Author: H. U. Obrist
Publisher:
ISBN: 9788899534325
Category : Art
Languages : un
Pages : 352
Book Description
Alighiero Boetti. Photocopies. Ediz. inglese e italiana
Author: H. U. Obrist
Publisher:
ISBN: 9788899534325
Category : Art
Languages : un
Pages : 352
Book Description
Publisher:
ISBN: 9788899534325
Category : Art
Languages : un
Pages : 352
Book Description
Victor Man
Author: Victor Man
Publisher: Jrp Ringier
ISBN:
Category : Art
Languages : en
Pages : 72
Book Description
Victor Man, born in 1974, won international renown when his work was presented in the Romanian pavilion at the 2007 Venice Biennale. This first monograph documents a large portion of his artistic output, which ranges from painting to sculpture, installation, wall painting and printing.
Publisher: Jrp Ringier
ISBN:
Category : Art
Languages : en
Pages : 72
Book Description
Victor Man, born in 1974, won international renown when his work was presented in the Romanian pavilion at the 2007 Venice Biennale. This first monograph documents a large portion of his artistic output, which ranges from painting to sculpture, installation, wall painting and printing.
Domus
Author:
Publisher:
ISBN:
Category : Architecture, Domestic
Languages : it
Pages : 462
Book Description
Publisher:
ISBN:
Category : Architecture, Domestic
Languages : it
Pages : 462
Book Description
Twentieth-century Italian Art
Author: James Thrall Soby
Publisher: Arno Press
ISBN:
Category : Art
Languages : en
Pages : 170
Book Description
Publisher: Arno Press
ISBN:
Category : Art
Languages : en
Pages : 170
Book Description
A Forest of Signs
Author: Mary Jane Jacob
Publisher: Mit Press
ISBN: 9780262071192
Category : Art
Languages : en
Pages : 176
Book Description
A Forest of Signs documents a major exhibition of critical art in the last decade, one that marks a change in the art world, perhaps even in the broader culture. The thread of representation ties together the work of the 30 artists included in the book, encompassing such issues as allegory, appropriation, and commodification, the role of the artist, and the functions of authorship and originality in vesting meaning in art. Much of the work is provocative, challenging the way we look at art, the way we talk about it, where we see it, and how we buy it. The development of these issues and their role in shifting the focus of much recent art from insistence on the art as object, to a host of representations is addressed in four essays and a section of "artists' pages." In the first essay, exhibition co-organizer Ann Goldstein discusses the individual artists and points to key issues and methods in their art. The artists themselves are represented by a 60 page portfolio of their works. Designed by the artists, these pages include personal statements, the remarks of others, works made specifically for the book and works using the tools of mechanical reproduction. In the three essays that follow, Anne Rorimer, former Curator of 20th Century Painting and Sculpture at the Art Institute of Chicago, traces the roots of recent American art to the development of international conceptualism in the 1960s and early 1970s; Mary Jane Jacob, exhibition co-organizer and MOCA Chief Curator, places the artists within the current trends of European as well as American art; and editor and critic Howard Singerman examines the relationship of recent art to its circle of critics and to the emergence of critical theory. Copublished with the Museum of Contemporary Art, Los Angeles. The Artists Richard Baim, Thomas Lawson, Judith Barry, Sherrie Levine, Ericka Beckman, Robert Longo, Gretchen Bender, Allan McCollum, Dara Birnbaum, Matt Mullican, Barbara Bloom, Peter Nagy, Troy Brauntuch, Stephen Prina, Sarah Charlesworth, Richard Prince, Jack Goldstein, Cindy Sherman, Jenny Holzer, Laurie Simmons, Larry Johnson, Haim Steinbach, Ronald Jones, Mitchell Syrop, Mike Kelley, James Welling, Jeff Koons, Christopher Williams, Barbara Kruger, Louise Lawler
Publisher: Mit Press
ISBN: 9780262071192
Category : Art
Languages : en
Pages : 176
Book Description
A Forest of Signs documents a major exhibition of critical art in the last decade, one that marks a change in the art world, perhaps even in the broader culture. The thread of representation ties together the work of the 30 artists included in the book, encompassing such issues as allegory, appropriation, and commodification, the role of the artist, and the functions of authorship and originality in vesting meaning in art. Much of the work is provocative, challenging the way we look at art, the way we talk about it, where we see it, and how we buy it. The development of these issues and their role in shifting the focus of much recent art from insistence on the art as object, to a host of representations is addressed in four essays and a section of "artists' pages." In the first essay, exhibition co-organizer Ann Goldstein discusses the individual artists and points to key issues and methods in their art. The artists themselves are represented by a 60 page portfolio of their works. Designed by the artists, these pages include personal statements, the remarks of others, works made specifically for the book and works using the tools of mechanical reproduction. In the three essays that follow, Anne Rorimer, former Curator of 20th Century Painting and Sculpture at the Art Institute of Chicago, traces the roots