Albert Oehlen Boxed Edition PDF Download
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Author: Klaus Kertess
Publisher:
ISBN: 9783822849453
Category : Art
Languages : de
Pages : 0
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Book Description
Limited to 1,000 copies, each numbered and signed by the artist, each signed by the artist. Often wryly funny and just as smart, Albert Oehlen's paintings play the medium for all it's worth. After an early realization that the so-called death of painting actually freed his enthusiasm as to the number of aspects through which one could expand painting, Oehlen, got to work on a wide variety of figurative and non-objective offerings, in what he has called his post-non-representational art. In his most recent work group Oehlen expands painting through the use of blatant advertising posters whose in-your-face aesthetics he transforms with subtle brushwork. Never without a touch of tongue-in-cheek humor, his work seems to be winking at us as it dares us to change the way we look at an image. Klaus Kertess throws a light on the years from 1988 onwards, when Oehlen saw himself self-consciously as a painter and started his first abstract works, then continued to probe the limits of the medium.
Author: Klaus Kertess
Publisher:
ISBN: 9783822849453
Category : Art
Languages : de
Pages : 0
Get Book Here
Book Description
Limited to 1,000 copies, each numbered and signed by the artist, each signed by the artist. Often wryly funny and just as smart, Albert Oehlen's paintings play the medium for all it's worth. After an early realization that the so-called death of painting actually freed his enthusiasm as to the number of aspects through which one could expand painting, Oehlen, got to work on a wide variety of figurative and non-objective offerings, in what he has called his post-non-representational art. In his most recent work group Oehlen expands painting through the use of blatant advertising posters whose in-your-face aesthetics he transforms with subtle brushwork. Never without a touch of tongue-in-cheek humor, his work seems to be winking at us as it dares us to change the way we look at an image. Klaus Kertess throws a light on the years from 1988 onwards, when Oehlen saw himself self-consciously as a painter and started his first abstract works, then continued to probe the limits of the medium.
Author: Albert Oehlen
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Reto Thüring
Publisher:
ISBN: 9780300218404
Category : Abstract expressionism
Languages : en
Pages : 0
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Book Description
This multimedia boxed set presents a sweeping look at work by pioneering German painter Albert Oehlen (b. 1954), one of the most energetic and significant artists working today. Deeply influenced by literature, music, film, and graphic design, Oehlen's paintings are the result of a complex layering of methods, subject matter, and viewpoints. This distinctive set contains a catalogue of the winter 2016--17 exhibition at the Cleveland Museum of Art as well as an anthology of texts and images edited by Christopher Williams, a poster, and a vinyl record with a new work by composer and musician Michael Wertmüller, reflecting Oehlen's singular approach to art-making and the collaborative nature of this publication. Distributed for the Cleveland Museum of Art Exhibition Schedule: Cleveland Museum of Art (12/04/16-03/12/17)
Author: Martin Prinzhorn
Publisher:
ISBN:
Category :
Languages : de
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 322
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Book Description
Author:
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 254
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Book Description
Author: Frank Jewett Mather
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1018
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Book Description
Author:
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 454
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Book Description
Author: Scott Rothkopf
Publisher: Yale University Press
ISBN: 0300229291
Category : Art
Languages : en
Pages : 665
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Book Description
A richly illustrated, expansive mid-career survey of the stand-out American artist's pioneering and influential work, with each copy featuring a unique silk-screen cover printed in Owens's studio Since the early 1990s, Laura Owens (b. 1970) has challenged traditional assumptions about figuration and abstraction in her pioneering approach to painting. Created in close collaboration with the artist on the occasion of her mid-career survey at the Whitney Museum of American Art, this inventive and comprehensive book features an incisive introduction by Scott Rothkopf, critical essays, literary texts, and short commentaries on a variety of subjects related to Owens's broad interests, which range from folk art and needlework to comics and wallpaper. Reflections by more than twenty of Owens's fellow artists, collaborators, assistants, dealers, family members, and friends offer an array of perspectives on her work at different periods in her life, beginning with her high school years in Ohio and ending with her current exhibition. A rich trove of more than a thousand images, drawn from the artist's personal archive and largely unpublished before now, includes personal correspondence, journals, academic transcripts, handwritten notes, source material, exhibition announcements, clippings, and installation photographs. Strikingly, each copy also features a unique silk-screen cover printed in Owens's studio, giving readers the opportunity to own an original work of art. Together, all of these elements provide a rare and intimate look at how an artist might make her way in the world as well as how art gets made, movements take hold, and relationships evolve over time.
Author: Martin Kippenberger
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 64
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Book Description
On 26 February 2003 Martin Kippenberger would have turned fifty. In commemoration of his birthday, the gallerist Max Hetzler has dedicated a book to him. "Gitarren, die nicht Gudrun heißen" rekindles our memories of an enfant terrible of the art world and explores the oeuvre of this outstanding artist, who died six years ago. Artists, critics, art historians and authors have written a series of highly personal testimonies to Martin Kippenberger, who was a friend, a role model and a source of irritation all in one. Albert Oehlen tells of the intense artistic debate that began at the Hamburg Art Academy in the late 1970s and persisted even after both artists had moved off in different stylistic directions. Peter Pakesch recalls his encounter in the 1980s with Kippenberger the "utopian campaigner", and explains how the artist was driven by his boundless desire to grapple with the world, with whatever company he was keeping, and above all with art. As the artist's former assistant, Merlin Carpenter describes the "Kippenberger system" through which all manner of alien ideas and creativity were constantly ploughed into Kippenberger's artistic production. Stephan Schmidt-Wulffen examines how public discourse forged the identity of this artist, who declared that role-playing and strategy were crucial components of his perception of art. For his part, Martin Prinzhorn wonders what place should be given to a body of art that has become so indistinguishable from the persona of the artist, but which at the same time appears almost to vanish inside the most diverse artistic identities. Elusive but omnipresent, Martin Kippenberger appears to his friend Mayo Thompson in a dream as a restless spirit who, as Werner Buttner says, couldn't even have resisted mocking his own funeral-"He would have turned that into art, too". Or, to use Rainald Goetz's words: "Ego-apotheosis: whoosh and away." Martin Kippenberger's vivid presence in the thoughts and writings of his friends is matched by the forceful presence of his work throughout this publication. Pictures, invitation cards, catalogues, snapshots-the book's design compounds this path through the labyrinth of his artistic output and lends Martin Kippenberger physical and visual presence on every page.
