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Author:
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ISBN:
Category : Allegories
Languages : en
Pages : 292
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Book Description
Author:
Publisher:
ISBN:
Category : Allegories
Languages : en
Pages : 292
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Book Description
Author:
Publisher:
ISBN:
Category : Conduct of life
Languages : en
Pages : 280
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Author: Katharine Harrow
Publisher:
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Category : Christian life
Languages : en
Pages : 100
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 286
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Book Description
Author: Minnie Willis BAINES
Publisher:
ISBN:
Category : Allegories
Languages : en
Pages : 142
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Author: ALLEGORIES.
Publisher:
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Category :
Languages : en
Pages : 216
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Book Description
Author: Gorges Edmond Howard
Publisher:
ISBN:
Category : Allegories
Languages : en
Pages : 40
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Author:
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ISBN:
Category :
Languages : en
Pages : 107
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Author: Dinah Wouters
Publisher: Springer Nature
ISBN: 3031171926
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
This book analyses how the three books of visions by Hildegard of Bingen use the allegorical vision as a form of knowledge. It describes how the visionary’s use of allegory and allegorical exegesis is linked to theories of cognition, interpretation, and prophecy. It argues that the form of the allegorical vision is not just the product of a medieval symbolic mentality, but specific to Hildegard’s position and the major transformations taking place in the prescholastic intellectual milieu, such as the changing use of Scripture or the shift from traditional hermeneutics to cognitive language philosophy. The book shows that Hildegard uses traditional forms of knowledge – prophecy, the vision, monastic theology, allegorical hermeneutics – in startlingly innovative ways by combining them and by revising them for her own time.
Author: Suzanne Conklin Akbari
Publisher: University of Toronto Press
ISBN: 0802036058
Category : Literary Criticism
Languages : en
Pages : 365
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Book Description
During the later Middle Ages, new optical theories were introduced that located the power of sight not in the seeing subject, but in the passive object of vision. This shift had a powerful impact not only on medieval science but also on theories of knowledge, and this changing relationship of vision and knowledge was a crucial element in late medieval religious devotion. In Seeing through the Veil, Suzanne Conklin Akbari examines several late medieval allegories in the context of contemporary paradigm shifts in scientific and philosophical theories of vision. After a survey on the genre of allegory and an overview of medieval optical theories, Akbari delves into more detailed studies of several medieval literary works, including the Roman de la Rose, Dante's Vita Nuova, Convivio, and Commedia, and Chaucer's dream visions and Canterbury Tales. The final chapter, 'Division and Darkness, ' centres on the legacy of allegory in the fifteenth century. Offering a new interdisciplinary, synthetic approach to late medieval intellectual history and to major works within the medieval literary canon, Seeing through the Veil will be an essential resource to the study of medieval literature and culture, as well as philosophy, history of art, and history of science.