of recent American art to the development of international conceptualism in the 1960s and early 1970s; Mary Jane Jacob, exhibition co-organizer and MOCA Chief Curator, places the artists within the current trends of European as well as American art; and editor and critic Howard Singerman examines the relationship of recent art to its circle of critics and to the emergence of critical theory. Copublished with the Museum of Contemporary Art, Los Angeles. The Artists Richard Baim, Thomas Lawson, Judith Barry, Sherrie Levine, Ericka Beckman, Robert Longo, Gretchen Bender, Allan McCollum, Dara Birnbaum, Matt Mullican, Barbara Bloom, Peter Nagy, Troy Brauntuch, Stephen Prina, Sarah Charlesworth, Richard Prince, Jack Goldstein, Cindy Sherman, Jenny Holzer, Laurie Simmons, Larry Johnson, Haim Steinbach, Ronald Jones, Mitchell Syrop, Mike Kelley, James Welling, Jeff Koons, Christopher Williams, Barbara Kruger, Louise Lawler
Not Made Visible
Author: Matias Faldbakken
Publisher: JRP Ringier
ISBN:
Category : Art
Languages : en
Pages : 196
Book Description
Tiré du site Internet de JRP/Ringier : "Matias Faldbakken (*1973) is an artist and writer living in Oslo. Son of the celebrated Norwegian author Knut Faldbakken, he has published two novels, "The Cocka Hola Company" and "Macht und Rebel" under the alias Abo Rasul. Drenched with acid humor and continuously hitting below the waist, his books immediately caused a considerable stir in Norway. If, in these publications, he underlines the differences and similarities between the so-called underground and the mainstream, and between the "independent" and the "commercial" in everyday life, these subjects are also central to his art practice. Fascinated with systems of knowledge, power, order, and exchange, he shows an interest in understanding how art and artists can be active participants in these systems. Faldbakken studied at the National Academy of Fine Arts in Bergen as well as at the Städelschule in Frankfurt am Main. He represented Norway in the Nordic Pavillion at the Venice Biennial in 2005, as well as showing his work in the Wrong Gallery at the Whitney Biennial, the Stedelijk Museum Amsterdam, the National Museum Oslo, the Sydney Biennial and the KW Institute for Contemporary Art Berlin, among others."
Publisher: JRP Ringier
ISBN:
Category : Art
Languages : en
Pages : 196
Book Description
Tiré du site Internet de JRP/Ringier : "Matias Faldbakken (*1973) is an artist and writer living in Oslo. Son of the celebrated Norwegian author Knut Faldbakken, he has published two novels, "The Cocka Hola Company" and "Macht und Rebel" under the alias Abo Rasul. Drenched with acid humor and continuously hitting below the waist, his books immediately caused a considerable stir in Norway. If, in these publications, he underlines the differences and similarities between the so-called underground and the mainstream, and between the "independent" and the "commercial" in everyday life, these subjects are also central to his art practice. Fascinated with systems of knowledge, power, order, and exchange, he shows an interest in understanding how art and artists can be active participants in these systems. Faldbakken studied at the National Academy of Fine Arts in Bergen as well as at the Städelschule in Frankfurt am Main. He represented Norway in the Nordic Pavillion at the Venice Biennial in 2005, as well as showing his work in the Wrong Gallery at the Whitney Biennial, the Stedelijk Museum Amsterdam, the National Museum Oslo, the Sydney Biennial and the KW Institute for Contemporary Art Berlin, among others."
Emil du Bois-Reymond
Author: Gabriel Finkelstein
Publisher: MIT Press
ISBN: 0262314851
Category : Science
Languages : en
Pages : 381
Book Description
A biography of an important but largely forgotten nineteenth-century scientist whose work helped lay the foundation of modern neuroscience. Emil du Bois-Reymond is the most important forgotten intellectual of the nineteenth century. In his own time (1818–1896) du Bois-Reymond grew famous in his native Germany and beyond for his groundbreaking research in neuroscience and his provocative addresses on politics and culture. This biography by Gabriel Finkelstein draws on personal papers, published writings, and contemporary responses to tell the story of a major scientific figure. Du Bois-Reymond's discovery of the electrical transmission of nerve signals, his innovations in laboratory instrumentation, and his reductionist methodology all helped lay the foundations of modern neuroscience. In addition to describing the pioneering experiments that earned du Bois-Reymond a seat in the Prussian Academy of Sciences and a professorship at the University of Berlin, Finkelstein recounts du Bois-Reymond's family origins, private life, public service, and lasting influence. Du Bois-Reymond's public lectures made him a celebrity. In talks that touched on science, philosophy, history, and literature, he introduced Darwin to German students (triggering two days of debate in the Prussian parliament); asked, on the eve of the Franco-Prussian War, whether France had forfeited its right to exist; and proclaimed the mystery of consciousness, heralding the age of doubt. The first modern biography of du Bois-Reymond in any language, this book recovers an important chapter in the history of science, the history of ideas, and the history of Germany.
