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Author: Richard Newman
Publisher: Able Muse Press
ISBN: 1927409322
Category : Poetry
Languages : en
Pages : 102
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Book Description
All the Wasted Beauty of the World, a finalist for the 2012 Able Muse Book Award, extols the beautiful as readily as it expounds on the blemished. The reasoned commingles with the rambunctious, as in the case of the speaker who declares that “our lives span diaper to diaper,/ and in between we piss on anyone/ we can.” Little escapes notice in these poems of gutsy realism and formal deftness, which freely highlight the fringes of society-the speaker in “Bellefontaine Cemetery” exhorts teens to “party on people’s graves” and have “a few close shaves with county sheriffs,” the carcass of a Ford truck intrudes on a hiking trail’s gully, the homeless are lullabied to “find rest behind our dumpster/ . . . score a fifth of bourbon/ and find your stomach full.” Richard Newman brings us a collection that prods and soars with the grit and beauty of the real world. PRAISE FOR ALL THE WASTED BEAUTY OF THE WORLD: Richard Newman’s All the Wasted Beauty of the World is masterful and magnetic, from the “galaxy of gnats” hovering in the St. Louis twilight to the way a backwoods junkyard “gnaws on a pile of old Ford bones.” He sees a group of bored high school kids with “nothing to lose/ but stupid summer jobs and innocence,” and captures with perfect acuity how “September rain in streetlight/ silvers the cypress needles, scatters new dimes/ among the nuisance alley mulberry trees.” Newman’s poems, with their formal, lapidary precision, their indelible portraits of life in the cheap bars, back alleys, and rough-hewn edges of the Midwest, surprise a hunger in us for a language larger, wilder, and unabashedly loftier than daily speech. -George Bilgere, author of Imperial The poems in Richard Newman's remarkable third collection, All the Wasted Beauty of the World, are heady explorers. They roam from Lost Man Pass to Benton Park, from downtown St. Louis to Southern Indiana, all the while balancing gorgeous musicality with lyric originality. In the midst of the wandering, there is longing in these poems-for place, for order, for morning. There is urgency, too, and beauty, wasted and otherwise, in places we don't always expect it. Newman is a bold and masterful formalist in a free-verse world, and he uses sonnets, aubades, villanelles, and odes to reconcile the geographies of the interior and exterior. Again and again, this collection makes us recalibrate our true north and forces us to reconsider the world for all of the unpredictable places where we can find beauty. -Adrian Matejka, author of The Big Smoke Newman uses the power of recollection and imagery to craft odes, sonnets, villanelles, ballads, and free verse with titles like “Four Kids Pissing off the Overpass after a Cardinals Game.” Each poem calls our attention to a rough-and-tumble, everyday America we often drive past but overlook. All the Wasted Beauty of the World returns us to the real and, consequently, the new by putting on the brakes and asking us to look, if only briefly, beyond our rear-views. -Dorianne Laux, author of The Book of Men
Author: Richard Newman
Publisher: Able Muse Press
ISBN: 1927409322
Category : Poetry
Languages : en
Pages : 102
Get Book Here
Book Description
All the Wasted Beauty of the World, a finalist for the 2012 Able Muse Book Award, extols the beautiful as readily as it expounds on the blemished. The reasoned commingles with the rambunctious, as in the case of the speaker who declares that “our lives span diaper to diaper,/ and in between we piss on anyone/ we can.” Little escapes notice in these poems of gutsy realism and formal deftness, which freely highlight the fringes of society-the speaker in “Bellefontaine Cemetery” exhorts teens to “party on people’s graves” and have “a few close shaves with county sheriffs,” the carcass of a Ford truck intrudes on a hiking trail’s gully, the homeless are lullabied to “find rest behind our dumpster/ . . . score a fifth of bourbon/ and find your stomach full.” Richard Newman brings us a collection that prods and soars with the grit and beauty of the real world. PRAISE FOR ALL THE WASTED BEAUTY OF THE WORLD: Richard Newman’s All the Wasted Beauty of the World is masterful and magnetic, from the “galaxy of gnats” hovering in the St. Louis twilight to the way a backwoods junkyard “gnaws on a pile of old Ford bones.” He sees a group of bored high school kids with “nothing to lose/ but stupid summer jobs and innocence,” and captures with perfect acuity how “September rain in streetlight/ silvers the cypress needles, scatters new dimes/ among the nuisance alley mulberry trees.” Newman’s poems, with their formal, lapidary precision, their indelible portraits of life in the cheap bars, back alleys, and rough-hewn edges of the Midwest, surprise a hunger in us for a language larger, wilder, and unabashedly loftier than daily speech. -George Bilgere, author