Alfred H. Barr, Jr. and the Intellectual Origins of the Museum of Modern Art

Alfred H. Barr, Jr. and the Intellectual Origins of the Museum of Modern Art PDF Author: Sybil Kantor
Publisher: MIT Press
ISBN: 0262611961
Category : Art
Languages : en
Pages : 497

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Book Description
An intellectual biography of Alfred H. Barr, Jr. founding director of the Museum of Modern Art. Growing up with the twentieth century, Alfred Barr (1902-1981), founding director of the Museum of Modern Art, harnessed the cataclysm that was modernism. In this book—part intellectual biography, part institutional history—Sybil Gordon Kantor tells the story of the rise of modern art in America and of the man responsible for its triumph. Following the trajectory of Barr's career from the 1920s through the 1940s, Kantor penetrates the myths, both positive and negative, that surround Barr and his achievements. Barr fervently believed in an aesthetic based on the intrinsic traits of a work of art and the materials and techniques involved in its creation. Kantor shows how this formalist approach was expressed in the organizational structure of the multidepartmental museum itself, whose collections, exhibitions, and publications all expressed Barr's vision. At the same time, she shows how Barr's ability to reconcile classical objectivity and mythic irrationality allowed him to perceive modernism as an open-ended phenomenon that expanded beyond purist abstract modernism to include surrealist, nationalist, realist, and expressionist art. Drawing on interviews with Barr's contemporaries as well as on Barr's extensive correspondence, Kantor also paints vivid portraits of, among others, Jere Abbott, Katherine Dreier, Henry-Russell Hitchcock, Philip Johnson, Lincoln Kirstein, Agnes Mongan, J. B. Neumann, and Paul Sachs.

Alfred H. Barr, Jr. and the Intellectual Origins of the Museum of Modern Art

Alfred H. Barr, Jr. and the Intellectual Origins of the Museum of Modern Art PDF Author: Sybil Kantor
Publisher: MIT Press
ISBN: 0262611961
Category : Art
Languages : en
Pages : 497

Get Book Here

Book Description
An intellectual biography of Alfred H. Barr, Jr. founding director of the Museum of Modern Art. Growing up with the twentieth century, Alfred Barr (1902-1981), founding director of the Museum of Modern Art, harnessed the cataclysm that was modernism. In this book—part intellectual biography, part institutional history—Sybil Gordon Kantor tells the story of the rise of modern art in America and of the man responsible for its triumph. Following the trajectory of Barr's career from the 1920s through the 1940s, Kantor penetrates the myths, both positive and negative, that surround Barr and his achievements. Barr fervently believed in an aesthetic based on the intrinsic traits of a work of art and the materials and techniques involved in its creation. Kantor shows how this formalist approach was expressed in the organizational structure of the multidepartmental museum itself, whose collections, exhibitions, and publications all expressed Barr's vision. At the same time, she shows how Barr's ability to reconcile classical objectivity and mythic irrationality allowed him to perceive modernism as an open-ended phenomenon that expanded beyond purist abstract modernism to include surrealist, nationalist, realist, and expressionist art. Drawing on interviews with Barr's contemporaries as well as on Barr's extensive correspondence, Kantor also paints vivid portraits of, among others, Jere Abbott, Katherine Dreier, Henry-Russell Hitchcock, Philip Johnson, Lincoln Kirstein, Agnes Mongan, J. B. Neumann, and Paul Sachs.

Alfred H. Barr, Jr. and the Intellectual Origins of the Museum of Modern Art

Alfred H. Barr, Jr. and the Intellectual Origins of the Museum of Modern Art PDF Author: Sybil Kantor
Publisher: MIT Press
ISBN: 9780262611961
Category : Art
Languages : en
Pages : 500

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Book Description
An intellectual biography of Alfred H. Barr, Jr. founding director of the Museum of Modern Art. Growing up with the twentieth century, Alfred Barr (1902-1981), founding director of the Museum of Modern Art, harnessed the cataclysm that was modernism. In this book—part intellectual biography, part institutional history—Sybil Gordon Kantor tells the story of the rise of modern art in America and of the man responsible for its triumph. Following the trajectory of Barr's career from the 1920s through the 1940s, Kantor penetrates the myths, both positive and negative, that surround Barr and his achievements. Barr fervently believed in an aesthetic based on the intrinsic traits of a work of art and the materials and techniques involved in its creation. Kantor shows how this formalist approach was expressed in the organizational structure of the multidepartmental museum itself, whose collections, exhibitions, and publications all expressed Barr's vision. At the same time, she shows how Barr's ability to reconcile classical objectivity and mythic irrationality allowed him to perceive modernism as an open-ended phenomenon that expanded beyond purist abstract modernism to include surrealist, nationalist, realist, and expressionist art. Drawing on interviews with Barr's contemporaries as well as on Barr's extensive correspondence, Kantor also paints vivid portraits of, among others, Jere Abbott, Katherine Dreier, Henry-Russell Hitchcock, Philip Johnson, Lincoln Kirstein, Agnes Mongan, J. B. Neumann, and Paul Sachs.

