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Author: Christopher Ricks
Publisher:
ISBN: 0199250324
Category : Literary Criticism
Languages : en
Pages : 351
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Book Description
Christopher Ricks is among the best known living critics. His third collection of essays, several newly written for this book, is strongly focused on the theme of how writers--especially but not exclusively poets--make use of other writers' work: from the subtle courtesies of different kinds of allusion to the extreme discourtesy of plagiarism.
Author: Christopher Ricks
Publisher:
ISBN: 0199250324
Category : Literary Criticism
Languages : en
Pages : 351
Get Book Here
Book Description
Christopher Ricks is among the best known living critics. His third collection of essays, several newly written for this book, is strongly focused on the theme of how writers--especially but not exclusively poets--make use of other writers' work: from the subtle courtesies of different kinds of allusion to the extreme discourtesy of plagiarism.
Author: Christopher Ricks
Publisher: Oxford University Press
ISBN: 9780199269150
Category : Language Arts & Disciplines
Languages : en
Pages : 345
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Book Description
Christopher Ricks is among the best known living critics. His third collection of essays, several newly written for this book, is strongly focused on the theme of how writers--especially but not exclusively poets--make use of other writers' work: from the subtle courtesies of different kinds of allusion to the extreme discourtesy of plagiarism.
Author: Julia Nitz
Publisher: LSU Press
ISBN: 0807174610
Category : Literary Criticism
Languages : en
Pages : 310
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Book Description
In Belles and Poets, Julia Nitz analyzes the Civil War diary writing of eight white women from the U.S. South, focusing specifically on how they made sense of the world around them through references to literary texts. Nitz finds that many diarists incorporated allusions to poems, plays, and novels, especially works by Shakespeare and the British Romantic poets, in moments of uncertainty and crisis. While previous studies have overlooked or neglected such literary allusions in personal writings, regarding them as mere embellishments or signs of elite social status, Nitz reveals that these references functioned as codes through which women diarists contemplated their roles in society and addressed topics related to slavery, Confederate politics, gender, and personal identity. Nitz’s innovative study of identity construction and literary intertextuality focuses on diaries written by the following women: Eliza Frances (Fanny) Andrews of Georgia (1840–1931), Mary Boykin Miller Chesnut of South Carolina (1823–1886), Malvina Sara Black Gist of South Carolina (1842–1930), Sarah Ida Fowler Morgan of Louisiana (1842–1909), Cornelia Peake McDonald of Virginia (1822–1909), Judith White Brockenbrough McGuire of Virginia (1813–1897), Sarah Katherine (Kate) Stone of Louisiana (1841–1907), and Ella Gertrude Clanton Thomas of Georgia (1843–1907). These women’s diaries circulated in postwar commemoration associations, and several saw publication. The public acclaim they received helped shape the collective memory of the war and, according to Nitz, further legitimized notions of racial supremacy and segregation. Comparing and contrasting their own lives to literary precedents and fictional role models allowed the diarists to process the privations of war, the loss of family members, and the looming defeat of the Confederacy. Belles and Poets establishes the extent to which literature offered a means of exploring ideas and convictions about class, gender, and racial hierarchies in the Civil War–era South. Nitz’s work shows that literary allusions in wartime diaries expose the ways in which some white southern women coped with the war and its potential threats to their way of life.
Author: Stephen Hinds
Publisher: Cambridge University Press
ISBN: 9780521576772
Category : History
Languages : en
Pages : 176
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Book Description
The study of the deliberate allusion by one author to the words of a previous author has long been central to Latin philology. However, literary Romanists have been diffident about situating such work within the more spacious inquiries into intertextuality now current. This 1998 book represents an attempt to find (or recover) some space for the study of allusion - as a project of continuing vitality - within an excitingly enlarged universe of intertexts. It combines traditional classical approaches with modern literary-theoretical ways of thinking, and offers attentive close readings, innovative perspectives on literary history, and theoretical sophistication of argument. Like other volumes in the series it is among the most broadly conceived short books on Roman literature to be published in recent years.
Author: Alden Smith
Publisher: University of Michigan Press
ISBN: 9780472107063
Category : History
Languages : en
Pages : 244
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Book Description
A consideration of the allusive poetry of Ovid based on the philosophy of Martin Buber
Author: John Hollander
Publisher: Univ of California Press
ISBN: 0520377699
Category : Literary Criticism
Languages : en
Pages : 167
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Book Description
In this essay on "what the imagination has made of the phenomenon of echo,” John Hollander examines aspects of the figure of echo in light of their significance for poetry. Looking at echo in its literal, acoustic sense, echo in myth, and echo as literary allusion, Hollander concludes with a study of the rhetorical status of the figure of echo and an examination of the ancient and newly interesting trope of metalepsis, or transumption, which it appears to embody. Centered on ways in which Milton's poetry echoes, and is echoed by, other texts, The Figure of Echo also explores Spenser and other Renaissance writers; romantic poets such as Keats, Shelley, and Wordsworth; and modern poets including Hardy, Eliot, Stevens, Frost, Williams, and Hart Crane. This book has implications for literary theory and holds great practical interest for students and teachers of American and English literature of all periods. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1981.
