Author: Albrecht Dürer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 112
Book Description
Albrecht Dürer: Sketchbook of His Journey to the Netherlands 1520-21
Author: Albrecht Dürer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 112
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 112
Book Description
Reframing Albrecht D?rer
Author: Andrea Bubenik
Publisher: Routledge
ISBN: 1351551809
Category : Art
Languages : en
Pages : 283
Book Description
Focusing on the ways his art and persona were valued and criticized by writers, collectors, and artists subsequent to his death, this book examines the reception of the works of Albrecht D?rer. Andrea Bubenik's analysis highlights the intensive and international interest in D?rer's art and personality, and his developing role as a paragon in art historiography, in conjunction with the proliferation of portraits after his likeness. The author traces carefully how D?rer's paintings, prints, drawings and theoretical writings traveled widely, and were appropriated into new contexts and charged with different meanings. Drawing on inventories and correspondences and taking collecting practices into account, Bubenik establishes who owned what by D?rer in the 16th and 17th centuries, and characterizes the key locations where interest in D?rer peaked (especially the courts of Maximilian I in Munich, and Rudolf II in Prague). Bubenik treats the emergent artistic appropriations of D?rer-borrowings from or transformations of his originals-in conjunction with contemporary sources on art theory. The volume includes illustrations of numerous imitative works after D?rer. As well as being the first book to fully address the early reception of the most important of German Renaissance artists, Reframing Albrecht D?rer shows how appropriation is a crucial concept for understanding artistic practice during the early modern period.
Publisher: Routledge
ISBN: 1351551809
Category : Art
Languages : en
Pages : 283
Book Description
Focusing on the ways his art and persona were valued and criticized by writers, collectors, and artists subsequent to his death, this book examines the reception of the works of Albrecht D?rer. Andrea Bubenik's analysis highlights the intensive and international interest in D?rer's art and personality, and his developing role as a paragon in art historiography, in conjunction with the proliferation of portraits after his likeness. The author traces carefully how D?rer's paintings, prints, drawings and theoretical writings traveled widely, and were appropriated into new contexts and charged with different meanings. Drawing on inventories and correspondences and taking collecting practices into account, Bubenik establishes who owned what by D?rer in the 16th and 17th centuries, and characterizes the key locations where interest in D?rer peaked (especially the courts of Maximilian I in Munich, and Rudolf II in Prague). Bubenik treats the emergent artistic appropriations of D?rer-borrowings from or transformations of his originals-in conjunction with contemporary sources on art theory. The volume includes illustrations of numerous imitative works after D?rer. As well as being the first book to fully address the early reception of the most important of German Renaissance artists, Reframing Albrecht D?rer shows how appropriation is a crucial concept for understanding artistic practice during the early modern period.
Diary of His Journey to the Netherlands. 1520-21: Accompanied by The Silverpoint Sketchbook, and Paintings and Drawings Made During His Journey [translated from the German]
Author: Albrecht Dürer
Publisher: London : Lund Humphries
ISBN:
Category : Social Science
Languages : en
Pages : 196
Book Description
Publisher: London : Lund Humphries
ISBN:
Category : Social Science
Languages : en
Pages : 196
Book Description
Sketchbook of the Journey to the Netherlands (1520-1521)
Author: Albrecht Dürer
Publisher:
ISBN:
Category : Painting, German
Languages : en
Pages : 74
Book Description
Publisher:
ISBN:
Category : Painting, German
Languages : en
Pages : 74
Book Description
Before Bruegel
Author: AlisonG. Stewart
Publisher: Routledge
ISBN: 1351574272
Category : Art
Languages : en
Pages : 383
Book Description
Peasant festival imagery began in sixteenth-century Nuremberg, when the city played host to a series of religious and secular festivals. The peasant festival images were first produced as woodcut prints in the decade between 1524 and 1535 by Sebald Beham. These peasant festival prints show celebrating in a variety of ways including dancing, eating and drinking, and playing games. In Before Bruegel, Alison Stewart takes a fresh look at these images and explores them within their historical and cultural contexts, including the introduction of the Lutheran Reformation into the town's institutions and the accompanying re-evaluation of the town's popular festivals. Stewart goes beyond the black-and-white approaches of previous interpretations, to examine the festival prints in a more complex manner. In the first publication of its kind, Stewart makes the case for a range of meanings these works held for a sixteenth-century audience and for Beham's pictorial inventiveness and his business savvy. Beham is credited with inventing the subject of peasant festivals in Northern Renaissance art and for creating a market for the subject by the middle of the sixteenth century, with his large-scale woodcuts at Nuremberg and with tiny engravings at Frankfurt. Stewart shows that the market Beham created for prints with the theme of peasant festivals paved the way for Pieter Bruegel's Netherlandish paintings of the same theme, dating but a few years later.
