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Author: B. Miller
Publisher: Springer
ISBN: 0230114628
Category : Literary Criticism
Languages : en
Pages : 389
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Book Description
In an innovative reading of fin-de-siecle cultural texts, Miller argues that British representations of America, Americans, and Anglo-American relations at the turn of the twentieth century provided an important forum for cultural distinction.
Author: B. Miller
Publisher: Springer
ISBN: 0230114628
Category : Literary Criticism
Languages : en
Pages : 389
Get Book Here
Book Description
In an innovative reading of fin-de-siecle cultural texts, Miller argues that British representations of America, Americans, and Anglo-American relations at the turn of the twentieth century provided an important forum for cultural distinction.
Author: B. Miller
Publisher: Springer
ISBN: 0230114628
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
In an innovative reading of fin-de-siecle cultural texts, Miller argues that British representations of America, Americans, and Anglo-American relations at the turn of the twentieth century provided an important forum for cultural distinction.
Author: B. Miller
Publisher: Palgrave Macmillan
ISBN: 9781349288137
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
In an innovative reading of fin-de-siecle cultural texts, Miller argues that British representations of America, Americans, and Anglo-American relations at the turn of the twentieth century provided an important forum for cultural distinction.
Author: Andrew King
Publisher: Routledge
ISBN: 131704231X
Category : Literary Criticism
Languages : en
Pages : 497
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Book Description
The 2017 winner of the Robert and Vineta Colby Scholarly Book Prize Providing a comprehensive, interdisciplinary examination of scholarship on nineteenth-century British periodicals, this volume surveys the current state of research and offers researchers an in-depth examination of contemporary methodologies. The impact of digital media and archives on the field informs all discussions of the print archive. Contributors illustrate their arguments with examples and contextualize their topics within broader areas of study, while also reflecting on how the study of periodicals may evolve in the future. The Handbook will serve as a valuable resource for scholars and students of nineteenth-century culture who are interested in issues of cultural formation, transformation, and transmission in a developing industrial and globalizing age, as well as those whose research focuses on the bibliographical and the micro case study. In addition to rendering a comprehensive review and critique of current research on nineteenth-century British periodicals, the Handbook suggests new avenues for research in the twenty-first century. "This volume's 30 chapters deal with practically every aspect of periodical research and with the specific topics and audiences the 19th-century periodical press addressed. It also covers matters such as digitization that did not exist or were in early development a generation ago. In addition to the essays, readers will find 50 illustrations, 54 pages of bibliography, and a chronology of the periodical press. This book gives seemingly endless insights into the ways periodicals and newspapers influenced and reflected 19th-century culture. It not only makes readers aware of problems involved in interpreting the history of the press but also offers suggestions for ways of untangling them and points the direction for future research. It will be a valuable resource for readers with interests in almost any aspect of 19th-century Britain. Summing Up: Highly recommended" - J. D. Vann, University of North Texas in CHOICE
Author: Joe Cleary
Publisher: Cambridge University Press
ISBN: 1108681778
Category : Literary Criticism
Languages : en
Pages : 329
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Book Description
After World War I, American, Irish and then Caribbean writers boldly remade the world literary system long dominated by Paris and London. Responding to literary renaissances and social upheavals in their own countries and to the decline of war-devastated Europe, émigré and domestic-based writers produced dazzling new works that challenged London's or Paris's authority to fix and determine literary value. In so doing, they propounded new conceptions of aesthetic accomplishment that were later codified as 'modernism'. However, after World War II, an assertive American literary establishment repurposed literary modernism to boost the cultural prestige of the United States in the Cold War and to contest Soviet conceptions of 'world literature'. Here, in accomplished readings of major works and essays by Henry James, Ezra Pound, W. B. Yeats, T. S. Eliot, James Joyce, F. Scott Fitzgerald, Eugene O'Neill and Derek Walcott, Joe Cleary situates Anglophone modernism in terms of the rise and fall of European and American empires, changing world literary systems, and disputed histories of 'world literature'.
Author: Duncan Bell
Publisher: Princeton University Press
ISBN: 0691235112
Category : Political Science
Languages : en
Pages : 484
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Book Description
How transatlantic thinkers in the late nineteenth and early twentieth centuries promoted the unification of Britain and the United States Between the late nineteenth century and the First World War an ocean-spanning network of prominent individuals advocated the unification of Britain and the United States. They dreamt of the final consolidation of the Angloworld. Scholars, journalists, politicians, businessmen, and science fiction writers invested the “Anglo-Saxons” with extraordinary power. The most ambitious hailed them as a people destined to bring peace and justice to the earth. More modest visions still imagined them as likely to shape the twentieth century. Dreamworlds of Race explores this remarkable moment in the intellectual history of racial domination, political utopianism, and world order. Focusing on a quartet of extraordinary figures—Andrew Carnegie, W. T. Stead, Cecil J. Rhodes, and H. G. Wells—Duncan Bell shows how unionists on both sides of the Atlantic reimagined citizenship, empire, patriotism, race, war, and peace in their quest to secure global supremacy. Yet even as they dreamt of an Anglo-dominated world, the unionists disagreed over the meaning of race, the legitimacy of imperialism, the nature of political belonging, and the ultimate form and purpose of unification. The racial dreamworld was an object of competing claims and fantasies. Exploring speculative fiction as well as more conventional forms of political writing, Bell reads unionist arguments as expressions of the utopianism circulating through fin-de-siècle Anglo-American culture, and juxtaposes them with pan-Africanist critiques of racial domination and late twentieth-century fictional narratives of Anglo-American empire. Tracing how intellectual elites promoted an ambitious project of political and racial unification between Britain and the United States, Dreamworlds of Race analyzes ideas of empire and world order that reverberate to this day.
