Author: Charles Henry Ross
Publisher:
ISBN:
Category :
Languages : en
Pages : 336
Book Description
Ally Sloper's guide to the Paris exhibition
Author: Charles Henry Ross
Publisher:
ISBN:
Category :
Languages : en
Pages : 336
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 336
Book Description
A Guide from Dublin to the Paris Exhibition of 1889
Author: James Dignam
Publisher:
ISBN:
Category :
Languages : en
Pages : 146
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 146
Book Description
Ally Sloper's comic crackers
Author: Charles Henry Ross
Publisher:
ISBN:
Category : Wit and humor
Languages : en
Pages : 78
Book Description
Publisher:
ISBN:
Category : Wit and humor
Languages : en
Pages : 78
Book Description
Bookseller and the Stationery Trades' Journal
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1168
Book Description
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1168
Book Description
Marie Duval
Author: Simon Grennan
Publisher: Manchester University Press
ISBN: 1526133563
Category : Literary Criticism
Languages : en
Pages : 377
Book Description
Marie Duval: maverick Victorian cartoonist offers the first critical appraisal of the work of Marie Duval (Isabelle Émilie de Tessier, 1847–1890), one of the most unusual, pioneering and visionary cartoonists of the later nineteenth century. It discusses key themes and practices of Duval’s vision and production, relative to the wider historic social, cultural and economic environments in which her work was made, distributed and read, identifing Duval as an exemplary radical practitioner. The book interrogates the relationships between the practices and the forms of print, story-telling, drawing and stage performance. It focuses on the creation of new types of cultural work by women and highlights the style of Duval’s drawings relative to both the visual conventions of theatre production and the significance of the visualisation of amateurism and vulgarity. Marie Duval: maverick Victorian cartoonist establishes Duval as a unique but exemplary figure in a transformational period of the nineteenth century.
Publisher: Manchester University Press
ISBN: 1526133563
Category : Literary Criticism
Languages : en
Pages : 377
Book Description
Marie Duval: maverick Victorian cartoonist offers the first critical appraisal of the work of Marie Duval (Isabelle Émilie de Tessier, 1847–1890), one of the most unusual, pioneering and visionary cartoonists of the later nineteenth century. It discusses key themes and practices of Duval’s vision and production, relative to the wider historic social, cultural and economic environments in which her work was made, distributed and read, identifing Duval as an exemplary radical practitioner. The book interrogates the relationships between the practices and the forms of print, story-telling, drawing and stage performance. It focuses on the creation of new types of cultural work by women and highlights the style of Duval’s drawings relative to both the visual conventions of theatre production and the significance of the visualisation of amateurism and vulgarity. Marie Duval: maverick Victorian cartoonist establishes Duval as a unique but exemplary figure in a transformational period of the nineteenth century.
Judy's annual, ed. by C.H. Ross
Author: Charles Henry Ross
Publisher:
ISBN:
Category :
Languages : en
Pages : 414
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 414
Book Description
Sand and shingle
Author: Charles Henry Ross
Publisher:
ISBN:
Category : English wit and humor
Languages : en
Pages : 174
Book Description
Publisher:
ISBN:
Category : English wit and humor
Languages : en
Pages : 174
Book Description
The Bookseller
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1894
Book Description
Official organ of the book trade of the United Kingdom.
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1894
Book Description
Official organ of the book trade of the United Kingdom.
British Comics
Author: James Chapman
Publisher: Reaktion Books
ISBN: 1861899629
Category : Comics & Graphic Novels
Languages : en
Pages : 451
Book Description
Arguing that British comics are distinct from their international counterparts, a unique showcase of the major role they have played in the imaginative lives of British youth—and some adults. In this entertaining cultural history of British comic papers and magazines, James Chapman shows how comics were transformed in the early twentieth century from adult amusement to imaginative reading matter for children. Beginning with the first British comic, Ally Sloper—known as “A Selection, Side-splitting, Sentimental, and Serious, for the Benefit of Old Boys, Young Boys, Odd Boys generally, and even Girls”—British Comics goes on to describe the heyday of comics in the 1950s and ’60s, when titles such as School Friend and Eagle sold a million copies a week. Chapman also analyzes the major genres, including schoolgirl fantasies and sports and war stories for boys; the development of a new breed of violent comics in the 1970s, including the controversial Action and 2000AD; and the attempt by American publisher, Marvel, to launch a new hero for the British market in the form of Captain Britain. Considering the work of important contemporary comic writers such as Alan Moore, Grant Morrison, Ian Edginton, Warren Ellis, and Garth Ennis, Chapman’s history comes right up to the present and takes in adult-oriented comics such as Warrior, Crisis, Deadline,and Revolver, and alternative comics such as Viz. Through a look at the changing structure of the comic publishing industry and how comic publishers, writers, and artists have responded to the tastes of their consumers, Chapman ultimately argues that British comics are distinctive and different from American, French, and Japanese comics. An invaluable reference for all comic collectors and fans in Britain and beyond, British Comics showcases the major role comics have played in the imaginative lives of readers young and old.