Publisher: MIT Press
ISBN: 0262314851
Category : Science
Languages : en
Pages : 381
Book Description
A biography of an important but largely forgotten nineteenth-century scientist whose work helped lay the foundation of modern neuroscience. Emil du Bois-Reymond is the most important forgotten intellectual of the nineteenth century. In his own time (1818–1896) du Bois-Reymond grew famous in his native Germany and beyond for his groundbreaking research in neuroscience and his provocative addresses on politics and culture. This biography by Gabriel Finkelstein draws on personal papers, published writings, and contemporary responses to tell the story of a major scientific figure. Du Bois-Reymond's discovery of the electrical transmission of nerve signals, his innovations in laboratory instrumentation, and his reductionist methodology all helped lay the foundations of modern neuroscience. In addition to describing the pioneering experiments that earned du Bois-Reymond a seat in the Prussian Academy of Sciences and a professorship at the University of Berlin, Finkelstein recounts du Bois-Reymond's family origins, private life, public service, and lasting influence. Du Bois-Reymond's public lectures made him a celebrity. In talks that touched on science, philosophy, history, and literature, he introduced Darwin to German students (triggering two days of debate in the Prussian parliament); asked, on the eve of the Franco-Prussian War, whether France had forfeited its right to exist; and proclaimed the mystery of consciousness, heralding the age of doubt. The first modern biography of du Bois-Reymond in any language, this book recovers an important chapter in the history of science, the history of ideas, and the history of Germany.
The Uncanny
Author: Mike Kelley
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 276
Book Description
Erweiterte Neuauflage des legendären Arnheim-Katalogs von 1993 in zwei Auflagen: Im März die rein englische Ausgabe anlässlich der Ausstellung in der Tate Liverpool, im Juli 2004 eine Ausgabe mit deutschem Textanhang mit einem zusätzlichen Interview mit Mike Kelley anlässlich der Ausstellung im Museum Moderner Kunst Stiftung Ludwig, Wien. Museum Moderner Kunst, Stiftung Ludwig, Wien, Juli 2004
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 276
Book Description
Erweiterte Neuauflage des legendären Arnheim-Katalogs von 1993 in zwei Auflagen: Im März die rein englische Ausgabe anlässlich der Ausstellung in der Tate Liverpool, im Juli 2004 eine Ausgabe mit deutschem Textanhang mit einem zusätzlichen Interview mit Mike Kelley anlässlich der Ausstellung im Museum Moderner Kunst Stiftung Ludwig, Wien. Museum Moderner Kunst, Stiftung Ludwig, Wien, Juli 2004
Painting, Politics, and the New Front of Cold War Italy
Author: Dr Adrian Duran
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409426912
Category : Art
Languages : en
Pages : 200
Book Description
The first English-language monograph on Il Fronte Nuovo delle Arti, this study explores the rise and fall of this postwar Italian artists' group as a representative instance of the tensions facing Italian painting during the transition out of two decades of Fascism and into the global divisions of the Cold War. Adrian Duran argues that the binary structures of the era - realism vs. abstraction, Communism vs. democracy, conformism vs. freedom - have monopolized the discourse surrounding the Fronte Nuovo and, with it, the historiography of Italian painting during this period, 1944-50.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409426912
Category : Art
Languages : en
Pages : 200
Book Description
The first English-language monograph on Il Fronte Nuovo delle Arti, this study explores the rise and fall of this postwar Italian artists' group as a representative instance of the tensions facing Italian painting during the transition out of two decades of Fascism and into the global divisions of the Cold War. Adrian Duran argues that the binary structures of the era - realism vs. abstraction, Communism vs. democracy, conformism vs. freedom - have monopolized the discourse surrounding the Fronte Nuovo and, with it, the historiography of Italian painting during this period, 1944-50.
Exhibition of Modern Italian Art
Author: Italy America Society (New York, N.Y.)
Publisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 88
Book Description
Publisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 88
Book Description