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Author: Erika Wolf
Publisher: Yale University Press
ISBN: 0300219180
Category : Art
Languages : en
Pages : 369
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Book Description
The first comprehensive study in English of the Soviet propaganda artist Aleksandr Zhitomirsky, who conceived and deployed his striking photomontages as a political weapon The leading Russian propaganda artist Aleksandr Zhitomirsky (1907-1993) made photomontages that were airdropped on German troops during World War II. He later worked for Pravda and other leading publications, satirizing American politics and finance from the Truman through the Reagan eras and educating his public about Egypt, South Africa, Vietnam, and Nicaragua as well. Zhitomirsky favored the grotesque and the eye-catching. His villainous menagerie included Reichsminister Joseph Goebbels as a distorted simian and an airborne scorpion outfitted with an Uncle Sam hat. In this comprehensive, image-driven account of Zhitomirsky's long career, Erika Wolf explores his connections to and long friendship with the German artist John Heartfield, whose work inspired his own. Wolf also examines more than 100 of Zhitomirsky's photomontages and translates excerpts from his one published book, The Art of Political Photomontage: Advice for the Artist (1983). In an era when satirical photomontage thrives on the Internet and propaganda has reasserted itself in America and Russia alike, this study of a once-prominent yet internationally undiscovered artist is more than timely.
Author: Erika Wolf
Publisher: Yale University Press
ISBN: 0300219180
Category : Art
Languages : en
Pages : 369
Get Book Here
Book Description
The first comprehensive study in English of the Soviet propaganda artist Aleksandr Zhitomirsky, who conceived and deployed his striking photomontages as a political weapon The leading Russian propaganda artist Aleksandr Zhitomirsky (1907-1993) made photomontages that were airdropped on German troops during World War II. He later worked for Pravda and other leading publications, satirizing American politics and finance from the Truman through the Reagan eras and educating his public about Egypt, South Africa, Vietnam, and Nicaragua as well. Zhitomirsky favored the grotesque and the eye-catching. His villainous menagerie included Reichsminister Joseph Goebbels as a distorted simian and an airborne scorpion outfitted with an Uncle Sam hat. In this comprehensive, image-driven account of Zhitomirsky's long career, Erika Wolf explores his connections to and long friendship with the German artist John Heartfield, whose work inspired his own. Wolf also examines more than 100 of Zhitomirsky's photomontages and translates excerpts from his one published book, The Art of Political Photomontage: Advice for the Artist (1983). In an era when satirical photomontage thrives on the Internet and propaganda has reasserted itself in America and Russia alike, this study of a once-prominent yet internationally undiscovered artist is more than timely.
Author: Aleksandr Zhitomirskiĭ
Publisher: Robert Koch Gallery, Incorporated
ISBN:
Category : Art
Languages : en
Pages : 52
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Book Description
Author: Diane Neumaier
Publisher: Rutgers University Press
ISBN: 9780813534541
Category : Art
Languages : en
Pages : 360
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Book Description
Photography possesses a powerful ability to bear witness, aid remembrance, shape, and even alter recollection. In Beyond Memory: Soviet Nonconformist Photography and Photo-Related Works of Art, the general editor, Diane Neumaier, and twenty-three contributors offer a rigorous examination of the medium's role in late Soviet unofficial art. Focusing on the period between the mid-1950s and the late 1980s, they explore artists' unusually inventive and resourceful uses of photography within a highly developed Soviet dissident culture. During this time, lack of high-quality photographic materials, complimented by tremendous creative impulses, prompted artists to explore experimental photo-processes such as camera and darkroom manipulations, photomontage, and hand-coloring. Photography also took on a provocative array of forms including photo installation, artist-made samizdat (self-published) books, photo-realist painting, and many other surprising applications of the flexible medium. Beyond Memory shows how innovative conceptual moves and approaches to form and content-echoes of Soviet society's coded communication and a Russian sense of absurdity-were common in the Soviet cultural underground. Collectively, the works in this anthology demonstrate how late-Soviet artists employed irony and invention to make positive use of difficult circumstances. In the process, the volume illuminates the multiple characters of photography itself and highlights the leading role that the medium has come to play in the international art world today. Beyond Memory stands on its own as a rigorous examination of photography's place in late Soviet unofficial art, while also serving as a supplement to the traveling exhibition of the same title.
Author: Gdal Saleski
Publisher:
ISBN:
Category : Jewish musicians
Languages : en
Pages : 488
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Book Description
Author: Richard Taruskin
Publisher: Univ of California Press
ISBN: 0520392000
Category : Music
Languages : en
Pages : 576
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Book Description
"A gathering chiefly of talks given either by invitation or at conferences throughout the world over the last quarter century. The topics range widely, but recurrent themes include the place of classical music in contemporary society and culture, the fraught relationship between aesthetics and ethics, and the responsibilities of scholarship in an age of spin"--
Author: James Benjamin Loeffler
Publisher: Yale University Press
ISBN: 0300137133
Category : Music
Languages : en
Pages : 287
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Book Description
At a time of both rising anti-Semitism and burgeoning Jewish nationalism, how and why did Russian music become the gateway to Jewish modernity in music? Loeffler offers a new perspective on the emergence of Russian Jewish culture and identity.