Publisher: Routledge
ISBN: 1351574272
Category : Art
Languages : en
Pages : 383
Book Description
Peasant festival imagery began in sixteenth-century Nuremberg, when the city played host to a series of religious and secular festivals. The peasant festival images were first produced as woodcut prints in the decade between 1524 and 1535 by Sebald Beham. These peasant festival prints show celebrating in a variety of ways including dancing, eating and drinking, and playing games. In Before Bruegel, Alison Stewart takes a fresh look at these images and explores them within their historical and cultural contexts, including the introduction of the Lutheran Reformation into the town's institutions and the accompanying re-evaluation of the town's popular festivals. Stewart goes beyond the black-and-white approaches of previous interpretations, to examine the festival prints in a more complex manner. In the first publication of its kind, Stewart makes the case for a range of meanings these works held for a sixteenth-century audience and for Beham's pictorial inventiveness and his business savvy. Beham is credited with inventing the subject of peasant festivals in Northern Renaissance art and for creating a market for the subject by the middle of the sixteenth century, with his large-scale woodcuts at Nuremberg and with tiny engravings at Frankfurt. Stewart shows that the market Beham created for prints with the theme of peasant festivals paved the way for Pieter Bruegel's Netherlandish paintings of the same theme, dating but a few years later.
German Renaissance Prints 1490-1550
Author: Giulia Bartrum
Publisher: University of Washington Press
ISBN:
Category : Architecture
Languages : en
Pages : 252
Book Description
Betr. u.a. Hans Holbein d.J., Urs Graf.
Publisher: University of Washington Press
ISBN:
Category : Architecture
Languages : en
Pages : 252
Book Description
Betr. u.a. Hans Holbein d.J., Urs Graf.
Library Catalog of the Metropolitan Museum of Art
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 696
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 696
Book Description
Romanesque Renaissance
Author: Konrad Adriaan Ottenheym
Publisher: BRILL
ISBN: 9004446621
Category : Architecture
Languages : en
Pages : 456
Book Description
In the renaissance also architecture from c. 800–1200 was regarded as a useful source of inspiration for contemporary building, sometimes by misinterpreting these medieval architecture as roman structures, sometimes because that era was also regarded as a glorious ‘ancient’ past.
Publisher: BRILL
ISBN: 9004446621
Category : Architecture
Languages : en
Pages : 456
Book Description
In the renaissance also architecture from c. 800–1200 was regarded as a useful source of inspiration for contemporary building, sometimes by misinterpreting these medieval architecture as roman structures, sometimes because that era was also regarded as a glorious ‘ancient’ past.
Albrecht Durer
Author: Jane Campbell Hutchison
Publisher: Routledge
ISBN: 1135581711
Category : Art
Languages : en
Pages : 351
Book Description
Hutchison's book is a complete guide on Durer and the research on his work, his historical import and his aesthetic legacy.
Publisher: Routledge
ISBN: 1135581711
Category : Art
Languages : en
Pages : 351
Book Description
Hutchison's book is a complete guide on Durer and the research on his work, his historical import and his aesthetic legacy.
Money, Morality, and Culture in Late Medieval and Early Modern Europe
Author: Diane Wolfthal
Publisher: Routledge
ISBN: 135191684X
Category : Literary Criticism
Languages : en
Pages : 375
Book Description
One of the first volumes to explore the intersection of economics, morality, and culture, this collection analyzes the role of the developing monetary economy in Western Europe from the twelfth to the seventeenth century. The contributors”scholars from the fields of history, literature, art history and musicology”investigate how money infiltrated every aspect of everyday life, modified notions of social identity, and encouraged debates about ethical uses of wealth. These essays investigate how the new symbolic system of money restructured religious practices, familial routines, sexual activities, gender roles, urban space, and the production of literature and art. They explore the complex ethical and theological discussions which developed because the role of money in everyday life and the accumulation of wealth seemed to contradict Christian ideals of poverty and charity, revealing a rich web of reactions to the tensions inherent in a predominately Christian, (neo)capitalist culture. Money, Morality, and Culture in Late Medieval and Early Modern Europe presents a comprehensive, multi-disciplinary assessment of the ways in which the rise of the monetary economy fundamentally affected morality and culture in Western Europe.
Publisher: Routledge
ISBN: 135191684X
Category : Literary Criticism
Languages : en
Pages : 375
Book Description
One of the first volumes to explore the intersection of economics, morality, and culture, this collection analyzes the role of the developing monetary economy in Western Europe from the twelfth to the seventeenth century. The contributors”scholars from the fields of history, literature, art history and musicology”investigate how money infiltrated every aspect of everyday life, modified notions of social identity, and encouraged debates about ethical uses of wealth. These essays investigate how the new symbolic system of money restructured religious practices, familial routines, sexual activities, gender roles, urban space, and the production of literature and art. They explore the complex ethical and theological discussions which developed because the role of money in everyday life and the accumulation of wealth seemed to contradict Christian ideals of poverty and charity, revealing a rich web of reactions to the tensions inherent in a predominately Christian, (neo)capitalist culture. Money, Morality, and Culture in Late Medieval and Early Modern Europe presents a comprehensive, multi-disciplinary assessment of the ways in which the rise of the monetary economy fundamentally affected morality and culture in Western Europe.