of Imperial The poems in Richard Newman's remarkable third collection, All the Wasted Beauty of the World, are heady explorers. They roam from Lost Man Pass to Benton Park, from downtown St. Louis to Southern Indiana, all the while balancing gorgeous musicality with lyric originality. In the midst of the wandering, there is longing in these poems-for place, for order, for morning. There is urgency, too, and beauty, wasted and otherwise, in places we don't always expect it. Newman is a bold and masterful formalist in a free-verse world, and he uses sonnets, aubades, villanelles, and odes to reconcile the geographies of the interior and exterior. Again and again, this collection makes us recalibrate our true north and forces us to reconsider the world for all of the unpredictable places where we can find beauty. -Adrian Matejka, author of The Big Smoke Newman uses the power of recollection and imagery to craft odes, sonnets, villanelles, ballads, and free verse with titles like “Four Kids Pissing off the Overpass after a Cardinals Game.” Each poem calls our attention to a rough-and-tumble, everyday America we often drive past but overlook. All the Wasted Beauty of the World returns us to the real and, consequently, the new by putting on the brakes and asking us to look, if only briefly, beyond our rear-views. -Dorianne Laux, author of The Book of Men
Author: Richard Newman
Publisher:
ISBN: 9781927409312
Category : Poetry
Languages : en
Pages : 0
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Book Description
Poetry. ALL THE WASTED BEAUTY OF THE WORLD, a finalist for the 2012 Able Muse Book Award, extols the beautiful as readily as it expounds on the blemished. The reasoned commingles with the rambunctious, as in the case of the speaker who declares that "our lives span diaper to diaper, / and in between we piss on anyone / we can." Little escapes notice in these poems of gutsy realism and formal deftness, which freely highlight the fringes of society the speaker in "Bellefontaine Cemetery" exhorts teens to "party on people's graves" and have "a few close shaves with county sheriffs," the carcass of a Ford truck intrudes on a hiking trail's gully, the homeless are lullabied to "find rest behind our dumpster / . . . score a fifth of bourbon / and find your stomach full." Richard Newman brings us a collection that prods and soars with the grit and beauty of the real world. "Richard Newman's ALL THE WASTED BEAUTY OF THE WORLD is masterful and magnetic, from the 'galaxy of gnats' hovering in the St. Louis twilight to the way a backwoods junkyard 'gnaws on a pile of old Ford bones.' He sees a group of bored high school kids with 'nothing to lose / but stupid summer jobs and innocence, ' and captures with perfect acuity how 'September rain in streetlight / silvers the cypress needles, scatters new dimes / among the nuisance alley mulberry trees.' Newman's poems, with their formal, lapidary precision, their indelible portraits of life in the cheap bars, back alleys, and rough-hewn edges of the Midwest, surprise a hunger in us for a language larger, wilder, and unabashedly loftier than daily speech." George Bilgere "The poems in Richard Newman's remarkable third collection, ALL THE WASTED BEAUTY OF THE WORLD, are heady explorers. They roam from Lost Man Pass to Benton Park, from downtown St. Louis to Southern Indiana, all the while balancing gorgeous musicality with lyric originality. In the midst of the wandering, there is longing in these poems for place, for order, for morning. There is urgency, too, and beauty, wasted and otherwise, in places we don't always expect it. Newman is a bold and masterful formalist in a free-verse world, and he uses sonnets, aubades, villanelles, and odes to reconcile the geographies of the interior and exterior. Again and again, this collection makes us recalibrate our true north and forces us to reconsider the world for all of the unpredictable places where we can find beauty." Adrian Matejka "Newman uses the power of recollection and imagery to craft odes, sonnets, villanelles, ballads, and free verse with titles like 'Four Kids Pissing off the Overpass after a Cardinals Game.' Each poem calls our attention to a rough-and-tumble, everyday America we often drive past but overlook. ALL THE WASTED BEAUTY OF THE WORLD returns us to the real and, consequently, the new by putting on the brakes and asking us to look, if only briefly, beyond our rear- views." Dorianne Laux"
Author: Katie Wismer
Publisher: Ahimsa Press
ISBN: 1734611529
Category : Poetry
Languages : en
Pages : 104
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Book Description
If you are underwhelmed by me, please just let me go... Poems for the End of the World is a coming of age collection and exploration of the confusing and disillusioning trek through young adulthood in a broken world. Divided into four chapters—waking up, growing pains, crushing realities, and disappointing beginnings—this collection covers everything from self-discovery and heartbreak to chronic illness and fresh starts.
