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Author: Christopher S. Wood
Publisher: Reaktion Books
ISBN: 1780231156
Category : Art
Languages : en
Pages : 439
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Book Description
In the early sixteenth century, Albrecht Altdorfer promoted landscape from its traditional role as background to its new place as the focal point of a picture. His paintings, drawings, and etchings appeared almost without warning and mysteriously disappeared from view just as suddenly. In Albrecht Altdorfer and the Origins of Landscape, Christopher S. Wood shows how Altdorfer transformed what had been the mere setting for sacred and historical figures into a principal venue for stylish draftsmanship and idiosyncratic painterly effects. At the same time, his landscapes offered a densely textured interpretation of that quintessentially German locus—the forest interior. This revised and expanded second edition contains a new introduction, revised bibliography, and fifteen additional illustrations.
Author: Christopher S. Wood
Publisher: Reaktion Books
ISBN: 1780231156
Category : Art
Languages : en
Pages : 439
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Book Description
In the early sixteenth century, Albrecht Altdorfer promoted landscape from its traditional role as background to its new place as the focal point of a picture. His paintings, drawings, and etchings appeared almost without warning and mysteriously disappeared from view just as suddenly. In Albrecht Altdorfer and the Origins of Landscape, Christopher S. Wood shows how Altdorfer transformed what had been the mere setting for sacred and historical figures into a principal venue for stylish draftsmanship and idiosyncratic painterly effects. At the same time, his landscapes offered a densely textured interpretation of that quintessentially German locus—the forest interior. This revised and expanded second edition contains a new introduction, revised bibliography, and fifteen additional illustrations.
Author: Christopher S. Wood
Publisher: University of Chicago Press
ISBN: 9780226906010
Category : Art
Languages : en
Pages : 330
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Book Description
Altdorfer's landscapes offer a densely textured interpretation of that quintessentially German place, the forest interior. As Wood explains, however, these scenes far from doctrinally innocent: the forest that Altdorfer painted, drew, and etched is both a refuge from Christian rites and a mythical setting of idolatry. In producing his landscapes, Altdorfer flaunted and exaggerated the formal principles of a regional pictorial tradition. Wood demonstrates that the abrasive surface effects, incessant ornamental movement, and structural impenetrability of these pictures make them the incunabula of a self-resistance to literal readings, Altdorfer's landscapes also resemble the exactly contemporary pastorals and allegories of Giovanni Bellini, Lorenzo Lotto, and Giorgione. Because of Altdorfer's influence on the next generation of German and Netherlandish artists, his work forms a crucial link between Northern religious imagery and the modern development of landscape of a genre.
Author: Norbert Wolf
Publisher:
ISBN: 9783836550185
Category : Landscape painters
Languages : en
Pages : 0
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Book Description
From rolling meadows to moody skies, how does the beauty, complexity, and dimensions of the world translate to artistic expression? Explore the evolution and importance of the landscape genre from the late Middle Ages to modern times in this selection of some of the most important landscapes in history from practitioners as diverse as Titian, ..
Author: Christopher S. Wood
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 334
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Book Description
Author:
Publisher: Penn State Press
ISBN: 9780271044361
Category : Art
Languages : en
Pages : 320
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Book Description
Author: Simon Schama
Publisher: HarperCollins Publishers
ISBN: 9780006863489
Category : Culture
Languages : en
Pages : 652
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Book Description
This book examines our relationship with the landscape around us - rivers, mountains, forests - the impact that each of them has had on our culture and imaginations, and the way in which we, in turn, have shaped them to suit our needs.
Author: Christopher S. Wood
Publisher: University of Chicago Press
ISBN: 0226905977
Category : Art
Languages : en
Pages : 399
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Book Description
Credulity -- Reference by artifact -- Germany and "Renaissance"--Forgery -- Replica -- Fiction -- Re-enactment.
Author: Christopher S. Wood
Publisher: Princeton University Press
ISBN: 0691204764
Category : Art
Languages : en
Pages : 472
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Book Description
"In this authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of writings, episodes, and personalities, this original and accessible account of the development of art-historical thinking will appeal to readers both inside and outside the discipline. The book shows that the pioneering chroniclers of the Italian Renaissance--Lorenzo Ghiberti and Giorgio Vasari--measured every epoch against fixed standards of quality. Only in the Romantic era did art historians discover the virtues of medieval art, anticipating the relativism of the later nineteenth century, when art history learned to admire the art of all societies and to value every work as an index of its times. The major art historians of the modern era, however--Jacob Burckhardt, Aby Warburg, Heinrich Wölfflin, Erwin Panofsky, Meyer Schapiro, and Ernst Gombrich--struggled to adapt their work to the rupture of artistic modernism, leading to the current predicaments of the discipline. Combining erudition with clarity, this book makes a landmark contribution to the understanding of art history."--from book jacket
Author: Catherine Jenkins
Publisher: Metropolitan Museum of Art
ISBN: 1588396495
Category : Art
Languages : en
Pages : 311
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Book Description
The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Author: William M. Barton
Publisher: Taylor & Francis
ISBN: 1315391732
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
In the late Renaissance and early modern period, man's relationship to nature changed dramatically. An important part of this change occurred in the way that beauty was perceived in the natural world and in the particular features which became privileged objects of aesthetic gratification. This study explores the shift in aesthetic attitude towards the mountain that took place between 1450 and 1750. Based on previously unknown and unstudied material, this volume now contends that it took place earlier in the Latin literature of the late Renaissance and early modern period.
