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Author: Lauro Flores
Publisher: Jacob Lawrence Series on Ameri
ISBN: 9780295987347
Category : Art
Languages : en
Pages : 191
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Book Description
Born in Mexico in 1935 and a resident of Washington State for nearly five decades, Alfredo Arreguín has long been recognized as a major force in pattern painting. His canvases are tapestries that mingle diverse and interpenetrating influences and images: the traditional crafts of his native Michoacán; the lush rainforests of his homeland and of the Pacific Northwest; Japanese ukiyo-e prints; sacred and endangered animals; gods and and totemic figures; icons like Frida Kahlo and César Chávez; and motifs including masks, eyes, and abstractly patterned tiles. But Arreguin’s paintings, for all the apparent flatness of their surfaces, conceal an astonishing depth of perspective. The basis of their composition is a grid of colorful patterns applied to superimposed planes, and below the surface of each completed painting are many others, transformed by the artist’s strategic occlusions and erasures. The result is an exuberant, phosphorescent visual interplay in which images combine to form other images, yielding a potent narrative power and pointing up the profound, ambiguous symbiosis between human beings and nature, fiction and reality, and the natural and supernatural worlds. Lauro Flores reveals Alfredo Arreguin as "a genuinely American painter, in the real, hemispheric sense of this term" - an artist of magic, mystery, and revelation whose place in the history of North American art has already been secured. Twenty-three new paintings are included in the second edition of this highly regarded book first published in 2002.
Author: Lauro Flores
Publisher: Jacob Lawrence Series on Ameri
ISBN: 9780295987347
Category : Art
Languages : en
Pages : 191
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Book Description
Born in Mexico in 1935 and a resident of Washington State for nearly five decades, Alfredo Arreguín has long been recognized as a major force in pattern painting. His canvases are tapestries that mingle diverse and interpenetrating influences and images: the traditional crafts of his native Michoacán; the lush rainforests of his homeland and of the Pacific Northwest; Japanese ukiyo-e prints; sacred and endangered animals; gods and and totemic figures; icons like Frida Kahlo and César Chávez; and motifs including masks, eyes, and abstractly patterned tiles. But Arreguin’s paintings, for all the apparent flatness of their surfaces, conceal an astonishing depth of perspective. The basis of their composition is a grid of colorful patterns applied to superimposed planes, and below the surface of each completed painting are many others, transformed by the artist’s strategic occlusions and erasures. The result is an exuberant, phosphorescent visual interplay in which images combine to form other images, yielding a potent narrative power and pointing up the profound, ambiguous symbiosis between human beings and nature, fiction and reality, and the natural and supernatural worlds. Lauro Flores reveals Alfredo Arreguin as "a genuinely American painter, in the real, hemispheric sense of this term" - an artist of magic, mystery, and revelation whose place in the history of North American art has already been secured. Twenty-three new paintings are included in the second edition of this highly regarded book first published in 2002.
Author: Alfredo Arreguín
Publisher: El Colegio de Michoacán A.C.
ISBN: 9780295981789
Category : Art
Languages : es
Pages : 198
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Book Description
"Arreguín's palpitations of color and light and arrested movement awaken our sublimated vision. His paintings seem to force our entire being to experience its livingness as an insatiable yearning and questing of the eyes." - from the Foreword by Tess GallagherBorn in Mexico in 1935 and a resident of Washington State for nearly five decades, Alfredo Arreguín has long been recognized as a major force in pattern painting. His canvases are tapestries that mingle diverse and interpenetrating influences and images: the traditional crafts of his native Michoacán; the lush rainforests of his homeland and of the Pacific Northwest; Japanese ukiyo-e prints; sacred and endangered animals; gods and and totemic figures; icons like Frida Kahlo and César Chávez; and motifs including masks, eyes, and abstractly patterned tiles.But Arreguín's paintings, for all the apparent flatness of their surfaces, conceal an astonishing depth of perspective. The basis of their composition is a grid of colorful patterns applied to superimposed planes, and below the surface of each completed painting are many others, transformed by the artist's strategic occlusions and erasures. The result is an exuberant, phosphorescent visual interplay in which images combine to form other images, yielding a potent narrative power and pointing up the profound, ambiguous symbiosis between human beings and nature, fiction and reality, and the natural and supernatural worlds.Lauro Flores reveals Alfredo Arreguín as "a genuinely American painter, in the real, hemispheric sense of this term" - an artist of magic, mystery, and revelation whose place in the history of North American art has already been secured.
