Allgemeine Musiklehre. - Primary Source Edition PDF Download
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Author: Salomon Jadassohn
Publisher: Nabu Press
ISBN: 9781294462545
Category :
Languages : en
Pages : 206
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Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Allgemeine Musiklehre Salomon Jadassohn Breitkopf & Hartel, 1892 Music; Instruction & Study; Theory; Music / Instruction & Study / Theory; Music theory
Author: Salomon Jadassohn
Publisher: Nabu Press
ISBN: 9781294462545
Category :
Languages : en
Pages : 206
Get Book Here
Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Allgemeine Musiklehre Salomon Jadassohn Breitkopf & Hartel, 1892 Music; Instruction & Study; Theory; Music / Instruction & Study / Theory; Music theory
Author: Thomas Christensen
Publisher: Cambridge University Press
ISBN: 1316025489
Category : Music
Languages : en
Pages : 1033
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Book Description
The Cambridge History of Western Music Theory is the first comprehensive history of Western music theory to be published in the English language. A collaborative project by leading music theorists and historians, the volume traces the rich panorama of music-theoretical thought from the Ancient Greeks to the present day. Recognizing the variety and complexity of music theory as an historical subject, the volume has been organized within a flexible framework. Some chapters are defined chronologically within a restricted historical domain, whilst others are defined conceptually and span longer historical periods. Together the thirty-one chapters present a synthetic overview of the fascinating and complex subject that is historical music theory. Richly enhanced with illustrations, graphics, examples and cross-citations as well as being thoroughly indexed and supplemented by comprehensive bibliographies of the most important primary and secondary literature, this book will be an invaluable resource for students and scholars alike.
Author: Daniel Gregory Mason
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 328
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Book Description
Author: Adolf Bernhard Marx
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Hugo Riemann
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 212
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Book Description
Author: Frédéric Louis Ritter
Publisher: London : W. Reeves, Reeves, & Turner
ISBN:
Category : Gregorian chants
Languages : en
Pages : 484
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Book Description
Author:
Publisher: Pendragon Press
ISBN: 9780918728999
Category : Music
Languages : en
Pages : 572
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Book Description
Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.
Author: Adolf Bernhard Marx
Publisher:
ISBN: 9781436856836
Category :
Languages : en
Pages : 160
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Book Description
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Author: Edward Gollin
Publisher: OUP USA
ISBN: 0195321332
Category : Music
Languages : en
Pages : 628
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Book Description
In recent years neo-Riemannian theory has established itself as the leading approach of our time, and has proven particularly adept at explaining features of chromatic music. The Oxford Handbook of Neo-Riemannian Music Theories assembles an international group of leading music theory scholars in an exploration of the music-analytical, theoretical, and historical aspects of this new field.
Author: Franz Sauter
Publisher: BoD – Books on Demand
ISBN: 375043459X
Category : Music
Languages : en
Pages : 146
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Book Description
This book is about the aesthetics of the tonal music. It therefore deals with sound forms such as consonance, dissonance, tonality, bar, counterpoint or motif. Thereby, it shows that all harmonic, rhythmic, and melodic sound figures are essentially relations in which similar sound components go well together. The whole secret of the musical aesthetics lies in this abstract determination. In this sense, the musical sound forms are systematically built on each other and form an ensemble of eight aesthetic principles, to each of which a chapter of this book is dedicated. The logical progression of these chapters reveals the inner connection between harmony, rhythm, and melody. Musical phenomena that have so far been interpreted differently and controversially are explained and derived in a comprehensible way in this context. The theoretical results of this book are, at the same time, a critique of previously common dogmas in musicology. For example, the prejudice that the difference between consonance and dissonance cannot be objectively grasped clearly contradicts the results of a rational music theory. Nor will the reader find the usual talk about the supposed anachronism or the transience of the tonal music in this book - for good reasons.