Author: Mary Oliver
Publisher: Penguin
ISBN: 0698170040
Category : Poetry
Languages : en
Pages : 96
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Book Description
In this stunning collection of new poems, Mary Oliver returns to the imagery that has defined her life’s work, describing with wonder both the everyday and the unaffected beauty of nature. Herons, sparrows, owls, and kingfishers flit across the page in meditations on love, artistry, and impermanence. Whether considering a bird’s nest, the seeming patience of oak trees, or the artworks of Franz Marc, Oliver reminds us of the transformative power of attention and how much can be contained within the smallest moments. At its heart, Blue Horses asks what it means to truly belong to this world, to live in it attuned to all its changes. Humorous, gentle, and always honest, Oliver is a visionary of the natural world.
Author: Martin McGovern
Publisher: Able Muse Press
ISBN: 1927409519
Category : Poetry
Languages : en
Pages : 88
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Book Description
Martin McGovern’s Bad Fame muses on the perplexities and certainties of the human condition, often in soaring eulogies and searing elegies: as in “The Circle of Late Afternoon” which asks, “Isn’t there an art to giving myself away slowly like wheat opening to the sun?”; or, “Processionalia,” where “a bee/ abandons the tea roses/ and circle that black blossom of/ the widow’s veiled face as if her tears were/ pollen and the bee could feather/ its legs with grief.” Be it lore set in Colorado, or farther out, the personal and regional tributes unravel the universally familiar and pertinent. McGovern's debut collection is the work of a seasoned master in command of craft and themes. PRAISE FOR BAD FAME: Martin McGovern’s long-awaited, well-constructed first book gives itself away slowly, artfully. It is carefully considered, quietly passionate, and deeply humane. —Edward Hirsch There is an unforsaken paradise in these pages, and a lot of ungodly anxiety. . . . Like Dubliners, Bad Fame darkens, deepens, darkens through its sections, understanding with Joyce the tidal pull of place that will never let us survive if we resist the current . . . the “blue snow,” not of Dublin, but of memory, of Colorado . . . this extraordinarily unique McGovern flair for the Keatonish (Buster) aside mixed with lyrical intellection, these poetic rooms with their many blue lights, direct or indirect, for us to turn on as night comes on. —David Lazar (from the foreword) Here are exacting sentences, any number irregularly hugged into the ferocious clusters which are Mr. McGovern’s poems. My likely favorite, “If the Light Could Kill Us,” does heavy duty as a garden unfurled at dawn, the beloved “still sleeping,/ flame-pink welts our love leaves on your almost/ too delicate skin, brazen in this light.” And then the assault of a very different sentence, “Samuel Johnson is dead. And Mrs. Thrale./ And the kind cherub of a straitjacket/ she kept closeted should reason fail/ him thoroughly, where’s that deck-coat now?” followed by other people’s torments inspected so closely that this morning “violence/ lingers like the last touch of a season.” Hence: “Only as I rise to pull the window’s shade/ do you wake, dusted and dazed, as from a fever.” Strong as they are, the sentences, like the centuries, are treated pitilessly, as you can hear, yet there is what the poet calls “the shimmer of a teen movie” throughout. Resilient art, and no loitering. —Richard Howard
Author: Melissa Balmain
Publisher: Able Muse Press
ISBN: 1927409306
Category : Humor
Languages : en
Pages : 102
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Book Description
In Melissa Balmain’s Walking in on People, the serious is lightened with a generous serving of wit and humor, and the lighthearted is enriched with abundant wisdom. She shows us how poetry can be fun yet grounded in everyday challenges and triumphs, with subjects ranging from the current and hip (Facebook posts, online dating, layoffs, retail therapy, cell-phone apps, trans fat), to the traditional and time-tested (marriage, child-rearing, love, death). Through it all, her craft is masterful, with a formal dexterity deployed with precision in a showcase of forms such as the villanelle, ballad, triolet, nonce, and the sonnet. It is little wonder then that Walking in on People is the winner of the 2013 Able Muse Book Award, as selected by the final judge, X.J. Kennedy. This is a collection that will not only entertain thoroughly, but also enlighten and reward the reader. PRAISE FOR