Author: Lucy Newlyn
Publisher: Oxford University Press, USA
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 242
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Book Description
In her study of two creative minds, Lucy Newlyn offers a startlingly new version of the poetic interaction between Coleridge and Wordsworth during the critical years from 1797 to 1807. Rejecting the traditional accounts, even those given by the poets themselves, which have minimized the differences between the two, Newlyn demonstrates that it is only on the most superficial level that each poet seemed to be the other's ideal audience. Below that surface, she insists, there were radical dissimilarities between the two which led to a kind of "creative" misunderstanding by which each artist clearly defined himself in relation to the other. Because it is in the poet's "private language" of allusion that these differences are most clearly seen, the book concludes that this "private language" spoken by artists amongst themselves may in fact be the most aggressive of literary forms.
Author: Christopher Ricks
Publisher: OUP Oxford
ISBN: 0191554707
Category : Literary Criticism
Languages : en
Pages : 352
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Book Description
Allusion to the words and phrases of ancestral voices is one of the hiding-places of poetry's power. Poets appreciate the great debts that they owe to previous poets, and are often duly and newly grateful. Allusion to the Poets consists of twelve essays - four published here for the first time - on allusion and its relations, in particular on the use that poets in English have made of the very words of poets in English. The first half of the book, on 'The Poet as Heir', consists of six chapters devoted to individual poets, Augustan, Romantic, and Victorian: Dryden and Pope, Burns, Wordsworth, Byron, Keats, and Tennyson. Allusion is always a form of inheritance, not to be hoarded or squandered. The critical and creative question is its imaginative co-operation with other kinds of legacy - with whatever for a particular poet or for a particular time is judged to be an unignorable inheritance: of a throne, perhaps, or of land; of intermixed languages; of the human senses; of money; of literature itself; or of our planet, long-lived but not eternal. The second half of the book is six essays on allusion's affiliations: to plagiarism (allusion being plagiarism's responsible opposite); to metaphor (allusion being a form that metaphor may take); to loneliness in poetry (allusion constituting company); to allusion within poetry to prose (on A E. Housman); to translation as exercising allusion (on David Ferry); and to the clash between one poet's practice and his critical principles (on Yvor Winters).
Author: Aldous Huxley
Publisher: Prabhat Prakashan
ISBN:
Category : Fiction
Languages : en
Pages : 163
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Book Description
Enter the satirical world of the English upper class with "Crome Yellow" by Aldous Huxley. This sharp-witted novel explores the lives and conversations of a group of intellectuals at a country estate, unraveling the complexities of human relationships and societal norms. As the characters engage in lively debates and philosophical musings, you may find yourself pondering: What does it mean to truly understand art, love, and the human experience? But here's the question that will linger in your mind: Are we all just products of our environment, unable to break free from the expectations placed upon us? Experience Huxley's incisive commentary on society and culture, where humor and insight collide. This novel brilliantly critiques the superficiality of modern life, making it a compelling read for anyone seeking to reflect on the absurdities of existence. Are you prepared to confront the absurdities of life through Huxley’s keen lens? With its engaging prose and thought-provoking dialogue, this book invites you to delve into the minds of its intriguing characters. It's more than a novel; it's a mirror reflecting the intricacies of human nature. This is your chance to experience the brilliance of Aldous Huxley. Will you let "Crome Yellow" challenge your perceptions and spark your imagination? Don’t miss the opportunity to own this classic work of literature. Purchase "Crome Yellow" now and embark on an enlightening journey through the follies of humanity!
Author: Pierre Destrée
Publisher: BRILL
ISBN: 9004201831
Category : Literary Criticism
Languages : en
Pages : 456
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Book Description
Plato’s discussions of poetry and the poets stand at the cradle of Western literary criticism. Plato is, paradoxically, both the philosopher who cites, or alludes to, works of poetry more than any other, and the one who is at the same time the harshest critic of poetry. The nineteen essays presented here aim to offer various avenues to this paradox, and to illuminate the ways poetry and the poets are discussed by Plato throughout his writing career, from the Apology and the Ion to the Laws. As well as throwing new light on old topics, such as mimesis and poetic inspiration, the volume introduces fresh approaches to Plato’s philosophy of poetry and literature.