Author: Richard Fallon
Publisher: Cambridge University Press
ISBN: 1108996167
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
When the term 'dinosaur' was coined in 1842, it referred to fragmentary British fossils. In subsequent decades, American discoveries—including Brontosaurus and Triceratops—proved that these so-called 'terrible lizards' were in fact hardly lizards at all. By the 1910s 'dinosaur' was a household word. Reimagining Dinosaurs in Late Victorian and Edwardian Literature approaches the hitherto unexplored fiction and popular journalism that made this scientific term a meaningful one to huge transatlantic readerships. Unlike previous scholars, who have focused on displays in American museums, Richard Fallon argues that literature was critical in turning these extinct creatures into cultural icons. Popular authors skilfully related dinosaurs to wider concerns about empire, progress, and faith; some of the most prominent, like Arthur Conan Doyle and Henry Neville Hutchinson, also disparaged elite scientists, undermining distinctions between scientific and imaginative writing. The rise of the dinosaurs thus accompanied fascinating transatlantic controversies about scientific authority.
Author: Daniel Hannah
Publisher: McGill-Queen's Press - MQUP
ISBN: 022800604X
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
The instability of modernist form has everything to do with the social, political, and economic shakeups of the nineteenth century that left masculinity a site of contestation, racial anxiety, homophobic paranoia, performative display, and queer desire. Refusing to take white masculinity for granted, Daniel Hannah considers how the canonical novels of modernist fiction explore the ways that privilege is propped up and driven by factors of race, place, gender, and sexuality. Queer Atlantic examines the work of established writers – Herman Melville, Robert Louis Stevenson, Henry James, Joseph Conrad, and Ford Madox Ford – to reveal that anxieties surrounding white, masculine privilege and queer potential helped broaden the novel's formal possibilities. Demonstrating how masculine mobility, and often specifically transatlantic mobility, both enacts and queerly disorients male privilege, Hannah places these writers in the context of debates about naval impressment, piracy, emigration, colonization, and the "new imperialism." In the process he raises important questions about the current field of queer ethics, highlighting the strange companionship of queer openness to otherness and imperialist thought in modernist writing. Arguing for the surprising resilience of such fictional structures, Queer Atlantic provides a new understanding of modernism's emergence from a troubling of masculine privilege, mobility, and desire.
Author: Robert Hendershot
Publisher: Manchester University Press
ISBN: 1526151413
Category : Political Science
Languages : en
Pages : 447
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Book Description
This book examines how intangible aspects of international relations – including identity, memory, representation, and symbolic perception – have helped to shape the development and contribute to the endurance of the Anglo-American special relationship. Challenging traditional interpretations of US-UK relations and breaking new ground with fresh analyses of cultural symbols, discourses, and ideologies, this volume fills important gaps in our collective understanding of the special relationship’s operation and exposes new analytical spaces in which we can re-evaluate its strengths and weaknesses. Designed to breathe new life into old debates about the relationship’s purported specialness, this book offers a multidisciplinary exploration of literary representations, screen representations, political representations, representations in memory, and the influence of cultural connections and constructs which have historically animated Anglo-American interaction.
Author: Alison Griffiths
Publisher: Columbia University Press
ISBN: 0231541562
Category : Performing Arts
Languages : en
Pages : 467
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Book Description
A groundbreaking contribution to the study of nontheatrical film exhibition, Carceral Fantasies tells the little-known story of how cinema found a home in the U.S. penitentiary system and how the prison emerged as a setting and narrative trope in modern cinema. Focusing on films shown in prisons before 1935, Alison Griffiths explores the unique experience of viewing cinema while incarcerated and the complex cultural roots of cinematic renderings of prison life. Griffiths considers a diverse mix of cinematic genres, from early actualities and reenactments of notorious executions to reformist exposés of the 1920s. She connects an early fascination with cinematic images of punishment and execution, especially electrocutions, to the attractions of the nineteenth-century carnival electrical wonder show and Phantasmagoria (a ghost show using magic lantern projections and special effects). Griffiths draws upon convict writing, prison annual reports, and the popular press obsession with prison-house cinema to document the integration of film into existing reformist and educational activities and film's psychic extension of flights of fancy undertaken by inmates in their cells. Combining penal history with visual and film studies and theories surrounding media's sensual effects, Carceral Fantasies illuminates how filmic representations of the penal system enacted ideas about modernity, gender, the body, and the public, shaping both the social experience of cinema and the public's understanding of the modern prison.