WALKING IN ON PEOPLE: Walking in on People grabbed me with its very title, and it never let go. Poetry these days is rarely so entertaining, so beautifully crafted, so sharp of eye, yet so wise and warm of heart. Melissa Balmain keenly perceives faults in people and in our popular culture, with piercing wit but never bitterness. Don’t miss the wonderful “Lament,” on what it takes to write a best seller, or “The Marital Bed,” a love poem with naturalistic detail. She really commands her art. Indeed, I think any poet who rhymes lobsters and Jersey mobsters deserves to have an equestrian statue of herself erected in Bangor or Newark or both. — X.J. Kennedy (Judge, 2013 Able Muse Book Award) Melissa Balmain’s poems add to the rhythmic bounce of light verse a darker, more cutting humor. The result is an infectious, often hilarious blend of the sweet and the lethal, the charming and the acidic. — Billy Collins So many of the poems in Melissa Balmain’s triumphant debut lodge themselves in that Frostian zone where they are hard to get rid of. They recur in the mind in moments of hilarity and pathos, of exaltation and mortification, and they never let us go. — David Yezzi (from the foreword) Accessible and entertaining poetry doesn't often prevail over the grim personal memoir in poetry contests, but this time the judges were smart. They went for Melissa Balmain's stylish and always metrically perfect wit. You can relate to this poetry if you have ever: longed to save the restaurant lobsters from their fate, lost your lover to his electronic devices, faced the fact that babies are ugly and toddlers suppress your genius, or (of course) walked in on people in all the wrong places. With diverse forms, inventive rhymes, the right word always chosen and a sense of humor always in evidence—you really have no excuse not to buy this book. — Gail White
Author: D.R. Goodman
Publisher: Able Muse Press
ISBN: 1927409373
Category : Poetry
Languages : en
Pages : 114
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Book Description
Greed: A Confession showcases D.R. Goodman’s honed sensitivity to the human experience and the natural world around us. Her sensible scientific background melds with a meditative outlook: “this// is a vertebra/ from a cow.// It will win no prize./ It is just the childish wonder/ from which the rest derives.” This collection is a wellspring of keen observations, insight and secrets of nature, freely spilling out for those greedy for knowledge and enlightenment—as in the immediacy of “a certain joy/ that depends on nothing” and “wraps a tightness around your heart.” Here is a masterfully crafted finalist for the 2013 Able Muse Book Award—one brimming with delight, wit and insight. PRAISE FOR GREED: A CONFESSION I feel incredibly fortunate to have learned of D. R. Goodman’s poetry. Her technical control and powers of observation are extraordinary; diction, meter, and rhyming, superb. Writing about an egret, she details its “mind,/ a laser-focused eye, the weight of will”—attributes that apply equally to the poet. In “Autumn in a Place Without Winter,” she says, “The season brings/ no clarity, but this: we’re here, alive. . . .” This poet is alive to everything. You want this book. It’s terrific. —Kelly Cherry Goodman is greedy for things of this world—not in the rapacious, bottom-line manner of plutocrats, misers, and Wall Street brokers but for the enlightenment of the senses and the enrichment of her poetry. She’s sharing the wealth she accumulates. —John Drury (from the foreword) At the core of Greed: A Confession are natural ironies, or disjunctures, or improbabilities replete with intrigue. The poems are frames through which we view the events. D.R. Goodman is a scientist of natural history, which, for her, includes human experience. The poet shows us how to see. The deep pleasure she takes in the process displays itself, with characteristic irony, in “A Certain Joy.” —Clive Matson D.R. Goodman’s carefully crafted poems register a deep appreciation of the intricate meanings emanating from Nature’s tangible riches. “Depth cannot hide” from Goodman’s keen eye. “And so it flutters, sings,/ Betrays itself upon the face of things.” From the sudden appearance of a hundred tiny, freshly metamorphosed frogs, to ginkgo leaves’ brilliant, moonlit gold that “spurs imagination to those old/ heroic, dangerous quests of greed and sin,” the wondrous wealth of existence evokes joy that compels the poet to confess her “greed” in the presence of such good fortune. Even the blithe partake of a “certain joy”—certain: particular and definite—that is not attained or stumbled upon; it simply is—the gift of being: “There is a certain joy/ that depends on nothing./ One inhabits it./ It is there in the day/ when you walk out, whether chill and gray/ or magnified by light, and you inhale it.” Complex yet accessible, these formal and free-verse poems gift us with abundant insights to enjoy. —Beth Houston
