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Author: Irving Sandler
Publisher: HarperCollins
ISBN:
Category : Art
Languages : en
Pages : 448
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Book Description
"Sandler covers the art, artists and movements of the sixties--Painterly and Post Painterly Painting, Pop Art, New Perceptual Realism, Op Art and Kinetic Sculpture, Minimal Sculpture, Construction Sculpture, Eccentric and Process Art, Earthworks, Conceptual and Performance Art and so on. He discusses the aesthetics of art as well as the social and political context of art, the art market, the art world and the culture heroes of the sixties." -- Provided by publisher
Author: Irving Sandler
Publisher: HarperCollins
ISBN:
Category : Art
Languages : en
Pages : 448
Get Book Here
Book Description
"Sandler covers the art, artists and movements of the sixties--Painterly and Post Painterly Painting, Pop Art, New Perceptual Realism, Op Art and Kinetic Sculpture, Minimal Sculpture, Construction Sculpture, Eccentric and Process Art, Earthworks, Conceptual and Performance Art and so on. He discusses the aesthetics of art as well as the social and political context of art, the art market, the art world and the culture heroes of the sixties." -- Provided by publisher
Author: John Elderfield
Publisher:
ISBN: 9780870701801
Category : Art
Languages : en
Pages : 192
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Book Description
Essays discuss Ad Reinhardt, Jasper Johns, J.M.W. Turner, Jim Dine, minimalism, Robert Venturi, and Elia Kazan's "Wild River."
Author: Susan Cummins
Publisher:
ISBN: 9783897905979
Category :
Languages : en
Pages : 200
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Book Description
In the 1960s and 1970s, a generation of young Americans rejected the promise of prosperity and the suburban dream embraced by their parents. Furious about the war in Vietnam, fighting for civil rights at home, and eagerly exploring the effects of psychedelic drugs, the delights of free love, and the mystical teachings of eastern religions, thousands followed the advice to "turn on, tune in, drop out," bringing about a counterculture in the process. For many American jewelers, these events and values found their way into the studio, as well as affecting how they lived, worked, and loved. Jewelers, like other studio craftspeople, rode the wave of popularity for the hand-made and authentic that was at the heart of the counterculture. In Flux is the story of how their jewelry contributed to the raucous, contradictory, and enthusiastic clamor for a new kind of society that made the 1960s and 1970s so extraordinary.
Author: Inés Katzenstein
Publisher: The Museum of Modern Art
ISBN: 9780870703669
Category : Art
Languages : en
Pages : 380
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Book Description
This book explores the intense, internationally significant developments in Argentine art of the 1960s through English translations of the original documents of the time.
Author: Sharon F. Patton
Publisher: Oxford University Press, USA
ISBN: 9780192842138
Category : Art
Languages : en
Pages : 328
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Book Description
Discusses African American folk art, decorative art, photography, and fine arts.
Author: Joe Houston
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 216
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Book Description
Published to accompany an exhibition at the Columbus Museum of Art, Ohio, this book examines the development of the Op Art movement, its cultural context, and its widespread impact on advertising, fashion and film-making. It includes works by Josef Albers, Bridget Riley and Victor Vasarely.
Author: Melissa Ho
Publisher: Princeton University Press
ISBN: 0691191182
Category : Art
Languages : en
Pages : 417
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Book Description
"Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum, Washington, DC, March 15, 2019 to August 18, 2019."
Author: Liz Kotz
Publisher: MIT Press
ISBN: 0262514036
Category : Art
Languages : en
Pages : 344
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Book Description
A critical study of the use of language and the proliferation of text in 1960s art and experimental music, with close examinations of works by Vito Acconci, Carl Andre, John Cage, Douglas Huebler, Andy Warhol, Lawrence Weiner, La Monte Young, and others. Language has been a primary element in visual art since the 1960s—in the form of printed texts, painted signs, words on the wall, recorded speech, and more. In Words to Be Looked At, Liz Kotz traces this practice to its beginnings, examining works of visual art, poetry, and experimental music created in and around New York City from 1958 to 1968. In many of these works, language has been reduced to an object nearly emptied of meaning. Robert Smithson described a 1967 exhibition at the Dwan Gallery as consisting of “Language to be Looked at and/or Things to be Read.” Kotz considers the paradox of artists living in a time of social upheaval who use words but chose not to make statements with them. Kotz traces the proliferation of text in 1960s art to the use of words in musical notation and short performance scores. She makes two works the “bookends” of her study: the “text score” for John Cage's legendary 1952 work 4'33”—written instructions directing a performer to remain silent during three arbitrarily determined time brackets—and Andy Warhol's notorious a: a novel—twenty-four hours of endless talk, taped and transcribed—published by Grove Press in 1968. Examining works by artists and poets including Vito Acconci, Carl Andre, George Brecht, Douglas Huebler, Joseph Kosuth, Jackson Mac Low, and Lawrence Weiner, Kotz argues that the turn to language in 1960s art was a reaction to the development of new recording and transmission media: words took on a new materiality and urgency in the face of magnetic sound, videotape, and other emerging electronic technologies. Words to Be Looked At is generously illustrated, with images of many important and influential but little-known works.
Author: Hunter Drohojowska-Philp
Publisher: Henry Holt and Company
ISBN: 9780805088366
Category : Art
Languages : en
Pages : 288
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Book Description
The extraordinary story of the artists who propelled themselves to international fame in 1960s Los Angeles Los Angeles, 1960: There was no modern art museum and there were few galleries, which is exactly what a number of daring young artists liked about it, among them Ed Ruscha, David Hockney, Robert Irwin, Bruce Nauman, Judy Chicago and John Baldessari. Freedom from an established way of seeing, making, and marketing art fueled their creativity, which in turn inspired the city. Today Los Angeles has four museums dedicated to contemporary art, around one hundred galleries, and thousands of artists. Here, at last, is the book that tells the saga of how the scene came into being, why a prevailing Los Angeles permissiveness, 1960s-style, spawned countless innovations, including Andy Warhol's first exhibition, Marcel Duchamp's first retrospective, Frank Gehry's mind-bending architecture, Rudi Gernreich's topless bathing suit, Dennis Hopper's Easy Rider, even the Beach Boys, the Byrds, the Doors, and other purveyors of a California style. In the 1960s, Los Angeles was the epicenter of cool.
Author: Irving Sandler
Publisher: Routledge
ISBN: 0429981821
Category : Art
Languages : en
Pages : 952
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Book Description
Sandler discusses the major and minor artists and their works; movements, ideas, attitudes, and styles; and the social and cultural context of the period. He covers post-modernist art theory, the art market, and consumer society. American and European art and artists are included.
