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Author: Hugo Gernsback
Publisher:
ISBN: 9781549591617
Category :
Languages : en
Pages : 181
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Book Description
This volume, Amazing Stories, Volume 1, No. 1, was originally published in 1926 by Experimenter Publishing Company, New York, and until now only available in rare print volumes, scans, or as plain text files produced via computer OCR, which results in numerous errors and mistakes and lack formatting. This version, by Sulis International, has been carefully edited, formatted, and typeset. We have left most archaic spellings and words as in the original, only editing for punctuation, typographical errors, and formatting._Amazing Stories_ was founded and published by Hugo Gernsback in 1926, and continued to be published monthly or bi-monthly until 2014 (with some interruptions). This first volume, published in April of 1926, contained reprints of stories, some in serial format across multiple volumes, and included such established authors as Jules Verne, H. G. Wells, and Edgar Allan Poe. The introductions and call-outs in the stories show Gernsback's preference for "scientification," where he explains and comments on each story.Gernsback believed that the goal of science fiction was to both entertain and to teach, a characteristic he called "scientification." Though readers found fantastic stories more interesting, and the magazine began including more such stories, _Amazing Stories_ is responsible for created the genre of science fiction magazines and the first science fiction fan club. Authors such as Isaac Asimov, John W. Campbell, Ursula K. Le Guin, and Roger Zelazny would have their first stories published in _Amazing Stories_.
Author: Hugo Gernsback
Publisher:
ISBN: 9781976244308
Category :
Languages : en
Pages : 182
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Book Description
This volume, Amazing Stories, Volume 1, No. 1, was originally published in 1926 by Experimenter Publishing Company, New York, and until now only available in rare print copies, scans, or as plain text files produced via computer OCR, which results in numerous errors and mistakes and lack formatting. This version, by Sulis International, has been carefully edited, formatted, and typeset. We have left most archaic spellings and words as in the original, only editing for punctuation, typographical errors, and formatting.The print version of this new edition is in the same "pulp" size as the original (7 x 10), and follows the two-column format of the original. Amazing Stories was founded and published by Hugo Gernsback in 1926, and continued to be published monthly or bi-monthly until 2014 (with some interruptions). The first volume, published in April of 1926, contained reprints of stories, some in serial format across multiple volumes, and included such established authors as Jules Verne, H. G. Wells, and Edgar Allan Poe. The introductions and call-outs in the stories show Gernsback's preference for "scientification," where he explains and comments on each story. Gernsback believed that the goal of science fiction was to both entertain and to teach, a characteristic he called "scientification." Though readers found fantastic stories more interesting, and the magazine began including more such stories, Amazing Stories is responsible for creating the genre of science fiction magazines and the first science fiction fan club. Authors such as Isaac Asimov, John W. Campbell, Ursula K. Le Guin, and Roger Zelazny would have their first stories published in Amazing Stories.
Author: Hugo Gernsback
Publisher:
ISBN: 9781549591617
Category :
Languages : en
Pages : 181
Get Book Here
Book Description
This volume, Amazing Stories, Volume 1, No. 1, was originally published in 1926 by Experimenter Publishing Company, New York, and until now only available in rare print volumes, scans, or as plain text files produced via computer OCR, which results in numerous errors and mistakes and lack formatting. This version, by Sulis International, has been carefully edited, formatted, and typeset. We have left most archaic spellings and words as in the original, only editing for punctuation, typographical errors, and formatting._Amazing Stories_ was founded and published by Hugo Gernsback in 1926, and continued to be published monthly or bi-monthly until 2014 (with some interruptions). This first volume, published in April of 1926, contained reprints of stories, some in serial format across multiple volumes, and included such established authors as Jules Verne, H. G. Wells, and Edgar Allan Poe. The introductions and call-outs in the stories show Gernsback's preference for "scientification," where he explains and comments on each story.Gernsback believed that the goal of science fiction was to both entertain and to teach, a characteristic he called "scientification." Though readers found fantastic stories more interesting, and the magazine began including more such stories, _Amazing Stories_ is responsible for created the genre of science fiction magazines and the first science fiction fan club. Authors such as Isaac Asimov, John W. Campbell, Ursula K. Le Guin, and Roger Zelazny would have their first stories published in _Amazing Stories_.
Author: T. O'Connor Sloane
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Richard S. Shaver
Publisher: eStar Books
ISBN: 1612101666
Category : Fiction
Languages : en
Pages : 31
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Book Description
Though Records from the Past Tell the Ancient Story of Lemuria which Some Call Mu or Pan
Author: Jules Verne
Publisher:
ISBN: 9781936720941
Category :
Languages : en
Pages : 102
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Book Description
A PULP TALES PRESS REPLICA: The first issue of the first Science Fiction magazine in English features the works of Jules Verne, H. G. Wells, G. Peyton Wertenbaker, George Allen England, Austin Hall, and Edgar Allan Poe.