Author: Rhina P. Espaillat
Publisher: Able Muse Press
ISBN: 1773490192
Category : Poetry
Languages : en
Pages : 130
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Book Description
Rhina P. Espaillat’s And after All meditates on the passage of time. The perspective sweeps from the panorama of foreign landmarks to the close view of a lover’s feet in failing health, held and cared for. And after All displays the wit, wisdom, subtle voice, and supple mastery of forms that have established Espaillat as a contemporary master. This long-awaited collection from Espaillat is a treat not to be missed. PRAISE FOR AND AFTER ALL Rhina P. Espaillat’s And After All combines the formal fluency of Richard Wilbur, the precision of Elizabeth Bishop, and the easy conversational tones of Frank O’Hara, and yet her poems speak in a voice that is distinctively her own. They address the loss of loved ones and loved things of the world, but their extraordinary empathy and gentle wit keep them from becoming depressing or sentimental. Savor this book and share it with people you love. —A. M. Juster, author of Sleaze & Slander: New and Selected Comic Verse, 1995–2015 Rhina P. Espaillat, more than any living poet in English, gives ordinary language the glow of the sacred. Workaday words, trite with custom like thin coins, accrue new resonance and weight; plain objects are haloed with aureoles like figures in gold mosaics. Saints with their visions used to do this: wave away the veils that separate our shallow perceptions from a deeper reality. But not everyone is granted visions. How much harder it is to use the same words we all use and misuse, the same objects we all touch and ignore, common experiences we dismiss, and, by using words with precision, using the serendipity of rhyme, and the convention of metrical patterns, to give the reader the experience of revelation. Craft is not the opposite of inspiration, Espaillat reminds us, it is the only way to it. —A. E. Stallings, author of Olives For most of its poems And After All is, as the title indicates, deeply elegiac in tone. There are many poignant evocations of the past in the book, rich with quotidian surface detail but always suffused with undemonstrative but palpably real emotion. A poem about the poet’s grandmother, a tough no-nonsense farmer’s wife who described how cows inarticulately but unmistakably grieved when they realized their calves were to be slaughtered, ends with the line, “She told it simply, but she faltered there.” In its quiet pathos the line seems to sum up much of the book; exactness, no fuss, unforced fidelity to the anecdote, but the tremor of poignant empathy always present. A very eloquent collection of beautifully crafted poems, and one that it is hard to read dry-eyed. —Dick Davis, author of Love in Another Language
Author: John Philip Drury
Publisher: Able Muse Press
ISBN: 1927409411
Category : Nature
Languages : en
Pages : 94
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Book Description
Sea Level Rising, John Philip Drury’s fourth collection, revels in water—flowing through rivers, splashing on quays and docked vessels, the wake of speeding boats, the elusive tang of sea salt in the heart of the prairie, even the water of baptism that rebirths the believer. The uplifting lure of water, as with a pair of honeymooners in Venice, may inspire a love “eager to divorce/ anything impeding its energy.” Our state of being might mirror water’s when “everything’s in flux, repeated spasms/ of wake and wave, bright sun, reflecting pool,/ surges made up of intricate detail.” The waves of music, like those of water, are also prominent in the musings of this collection, where that which “rises and returns/ approaches music, a blessing/ beyond sound.” These are masterfully crafted poems of uncommon inspiration, and they whelm with a celebration and longing for that which ebbs or flows inside us. PRAISE FOR SEA LEVEL RISING: Sea Level Rising is about a lot of things, all in some way the same mystery—why we love tidal waters, why we feel a kinship with the pulse and ebb of time and emptiness, why we feel most alive when we stand at the fractal edges of perception, why the singing of a good poem evokes all those correspondences