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Author: Deutsche Guggenheim Berlin
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 378
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Book Description
Early in the 20th century, a group of Russian artists kickstarted a revolution in the fine and applied arts. Accompanying an exhibition, this volume focuses on six female artists who played a key role in the movement's development.
Author: John E. Bowlt
Publisher:
ISBN: 9780810969247
Category : Art, Russian
Languages : en
Pages : 0
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Book Description
Author: Deutsche Guggenheim Berlin
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 378
Get Book Here
Book Description
Early in the 20th century, a group of Russian artists kickstarted a revolution in the fine and applied arts. Accompanying an exhibition, this volume focuses on six female artists who played a key role in the movement's development.
Author: John E. Bowlt
Publisher:
ISBN:
Category : Art, Russian
Languages : en
Pages : 365
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Book Description
Author: John E. Bowlt
Publisher:
ISBN: 9780892072712
Category : Art
Languages : en
Pages : 0
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Book Description
Edited by John E. Bowlt and Matthew Drutt.
Author: Matthew Drutt
Publisher:
ISBN: 9780900946813
Category : Art, Modern
Languages : en
Pages : 375
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Book Description
Author: John E. Bowlt
Publisher:
ISBN:
Category : Avant-guarde (Aesthetics)
Languages : en
Pages : 0
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Book Description
Early in the 20th century, a group of Russian artists kickstarted a revolution in the fine and applied arts. Accompanying an exhibition, this volume focuses on six female artists who played a key role in the movement's development.
Author:
Publisher:
ISBN:
Category : Art, Russian
Languages : en
Pages : 8
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Book Description
Author: Carmel Finnan
Publisher: Königshausen & Neumann
ISBN: 9783826032417
Category : Arts
Languages : en
Pages : 384
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Book Description
Vorwort - I. Sharp: Women and Weimar Berlin - C. Ujma: Theories of Masculinity and the Avant-Garde - T. Elsaesser: The Camera in the Kitchen: Grete Schütte-Lihotsky and Domestic Modernity - A. Baumhoff: Women in the Bauhaus: Gender Issues in Weimar Culture - D. Rowe: Painting herself. Lotte Laserstein between subject and object - U. Seiderer: Between Minor Sculpture and Promethean Creativity. The Position of Käthe Kollwitz in Weimar's Discourse on Art - C. Finnan: Photographers between Challenge and Conformity. Yva's Career and Ruvre - K. Bruns: Thea von Harbou. Writing Skills and Film Aesthetics - J. Trimborn: Leni Riefenstahl's Career before Hitler: Success-stories of an Outsider - C. Schönfeld: Lotte Reiniger and the Art of Animation - A. Lareau: The Blonde Lady Sings. Women in Weimar Cabaret - I. C. Gil: 'Jede Frau ist eine Tänzerin...' The Gender of Dance in Weimar Culture - B. Maier-Katkin: Anna Seghers, Irmgard Keun. A Discourse on Emancipation and Social Circumstance - C. Ujma: Gabriele Tergit and Berlin: Women, City and Modernity - C. Finnan: Marieluise Fleißer's Self-Reflections on the Female Writer - J. Redmann: Else Lasker-Schüler versus the Weimar Publishing Industry. Genius, Gender, Politics, and the Literary Market - J. Warren: Contrasted Heroines in Two Plays by Ilse Langner. A Dramatist at 'Weimar's End' - L. Soares: Vicky Baum and Gina Kaus: Vienna, Berlin, Hollywood
Author: Ilya Kabakov
Publisher: University of Chicago Press
ISBN: 022638473X
Category : Art
Languages : en
Pages : 380
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Book Description
During the 1960s and 1970s, the Russian conceptual artist Ilya Kabakov was a galvanizing figure in Moscow's underground art community, ultimately gaining international prominence as the “leader” of a band of artists known as the Moscow Conceptual Circle. Throughout this time, he created texts that he would distribute among his friends, and by the late 1990s his written production amounted to hundreds of pages. Devoted to themes that range from the “cosmism” of pre-Revolutionary Russian modernism to the philosophical implications of Moscow’s garbage, Kabakov’s handmade booklets were typed out on paper, then stapled or sewn together using rough butcher paper for their covers. Among these writings are faux Socialist Realist verses, theoretical explorations, art historical analyses, accompaniments to installation projects, and transcripts of dialogues between the artist and literary theorists, critics, journalists, and other artists. This volume offers for the first time in English the most significant texts written by Kabakov. The writings have been expressly selected for this English-language volume and there exists no equivalent work in any language.
Author: Nancy Perloff
Publisher: Getty Publications
ISBN: 1606065084
Category : Art
Languages : en
Pages : 210
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Book Description
The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning “beyond the mind”), which was distinctive in its emphasis on “sound as such” and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval’ (Explodity). In addition, Nancy Perloff examines the profound differences between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist’s book. Sound recordings of zaum poems featured in the book are available at www.getty.edu.