Author: Lisa Yaszek
Publisher: Wesleyan University Press
ISBN: 0819576255
Category : Literary Criticism
Languages : en
Pages : 423
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Book Description
Anthology of stories, essays, poems, and illustrations by the women of early science fiction For nearly half a century, feminist scholars, writers, and fans have successfully challenged the notion that science fiction is all about "boys and their toys," pointing to authors such as Mary Shelley, Clare Winger Harris, and Judith Merril as proof that women have always been part of the genre. Continuing this tradition, Sisters of Tomorrow: The First Women of Science Fiction offers readers a comprehensive selection of works by genre luminaries, including author C. L. Moore, artist Margaret Brundage, and others who were well known in their day, including poet Julia Boynton Green, science journalist L. Taylor Hansen, and editor Mary Gnaedinger. Providing insightful commentary and context, this anthology documents how women in the early twentieth century contributed to the pulp-magazine community and showcases the content they produced, including short stories, editorial work, illustrations, poetry, and science journalism. Yaszek and Sharp's critical annotation and author biographies link women's work in the early science fiction community to larger patterns of feminine literary and cultural production in turn-of-the-twentieth-century America. In a concluding essay, the award-winning author Kathleen Ann Goonan considers such work in relation to the history of women in science and engineering and to the contemporary science fiction community itself.
Author: Hugo Gernsback
Publisher: U of Minnesota Press
ISBN: 1452953147
Category : Literary Criticism
Languages : en
Pages : 735
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Book Description
In 1905, a young Jewish immigrant from Luxembourg founded an electrical supply shop in New York. This inventor, writer, and publisher Hugo Gernsback would later become famous for launching the first science fiction magazine, Amazing Stories, in 1926. But while science fiction’s annual Hugo Awards were named in his honor, there has been surprisingly little understanding of how the genre began among a community of tinkerers all drawn to Gernsback’s vision of comprehending the future of media through making. In The Perversity of Things, Grant Wythoff makes available texts by Hugo Gernsback that were foundational both for science fiction and the emergence of media studies. Wythoff argues that Gernsback developed a means of describing and assessing the cultural impact of emerging media long before media studies became an academic discipline. From editorials and blueprints to media histories, critical essays, and short fiction, Wythoff has collected a wide range of Gernsback’s writings that have been out of print since their magazine debut in the early 1900s. These articles cover such topics as television; the regulation of wireless/radio; war and technology; speculative futures; media-archaeological curiosities like the dynamophone and hypnobioscope; and more. All together, this collection shows how Gernsback’s publications evolved from an electrical parts catalog to a full-fledged literary genre. The Perversity of Things aims to reverse the widespread misunderstanding of Gernsback within the history of science fiction criticism. Through painstaking research and extensive annotations and commentary, Wythoff reintroduces us to Gernsback and the origins of science fiction.
Author: H Wells
Publisher: CreateSpace
ISBN: 9781500715953
Category :
Languages : en
Pages : 246
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Book Description
A unique collection of classic science fiction tales selected from the first year of the very first science fiction magazine. 1926 was a very good year, at least for speculative fiction, as this anthology proves. "The Best of Amazing Stories: the 1926 Anthology" is the first of a year-by-year showcasing of the best stories selected from each year of the publication's celebrated history. Our 1926 selection presents work by such distinguished practitioners of the craft as multiple Hugo Award winner Murray Leinster, Gernsback Award winners H. G. Wells, G. Peyton Wertenbaker and A. Hyatt Verrill, screen writer Curt Siodmak, the controversial Austin Hall, and others. Stories include "The Runaway Skyscraper," "Whispering Ether," "The Man from the Atom," "The Eggs from Lake Tanganyika," "In the Abyss," "Through the Crater's Rim," and more. To be followed by the "Best of Amazing Stories: the 1926 Anthology." Normally $13.99 - introductory sale $9.99
Author: Judith Robinson
Publisher: James Lorimer & Company
ISBN: 1552778290
Category : Biography & Autobiography
Languages : en
Pages : 106
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Book Description
Devout and charismatic, Aimee Semple McPherson led millions in prayer. A pioneer in female travelling evangelism, McPherson was believed to possess a healing touch. Great masses of the sick and the burdened gathered from far and wide to hear her sermons and perhaps to be cured by the miracle worker. This is the story of one woman's extraordinary life full of missionary adventures in the Far East, fervent radio preaching, empire building, and spectacular pulpit performances.
Author: Everett Franklin Bleiler
Publisher: Kent State University Press
ISBN: 9780873386043
Category : Fiction
Languages : en
Pages : 780
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Book Description
Complementing Science-Fiction: The Early Years, which surveys science-fiction published in book form from its beginnings through 1930, the present volume covers all the science-fiction printed in the genre magazines--Amazing, Astounding, and Wonder, along with offshoots and minor magazines--from 1926 through 1936. This is the first time this historically important literary phenomenon, which stands behind the enormous modern development of science-fiction, has been studied thoroughly and accurately. The heart of the book is a series of descriptions of all 1,835 stories published during this period, plus bibliographic information. Supplementing this are many useful features: detailed histories of each of the magazines, an issue by issue roster of contents, a technical analysis of the art work, brief authors' biographies, poetry and letter indexes, a theme and motif index of approximately 30,0000 entries, and general indexes. Science-Fiction: The Gernsback Years is not only indispensable for reference librarians, collectors, readers, and scholars interested in science-fiction, it is also of importance to the study of popular culture during the Great Depression in the United States. Most of its data, which are largely based on rare and almost unobtainable sources, are not available elsewhere.
