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Author: United States. Congress Senate
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 3012
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Book Description
Author: United States. Congress Senate
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 3012
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Gary Roth
Publisher: BRILL
ISBN: 9004282262
Category : Political Science
Languages : en
Pages : 358
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Book Description
Marxism in a Lost Century retells the history of the radical left during the twentieth century through the words and deeds of Paul Mattick. An adolescent during the German revolutions that followed World War I, he was also a recent émigré to the United States during the 1930s Great Depression, when the unemployed groups in which he participated were among the most dynamic manifestations of social unrest. Three biographical themes receive special attention -- the self-taught nature of left-wing activity, Mattick’s experiences with publishing, and the nexus of men, politics, and friendship. Mattick found a wide audience during the 1960s because of his emphasis on the economy’s dysfunctional aspects and his advocacy of workplace councils—a popularity mirrored in the cyclical nature of the global economy.
Author: United States. Congress. Senate. Committee on Labor and Public Welfare. Subcommittee on Health
Publisher:
ISBN:
Category : Pesticide residues in food
Languages : en
Pages : 112
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Book Description
Considers (83) S. 2868, (83) H.R. 7125.
Author: United States. Congress. Senate
Publisher:
ISBN:
Category : Legislation
Languages : en
Pages :
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Author: Mary Chase
Publisher: Dramatists Play Service Inc
ISBN: 9780822207870
Category : Drama
Languages : en
Pages : 80
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Book Description
THE STORY: As told by Kerr, all happens very logically. A little girl has slipped past the gatekeeper and over the garden wall to play with a lonely and put-upon lad. She is quickly shooed out by his mother as 'trash.' It just so happens that the
Author: Andrew Wolf, 2nd
Publisher:
ISBN: 9780646985992
Category :
Languages : en
Pages : 400
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Book Description
Author: William Cephas Gregg
Publisher:
ISBN:
Category : World War, 1914-1918
Languages : en
Pages : 266
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Book Description
Author: Laurence Roth
Publisher: Rutgers University Press
ISBN: 9780813533698
Category : History
Languages : en
Pages : 310
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Book Description
Inthis book, Laurence Roth argues that the popular genre of Jewish detective stories offers new insights into the construction of ethnic and religious identity. Roth frames his study with the concept of "kosher hybridity" to look at the complex process of mediation between Jewish and American culture in which Jewish writers voice the desire to be both different from and yet the same as other Americans. He argues that the detective story, located at the intersection of narrative and popular culture in modern America, examines the need for order in a disorderly society, and thus offers a window into the negotiation of Jewish identity differing from that of literary fiction. The writers of these popular cultural texts, which are informed by contradiction and which thrive on intended and unintended ironies, formulate idioms for American Jewish identities that intentionally and unintentionally create social, ethnic, and religious syntheses in American Jewish life. Roth examines stories about American Jewish detectives--including Harry Kemelman's Rabbi Small, Faye Kellerman's Peter Decker and Rina Lazarus, Stuart Kaminsky's Abe Lieberman, and Rochelle Krich's Jessica Drake--not only as a genre of literature but also as a reflection of contemporary acculturation in the American Jewish popular arts.
Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
