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Author: John Driscoll
Publisher:
ISBN:
Category :
Languages : en
Pages : 144
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Book Description
Author: John Driscoll
Publisher:
ISBN:
Category :
Languages : en
Pages : 144
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 134
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Book Description
Author: Pennsylvania State University. Museum of Art
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: John Paul Driscoll
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 152
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Book Description
The Hudson River began to figure prominently in the artistic consciousness of the nineteenth century when painter Thomas Cole journeyed up its waters in the summer of 1825. The canvases inspired by that trip made his reputation. He settled at Catskill on the Hudson and became the model for other American landscape painters, thus launching the Hudson River School and its romantic, idealized vision of the American landscape. The river elicited some of these painters' greatest works, and became an iconic emblem for artists and their public alike. In this volume, lavishly illustrated with more than seventy-five color plates, Driscoll surveys the ideas, events, and figures of the Hudson River School movement and explores the diversity of nineteenth-century Romantic American landscape painting. Highlighted in these pages are works by sixty artists, including such well-known figures as Thomas Cole, John F. Kensett, Sanford Gifford, Frederic Church, William Trost Richards, and Worthington Whittredge. The work of many lesser-known artists is also brought to light, including that of women such as Eliza Greatorex, Mrs. A.T. Oakes, and Laura Woodward; forgotten masters John H. Carmiencke and Regis Gignoux; and the most illustrious African-American artist associated with the school, Robert Duncanson.
Author: Pennsylvania State University. Museum of Art
Publisher:
ISBN:
Category : Hudson River school of landscape painting
Languages : en
Pages : 156
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Book Description
Author: John Paul Driscoll
Publisher:
ISBN:
Category : Hudson River school of landscape painting
Languages : en
Pages : 0
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Book Description
Author: Frances F. Dunwell
Publisher: Columbia University Press
ISBN: 0231136404
Category : Science
Languages : en
Pages : 402
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Book Description
Frances F. Dunwell presents a rich portrait of the Hudson and of the visionary people whose deep relationship with the river inspires changes in American history and culture. Lavishly illustrated with color plates of Hudson River School paintings, period engravings, and glass plate photography, The Hudson captures the spirit of the river through the eyes of its many admirers. It shows the crucial role of the Hudson in the shaping of Manhattan, the rise of the Empire State, and the trajectory of world trade and global politics, as well as the river's influence on art and architecture, engineering, and conservation.
Author: Josh Ritter
Publisher: Harlequin
ISBN: 0369705807
Category : Fiction
Languages : en
Pages : 224
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Book Description
From singer-songwriter Josh Ritter, a lyrical, sweeping novel about a young boy's coming-of-age during the last days of the lumberjacks. In the tiny timber town of Cordelia, Idaho, ninety-nine year old Weldon Applegate recounts his life in all its glory, filled with tall tales writ large with murder, mayhem, avalanches and bootlegging. It’s the story of dark pine forests brewing with ancient magic, and Weldon’s struggle as a boy to keep his father’s inherited timber claim, the Lost Lot, from the ravenous clutches of Linden Laughlin. Ever since young Weldon stepped foot in the deep Cordelia woods as a child, he dreamed of joining the rowdy ranks of his ancestors in their epic axe-swinging adventures. Local legend says their family line boasts some of the greatest lumberjacks to ever roam the American West, but at the beginning of the twentieth century, the jacks are dying out, and it’s up to Weldon to defend his family legacy. Braided with haunting saloon tunes and just the right dose of magic, The Great Glorious Goddamn of It All is a novel bursting with heart, humor and an utterly transporting adventure that is sure to sweep you away into the beauty of the tall snowy mountain timber.
Author: Matthew R. Costello
Publisher: University Press of Kansas
ISBN: 0700633367
Category : History
Languages : en
Pages : 352
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Book Description
George Washington was an affluent slave owner who believed that republicanism and social hierarchy were vital to the young country’s survival. And yet, he remains largely free of the “elitist” label affixed to his contemporaries, as Washington evolved in public memory during the nineteenth century into a man of the common people, the father of democracy. This memory, we learn in The Property of the Nation, was a deliberately constructed image, shaped and reshaped over time, generally in service of one cause or another. Matthew R. Costello traces this process through the story of Washington’s tomb, whose history and popularity reflect the building of a memory of America’s first president—of, by, and for the American people. Washington’s resting place at his beloved Mount Vernon estate was at times as contested as his iconic image; and in Costello’s telling, the many attempts to move the first president’s bodily remains offer greater insight to the issue of memory and hero worship in early America. While describing the efforts of politicians, business owners, artists, and storytellers to define, influence, and profit from the memory of Washington at Mount Vernon, this book’s main focus is the memory-making process that took place among American citizens. As public access to the tomb increased over time, more and more ordinary Americans were drawn to Mount Vernon, and their participation in this nationalistic ritual helped further democratize Washington in the popular imagination. Shifting our attention from official days of commemoration and publicly orchestrated events to spontaneous visits by citizens, Costello’s book clearly demonstrates in compelling detail how the memory of George Washington slowly but surely became The Property of the Nation.
Author: Christiana Payne
Publisher: Routledge
ISBN: 135115902X
Category : Art
Languages : en
Pages : 240
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Book Description
In the century following the foundation of the Royal Academy in 1768, British art had an international reputation: prints spread knowledge of the work of British artists around the globe, and it was widely seen as the product of a modern, commercial society, and much admired by artists as diverse as Goya in Spain, Delacroix in France, and Bierstadt in America. In recent years, scholars working on this period have become increasingly aware of the international context of their subject, but there has been no systematic analysis of the reception of British art abroad. This collection of essays looks at the uses made of the paintings of Reynolds, Hogarth, Lawrence and their contemporaries on the continent of Europe, and in the colonies and ex-colonies of Australia and America. The authors go beyond the simple issue of 'influence' to consider how ideas and artistic conventions originating in the British Isles were adapted, appropriated or resisted in these new environments. In the process, some surprising views of British art emerge, demonstrating how a multi-faceted view from the outside can correct and enrich the narrative produced within a national school, and revealing some of the important connections that are obscured when art is studied, as it so often is, within narrow national boundaries.