we can’t help loving. John Philip Drury’s new poems will please many and please often as he celebrates, and with mastery, the inexhaustible waters before and within each of us. —Dave Smith, author of Hawks on Wires: Poems, 2005-2010 With candor and a close eye, Drury introduces us to a world of love and literature, nostalgia and new experiences—a world where water pervades everything: a constant and comforting reminder that what we depend on is, like us, also always in flux. Drury is deft at numerous forms, with a delicate touch. You can become so swept up in a poem you may not recognize it as a sonnet until you reach its resounding couplet; but, the beauty of the form—the force of its rhymes and the rapture of their song—has resonated since the opening lines and in all the energy that follows. That’s the wonder of this collection: the “film of beauty, tides that keep on rising,” as Drury writes. Sea Level Rising is an amazing achievement. It should not be missed. —Erica Dawson, author of The Small Blades Hurt John Philip Drury is a Marylander; it makes all the difference. The ever-changing sea defines these poems; Drury explores impermanence—destiny, the future, love, fame, desire—anchored by a rock-solid formal mastery. Land and sea interpenetrate here—loom up, fall away—transmuting one into the other, a way of seeing. His favorite city is Venice, a perfect metaphor for a sensibility too large to be only one thing or its opposite. The masks and play of that ancient meeting place of land, sky and sea divert us from the serious business of its survival—and that might be a good way to describe Drury’s art. In impermanence, through our art, we survive. —James Cummins, author of Still Some Cake
Author: Gail White
Publisher: Able Muse Press
ISBN: 1927409551
Category : Poetry
Languages : en
Pages : 98
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Book Description
Asperity Street, Gail White’s most balanced poetry collection, explores the breadth of human existence with cutting wit, irreverence, keen intelligence, and an uncommon mix of empathy and asperity. Besides the cynical or the lighthearted, which are hallmarks of White’s work, there is a newfound earnestness and gravity in these poems in their survey and interrogation of the human condition. White journeys the span from nursery to hospice—in between, she navigates the prom, family occasions, mating, gossip, and money matters with masterful formal dexterity. This is a collection that rewards the reader with a thoroughly entertaining and illuminating experience. PRAISE FOR ASPERITY STREET: In her remarkable collection, Asperity Street, Gail White takes on the whole sweep of existence. The street becomes the road of a lifetime, beginning with a Southern childhood and ending with a hospice finale. Laconic, ironic and comic, White’s drily resourceful, wickedly companionable voice takes aim on patrimony, matrimony, religion, money and the myth that assumes we choose our lives. With her sublime linguistic choreography, these poems dance to complex metrical tunes. We feel and hear them pulse with equal parts sympathy and vitriol. In Gail White’s capable hands, Asperity Street unfolds as a brilliant mural we can return to again and again, as the poet does—still vulnerable, and wiser each time. — Molly Peacock, 2014 Able Muse Book Award judge, author of The Paper Garden Gail White has done it again: here is another collection by one of America’s wittiest, most technically adept, funniest and most serious commentators on what it feels like to be human. — Rhina P. Espaillat (from the foreword), author of Her Place in These Designs I looked forward to reading Gail White’s new book of poems, Asperity Street, because I know she is one of America’s funniest poets, so when I got the manuscript I sat down to read it immediately. I knew how much I would enjoy it. I was not disappointed. The first three sections of this four-part collection have wit and bon mots in good measure, socko endings, words I’d never seen in poems before, like “cloaca” or a made-up word ending, “substituth,” to satisfy a droll rhyme. But nothing prepared me for part four. Nothing procedural changed. The insights were as sharp as ever, the language exact and clear, the cleverness and dexterity with form as deft, the music as mesmerizing . . . but this was a serious poet I’d not encountered before: there was a deepening of vision, an enhancement of feeling, the rueful treatment of life and death took on a cutting edge that slices to the bone. Don’t miss reading this book. — Lewis Turco, author of The Book of Forms