Author: Alfredo Arreguin
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Susan Noyes Platt
Publisher:
ISBN: 9781877675799
Category : Art
Languages : en
Pages : 0
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Book Description
This is a critical analysis of contemporary politically engaged art.
Author: Victoria I. Lyall
Publisher: Yale University Press
ISBN: 0300258984
Category : History
Languages : en
Pages : 225
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Book Description
The first major visual and cultural exploration of the legacy of La Malinche, simultaneously reviled as a traitor to her people and hailed as the mother of Mexico An enslaved Indigenous girl who became Hernán Cortés's interpreter and cultural translator, Malinche stood at center stage in one of the most significant events of modern history. Linguistically gifted, she played a key role in the transactions, negotiations, and conflicts between the Spanish and the Indigenous populations of Mexico that shaped the course of global politics for centuries to come. As mother to Cortés's firstborn son, she became the symbolic progenitor of a modern Mexican nation and a heroine to Chicana and Mexicana artists. Traitor, Survivor, Icon is the first major publication to present a comprehensive visual exploration of Malinche's enduring impact on communities living on both sides of the US-Mexico border. Five hundred years after her death, her image and legacy remain relevant to conversations around female empowerment, indigeneity, and national identity throughout the Americas. This lavish book establishes and examines her symbolic import and the ways in which artists, scholars, and activists through time have appropriated her image to interpret and express their own experiences and agendas from the 1500s through today.
Author:
Publisher:
ISBN:
Category : Medicine, Popular
Languages : en
Pages : 85
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Author: Kate Morris
Publisher:
ISBN: 9780295745367
Category : Art
Languages : en
Pages : 0
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Book Description
A distinctly Indigenous form of landscape representation is emerging in the creations of contemporary Indigenous artists from North America. For centuries, landscape painting in European art typically used representational strategies such as single-point perspective to lure viewers--and settlers--into the territories of the old and new worlds. In the twentieth century, abstract expressionism transformed painting to encompass something beyond the visual world, and later, minimalism and the Land Art movement broadened the genre of landscape art to include sculptural forms and site-specific installations. In Shifting Grounds, art historian Kate Morris argues that Indigenous artists are expanding, reconceptualizing, and remaking the forms of the genre still further, expressing Indigenous attitudes toward land and belonging even as they draw upon mainstream art practices. The resulting works are rarely if ever primarily visual representations, but instead evoke all five senses: from the overt sensuality of Kay WalkingStick's tactile paintings to the eerie soundscapes of Alan Michelson's videos and Postcommodity's installations to the immersive environments of Kent Monkman's dioramas, this landscape art resonates with a fully embodied and embedded subjectivity. In the works of these and many other Native artists, Shifting Grounds explores themes of presence and absence, connection and dislocation, survival and vulnerability, memory and commemoration, and power and resistance, illuminating the artists' sustained engagement not only with land and landscape but also with the history of representation itself. A Helen Marie Ryan Wyman Book Art History Publication Initiative. For more information, visit http: //arthistorypi.org/books/shifting-grounds
Author: Patrick Rosenkranz
Publisher: Fantagraphics Books
ISBN: 1606999990
Category : Art
Languages : en
Pages : 258
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Book Description
This book includes all of the cartoonist's work from Zap Comix #12 through #15; stories published in the horror anthology Taboo; the three appearances of his outrageous, race-bending character Meadows from Weirdo; illustrations for Grimm and Andersen fairy tales; as well as book jackets and album covers. Plus, dozens of privately commissioned paintings, including the Seven Deadly Sins (Just Say Yes!) and inner landscapes peopled with pirates, ogres, leprechauns, Cyclops, the Baby Jesus, and his favorites players, Captain Pissgums, Star-Eyed Stella, and the Checkered Demon. It also includes an even score of remarkably rendered paintings, both unpublished and virtually unseen, that he created between the 2006 publication of The Art of S. Clay Wilson and The Night the Lights Went Out in 2008, when Wilson’s career spiraled out of control.
Author: Alfredo Arreguín
Publisher:
ISBN:
Category :
Languages : en
Pages : 8
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Book Description
Author: Alfredo Arreguín
Publisher:
ISBN:
Category : Mexico
Languages : en
Pages : 32
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Book Description
