISBN: 9057304317
Category : Business & Economics
Languages : en
Pages : 224
Book Description
New Perspectives in Book History verschijnt ter gelegenheid van het 14de SHARP congres dat in juli 2006 in Leiden en Den Haag plaatsvindt. De Society for the History of Authorship, Reading and Publishing (SHARP) is een internationale organisatie met wereldwijd zo’n 1200 leden. Het boek bevat 13 artikelen van zowel jonge als gevestigde boekhistorici uit Nederland en België. De onderwerpen lopen uiteen van de Leuvense Universiteit in de vroegmoderne tijd, 17de-eeuwse marskramers en 20ste-eeuwse uitgeverijen tot de toepassing van modellen uit de bedrijfsgeschiedenis of uit de netwerkanalyse in het moderne boekhistorische onderzoek. In het boek is aandacht voor nieuwe ontdekkingen zoals boekenloterijen en voor de internationale positie van Nederland in het boekenvak. Tezamen vormen deze artikelen een staalkaart van het moderne boekhistorische onderzoek in de Lage Landen.
Publisher: Uitgeversmaatschappij Walburg Pers
ISBN: 9057304317
Category : Business & Economics
Languages : en
Pages : 224
Book Description
New Perspectives in Book History verschijnt ter gelegenheid van het 14de SHARP congres dat in juli 2006 in Leiden en Den Haag plaatsvindt. De Society for the History of Authorship, Reading and Publishing (SHARP) is een internationale organisatie met wereldwijd zo’n 1200 leden. Het boek bevat 13 artikelen van zowel jonge als gevestigde boekhistorici uit Nederland en België. De onderwerpen lopen uiteen van de Leuvense Universiteit in de vroegmoderne tijd, 17de-eeuwse marskramers en 20ste-eeuwse uitgeverijen tot de toepassing van modellen uit de bedrijfsgeschiedenis of uit de netwerkanalyse in het moderne boekhistorische onderzoek. In het boek is aandacht voor nieuwe ontdekkingen zoals boekenloterijen en voor de internationale positie van Nederland in het boekenvak. Tezamen vormen deze artikelen een staalkaart van het moderne boekhistorische onderzoek in de Lage Landen.