Alessandro nelle Indie. A serious opera [in three acts, prose and verse] ... Compiled, curtailed and altered by G. G. Bottarelli, etc. Ital. & Eng PDF Download
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![Alessandro nelle Indie. A serious opera [in three acts, prose and verse] ... Compiled, curtailed and altered by G. G. Bottarelli, etc. Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/nHkSxFBvgfoC?fife=w150-h200)
Author: Pietro Metastasio
Publisher:
ISBN:
Category :
Languages : en
Pages : 56
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![Alessandro nelle Indie. A serious opera [in three acts, prose and verse] ... Compiled, curtailed and altered by G. G. Bottarelli, etc. Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/nHkSxFBvgfoC?fife=w80-h100)
Author: Pietro Metastasio
Publisher:
ISBN:
Category :
Languages : en
Pages : 56
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![Alessandro nelle Indie. A serious opera. To be performed at the King's Theatre, etc. [Altered from P. A. D. B. Metastasio's play of the same name.] Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/xo_Mu7EY1GYC?fife=w80-h100)
Author: Pietro Metastasio
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
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Author:
Publisher:
ISBN:
Category : Musicals
Languages : en
Pages : 1058
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Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 1196
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Author: Michael Talbot
Publisher: Routledge
ISBN: 135153730X
Category : Music
Languages : en
Pages : 553
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Since 1978, the 300th anniversary of Vivaldi's death, there has been an explosion of serious writing about his music, life and times. Much of this has taken the form of articles published in academic journals or conference proceedings, some of which are not easy to obtain. The twenty-two articles selected by Michael Talbot for this volume form a representative selection of the best writing on Vivaldi from the last 30 years, featuring such major figures in Vivaldi research as Reinhard Strohm, Paul Everett, Gastone Vio and Federico Maria Sardelli. Aspects covered include biography, Venetian cultural history, manuscript studies, genre studies and musical analysis. The intention is to serve as a 'first port of call' for those wishing to learn more about Vivaldi or to refresh their existing knowledge. An introduction by Michael Talbot reviews the state of Vivaldi scholarship past and present and comments on the significance of the articles.
Author: Deirdre O'Grady
Publisher: Routledge
ISBN: 0429774362
Category : History
Languages : en
Pages : 213
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First published in 1991. At once poet, dramatist, adaptor and translator, the operatic librettist in turn expresses and mocks social convention. Deirdre O'Grady's study of the Italian operatic librettist identifies opera as a mirror of literary climates, popular taste and political aspirations. The Last Troubadours traces the history of the Italian libretto from its courtly origin in the 16th century, through the crisis of the aristocracy and the 19th-century struggle for national unity, to the birth of social realism. Fundamental elements of Italian opera - heroic valour, cunning servants, revolutionary ardour and romantic tenderness - are considered in their historical and cultural context. Also discussed are famous lyrical and musical collaborations - of Da Ponte and Mozart, Solera and Verdi, Romani and Bellini, and Boito and Verdi.
Author: Library of Congress
Publisher:
ISBN:
Category :
Languages : en
Pages : 268
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Author: Theodore Fenner
Publisher: SIU Press
ISBN: 9780809319121
Category : Music
Languages : en
Pages : 830
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Theodore Fenner’s Opera in London offers a vivid portrait of the operatic and cultural life of a London under the influence of Romanticism as perceived by the English press and the public who viewed the performances. In part 1, Fenner discusses the rise of the periodical press in early nineteenth-century London and the critics of these publications who reviewed opera performances, such as Leigh Hunt and William Hazlitt. Fenner lists in the appendixes for part 1 the leading periodicals—including the Althenaeum, Examiner, and Spectator,— the critics, and reviews by leading critics. Fenner, in part 2, examines the productions of Italian opera in London at the King’s Theatre, including the problems in theatre management and financing; the varied nature of the audience; the operas and performances— those that were popular and those that failed in the words of the critics and the responses of the audience; the singers; and themes and attitudes of the period as expressed by the critics. In part 3, Fenner explores the same topics for the English operas presented at Drury Lane, Covent Garden, and other playhouses. Parts 2 and 3 also contain extensive appendixes listing seasonal and annual performances and reviews, productions by composers and by librettists, comic and serious productions, operas by known playwrights, and minor singers. Forty-eight illustrations of singers, critics, performances, composers, and theatres add to the richness of this study.
Author: Library of Congress
Publisher:
ISBN:
Category :
Languages : en
Pages : 266
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Author: Library of Congress
Publisher:
ISBN:
Category :
Languages : en
Pages : 332
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