Alfred H. Barr, Jr., and the Intellectual Origins of the Museum of Modern Art

Alfred H. Barr, Jr., and the Intellectual Origins of the Museum of Modern Art PDF Author: Sybil Gordon Kantor
Publisher: Mit Press
ISBN: 9780262112581
Category : Art
Languages : en
Pages : 472

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Book Description
An intellectual biography of Alfred H. Barr, Jr., founding director of the Museum of Modern Art.

Inventing Abstraction, 1910-1925

Inventing Abstraction, 1910-1925 PDF Author: Leah Dickerman
Publisher: The Museum of Modern Art
ISBN: 0870708287
Category : Art
Languages : en
Pages : 378

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Book Description
This book explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstractions early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstractions first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinskys ambitious Compositions V, VI and VII; a selection of Piet Mondrians work that offers a distilled narrative of his trajectory to Neo-plasticism; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark 0.10 exhibition in 1915.0Exhibition: MoMA, New York, USA (23.12.2012-15.4.2013).

Picasso, Fifty Years of His Art

Picasso, Fifty Years of His Art PDF Author: Museum of Modern Art (New York, N.Y.)
Publisher:
ISBN: 9780672526497
Category :
Languages : en
Pages : 330

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Book Description


Twentieth-century Italian Art

Twentieth-century Italian Art PDF Author: James Thrall Soby
Publisher: Arno Press
ISBN:
Category : Art
Languages : en
Pages : 170

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Book Description


Machine Art, 1934

Machine Art, 1934 PDF Author: Jennifer Jane Marshall
Publisher: University of Chicago Press
ISBN: 0226507173
Category : Art
Languages : en
Pages : 237

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Book Description
In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museumgoers about the nature of beauty and value in the era of mass production. Telling the story of this extraordinarily popular but controversial show, Jennifer Jane Marshall examines its history and the relationship between the museum’s director, Alfred H. Barr Jr., and its curator, Philip Johnson, who oversaw it. She situates the show within the tumultuous climate of the interwar period and the Great Depression, considering how these unadorned objects served as a response to timely debates over photography, abstract art, the end of the American gold standard, and John Dewey’s insight that how a person experiences things depends on the context in which they are encountered. An engaging investigation of interwar American modernism, Machine Art, 1934 reveals how even simple things can serve as a defense against uncertainty.

Graphic Modernism

Graphic Modernism PDF Author: Art Institute of Chicago
Publisher: Hudson Hills
ISBN: 9780865592070
Category : Art
Languages : en
Pages : 200

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Book Description
This exhibition catalog highlights a recent gift of works on paper to the Art Institute of Chicago from the Gecht family, longtime Chicago collectors. The catalog comprises 135 drawings, prints, and sculptures from the collection, all of which embody a broad definition of Modernism. The book spans two centuries and contains artists such as Cezanne and Van Gogh as well as Mark Rothko and Philip Guston. Toulouse-Lautrec, Matisse, and Picasso form the backbone of the collection with nearly 30 works of art apiece. Suzanne Folds McCullagh (curator of prints & drawings, Art Inst. of Chicago) provides a short introductory essay that tracks the evolution of the collection. Authored by a bevy of contributors, the well-written entries maintain a consistent tone and quality and strike a good balance between biographical information and interpretations of the work of art itself. While the Gecht collection is certainly quite a boon for the institute, it is not comprehensive enough in itself to make the catalog essential for all art libraries. It does, however, belong on library shelves with strong modern art and graphics collections.-Kraig A. Binkowski, Delaware Art Museum, Wilmington 135 colour illustrations

Fantastic Art, Dada, Surrealism

Fantastic Art, Dada, Surrealism PDF Author: Museum of Modern Art (New York, N.Y.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 306

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Book Description


Modern Art Despite Modernism

Modern Art Despite Modernism PDF Author: Robert Storr
Publisher:
ISBN: 9780870700316
Category : Art
Languages : en
Pages : 247

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Book Description
Essay by Robert Storr. Foreword by Glenn D. Lowry.