Author: Marina Frolova-Walker
Publisher: Princeton University Press
ISBN: 069118271X
Category : Music
Languages : en
Pages : 384
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Book Description
A rare look at the life and music of renowned Russian composer Nikolai Rimsky-Korsakov During his lifetime, Nikolai Rimsky-Korsakov (1844–1908) was a composer whose work had great influence not only in his native Russia but also internationally. While he remains well-known in Russia—where many of his fifteen operas and various orchestral pieces are still in the standard repertoire—very little of his work is performed in the West today beyond Scheherezade and arrangements of The Flight of the Bumblebee. In Western writings, he appears mainly in the context of the Mighty Handful, a group of five Russian composers to which he belonged at the outset of his career. Rimsky-Korsakov and His World finally gives the composer center stage and due attention. In this collection, Rimsky-Korsakov’s major operas, The Snow Maiden, Mozart and Salieri, and The Golden Cockerel, receive multifaceted exploration and are carefully contextualized within the wider Russian culture of the era. The discussion of these operas is accompanied and enriched by the composer’s letters to Nadezhda Zabela, the distinguished soprano for whom he wrote several leading roles. Other essays look at more general aspects of Rimsky-Korsakov’s work and examine his far-reaching legacy as a professor of composition and orchestration, including his impact on his most famous pupil Igor Stravinsky. The contributors are Lidia Ader, Leon Botstein, Emily Frey, Marina Frolova-Walker, Adalyat Issiyeva, Simon Morrison, Anna Nisnevich, Olga Panteleeva, and Yaroslav Timofeev. The Bard Music Festival Bard Music Festival 2018 Rimsky-Korsakov and His World Bard College August 10–12 and August 17–19, 2018
Author: Jean-Louis Cohen
Publisher: Yale University Press
ISBN: 0300248156
Category : Architecture
Languages : en
Pages : 545
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Book Description
An essential exploration of how Russian ideas about the United States shaped architecture and urban design from the czarist era to the fall of the U.S.S.R. Idealized representations of America, as both an aspiration and a menace, played an important role in shaping Russian architecture and urban design from the American Revolution until the fall of the Soviet Union. Jean-Louis Cohen traces the powerful concept of “Amerikanizm” and its impact on Russia’s built environment from early czarist interest in Revolutionary America, through the spectacular World’s Fairs of the 19th century, to department stores, skyscrapers, and factories built in Russia using American methods during the 20th century. Visions of America also captivated the Russian avant-garde, from El Lissitzky to Moisei Ginzburg, and Cohen explores the ongoing artistic dialogue maintained between the two countries at the mid-century and in the late Soviet era, following a period of strategic competition. This first major study of Amerikanizm in the architecture of Russia makes a timely contribution to our understanding of modern architecture and its broader geopolitics.
Author: Assaf Shelleg
Publisher: Oxford University Press
ISBN: 0199354952
Category : Music
Languages : en
Pages : 305
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Book Description
Jewish Contiguities and the Soundtrack of Israeli History unfolds the cultural itineraries of modern Jewish and Israeli art music. Extending from modern Jewish art music in Europe through its dislocation to British Palestine and Israel, the book captures the tensions between national rhetoric and nationalized theological tropes through the way they have been recorded in art music. Author Assaf Shelleg begins with the prehistory of Israeli art music in central and Western Europe. He introduces the reader to the various aesthetic dilemmas in the history of modern Jewish art music, ranging from auto-exoticism to Jewish self-hatred. Moving on to consider the Hebrew culture, he discusses the institutionalization of art music in British Palestine and the dilution of romanticist nationalism during the interregnum of Israeli statehood. Delving into the proliferation of styles in the 1950s and '60s, Shelleg examines the collapse of traditional Hebrew templates and the concomitant surge of linear compositional devices inspired by Arab Jewish music. By the 1970s, he reveals, Israeli composers saw musical Judaism as a cultural discourse that transcended the nation; they deterritorialized the national discourse at the same time that religious Zionist circles had been translating theology into politics. Shelleg unearths the various cultural constraints and dialectics that played a pivotal role in the dislocation of modern Jewish art music to Israel, and looks at the Jewish undercurrents of Hebrew culture and how Jewish secularized concepts outgrew their national functions. Jewish Contiguities and the Soundtrack of Israeli History will be essential reading for scholars of Jewish and Israeli music, culture, and history
Author: Klara Moricz
Publisher: Univ of California Press
ISBN: 9780520933682
Category : Biography & Autobiography
Languages : en
Pages : 468
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Book Description
Jewish Identities mounts a formidable challenge to prevailing essentialist assumptions about "Jewish music," which maintain that ethnic groups, nations, or religious communities possess an essence that must manifest itself in art created by members of that group. Klára Móricz scrutinizes concepts of Jewish identity and reorders ideas about twentieth-century "Jewish music" in three case studies: first, Russian Jewish composers of the first two decades of the twentieth century; second, the Swiss American Ernest Bloch; and third, Arnold Schoenberg. Examining these composers in the context of emerging Jewish nationalism, widespread racial theories, and utopian tendencies in modernist art and twentieth-century politics, Móricz describes a trajectory from paradigmatic nationalist techniques, through assumptions about the unintended presence of racial essences, to an abstract notion of Judaism.