Publisher: Reaktion Books
ISBN: 1861899629
Category : Comics & Graphic Novels
Languages : en
Pages : 451
Book Description
Arguing that British comics are distinct from their international counterparts, a unique showcase of the major role they have played in the imaginative lives of British youth—and some adults. In this entertaining cultural history of British comic papers and magazines, James Chapman shows how comics were transformed in the early twentieth century from adult amusement to imaginative reading matter for children. Beginning with the first British comic, Ally Sloper—known as “A Selection, Side-splitting, Sentimental, and Serious, for the Benefit of Old Boys, Young Boys, Odd Boys generally, and even Girls”—British Comics goes on to describe the heyday of comics in the 1950s and ’60s, when titles such as School Friend and Eagle sold a million copies a week. Chapman also analyzes the major genres, including schoolgirl fantasies and sports and war stories for boys; the development of a new breed of violent comics in the 1970s, including the controversial Action and 2000AD; and the attempt by American publisher, Marvel, to launch a new hero for the British market in the form of Captain Britain. Considering the work of important contemporary comic writers such as Alan Moore, Grant Morrison, Ian Edginton, Warren Ellis, and Garth Ennis, Chapman’s history comes right up to the present and takes in adult-oriented comics such as Warrior, Crisis, Deadline,and Revolver, and alternative comics such as Viz. Through a look at the changing structure of the comic publishing industry and how comic publishers, writers, and artists have responded to the tastes of their consumers, Chapman ultimately argues that British comics are distinctive and different from American, French, and Japanese comics. An invaluable reference for all comic collectors and fans in Britain and beyond, British Comics showcases the major role comics have played in the imaginative lives of readers young and old.
Victorian Comics
Author: Denis Gifford
Publisher: Taylor & Francis
ISBN: 100062997X
Category : Literary Criticism
Languages : en
Pages : 173
Book Description
The Victorians are usually painted as prim, proper and repressed. Yet it was in Victoria’s Britain that the comic paper was born and her subjects eagerly devoured their ‘Penny Dreadfuls’ and ‘Comic Cuts’. Originally published in 1976, this first ever compilation of Victorian comics is culled from England’s largest collection by its curator Denis Gifford. In these pages many forgotten figures of fun (such as Ally Sloper, Chokee Bill, Airy Alf and Bouncing Billy) live again, not to mention such notorious episodes as the assault on the Albert Memorial by the Ball’s Pond Banditti and the capture of Pretoria by Weary Willie and Tired Tim. This book is a re-issue originally published in 1976 and contains comics from the Victorian era. The language used is therefore a reflection of its time and no offence is meant by the Publishers to any reader by this re-publication.
Publisher: Taylor & Francis
ISBN: 100062997X
Category : Literary Criticism
Languages : en
Pages : 173
Book Description
The Victorians are usually painted as prim, proper and repressed. Yet it was in Victoria’s Britain that the comic paper was born and her subjects eagerly devoured their ‘Penny Dreadfuls’ and ‘Comic Cuts’. Originally published in 1976, this first ever compilation of Victorian comics is culled from England’s largest collection by its curator Denis Gifford. In these pages many forgotten figures of fun (such as Ally Sloper, Chokee Bill, Airy Alf and Bouncing Billy) live again, not to mention such notorious episodes as the assault on the Albert Memorial by the Ball’s Pond Banditti and the capture of Pretoria by Weary Willie and Tired Tim. This book is a re-issue originally published in 1976 and contains comics from the Victorian era. The language used is therefore a reflection of its time and no offence is meant by the Publishers to any reader by this re-publication.