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Author: A. L. Volynskiĭ
Publisher: Yale University Press
ISBN: 0300142498
Category : Performing Arts
Languages : en
Pages : 351
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Book Description
Akim Volynsky was a Russian literary critic, journalist, and art historian who became Saint Petersburgs liveliest and most prolific ballet critic in the early part of the twentieth century. This book, the first English edition of his provocative and influential writings, provides a striking look at life inside the world of Russian ballet at a crucial era in its history. Stanley J. Rabinowitz selects and translates forty of Volynskys articlesvivid, eyewitness accounts that sparkle with details about the careers and personalities of such dance luminaries as Anna Pavlova, Mikhail Fokine, Tamara Karsavina, and George Balanchine, at that time a young dancer in the Maryinsky company whose keen musical sense and creative interpretive power Volynsky was one of the first to recognize. Rabinowitz also translates Volynskys magnum opus, The Book of Exaltations, an elaborate meditation on classical dance technique that is at once a primer and an ideological treatise. Throughout his writings, Rabinowitz argues in his critical introduction, which sets Volynskys life and work against the backdrop of the principal intellectual currents of his time, Volynsky emphasizes the spiritual and ethereal qualities of ballet.
Author: A. L. Volynskiĭ
Publisher: Yale University Press
ISBN: 0300142498
Category : Performing Arts
Languages : en
Pages : 351
Get Book Here
Book Description
Akim Volynsky was a Russian literary critic, journalist, and art historian who became Saint Petersburgs liveliest and most prolific ballet critic in the early part of the twentieth century. This book, the first English edition of his provocative and influential writings, provides a striking look at life inside the world of Russian ballet at a crucial era in its history. Stanley J. Rabinowitz selects and translates forty of Volynskys articlesvivid, eyewitness accounts that sparkle with details about the careers and personalities of such dance luminaries as Anna Pavlova, Mikhail Fokine, Tamara Karsavina, and George Balanchine, at that time a young dancer in the Maryinsky company whose keen musical sense and creative interpretive power Volynsky was one of the first to recognize. Rabinowitz also translates Volynskys magnum opus, The Book of Exaltations, an elaborate meditation on classical dance technique that is at once a primer and an ideological treatise. Throughout his writings, Rabinowitz argues in his critical introduction, which sets Volynskys life and work against the backdrop of the principal intellectual currents of his time, Volynsky emphasizes the spiritual and ethereal qualities of ballet.
Author: Naomi M. Jackson
Publisher: Oxford University Press
ISBN: 0197519520
Category : Performing Arts
Languages : en
Pages : 720
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Book Description
Responding to recent evolutions in the fields of dance and religious and secular studies, The Oxford Handbook of Jewishness and Dance documents and celebrates the significant impact of Jewish identity on a variety of communities and the dance world writ large. Focusing on North America, Europe, and Israel in the twentieth and twenty-first centuries, this Handbook highlights the sometimes surprising, often hidden and overlooked Jewish resonances within a range of styles from modern and postmodern dance to folk dance and flamenco. Privileging the historically marginalized voices of scholars, performers, and instructors the Handbook considers the powerful role of dance in addressing difference, such as between American and Israeli Jewish communities. In the process, contributors advocate values of social justice, like Tikkun Olam (repair of the world), debate, and humor, exploring the fascinating and potentially uncomfortable contradictions and ambiguities that characterize this robust area of research.
Author: Roman Katsman
Publisher: Cambridge Scholars Publishing
ISBN: 1443857521
Category : Literary Criticism
Languages : en
Pages : 705
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Book Description
Around the Point is a unique collection that brings to readers the works of almost thirty scholars dealing with Jewish literature in various Jewish and non-Jewish languages, such as Hebrew, Yiddish, Ladino, French, Italian, German, Hungarian, Serbian, Polish, and Russian. Although this volume does not cover all the languages of Jewish letters, it is a significant endeavor in establishing the realm of multilingual international study of Jewish literature and culture. Among the questions under discussion, are the problems of the definition of Jewish identity and literature, literary history, language choice and diglossy, lingual and cultural influences, intertextuality, Holocaust literature, Kabbala and Hassidism, Jewish poetics, theatre and art, and the problems of the acceptance of literature.
Author: Leonid Katsis
Publisher: BRILL
ISBN: 9004261621
Category : Religion
Languages : en
Pages : 217
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Book Description
Jewishness in Russian Culture is devoted to new approaches and methods for the study of Jewish acculturation in Russian literature and its effects. It attempts to redefine criteria and borders of a discipline situated roughly between Judaica Rossica and Rossica Judaica. The monograph describes a series of important literary Russian-Jewish cultural events and figures belonging synchronically or diachronically to both disciplines. Thus it unites within a new conceptual framework the data accumulated by scholars and disciplines that exist separately in different research spaces that do not overlap, Jewish Studies and the history of Russian culture. The emerging picture shows the development of a historical plot along the axis of acculturation and anti-Semitism, accepting and/or trying to be accepted, being rejected and/or rejecting, and being within or without.
Author: Mark Franko
Publisher: Oxford University Press
ISBN: 0197503349
Category : Performing Arts
Languages : en
Pages : 297
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Book Description
Ukrainian dancer and choreographer Serge Lifar (1905-86) is recognized both as the modernizer of French ballet in the twentieth century and as the keeper of the flame of the classical tradition upon which the glory of French ballet was founded. Having migrated to France from Russia in 1923 to join Diaghilev's Ballets Russes, Lifar was appointed star dancer and ballet director at the Paris Opéra in 1930. Despite being rather unpopular with the French press at the start of his appointment, Lifar came to dominate the Parisian dance scene-through his publications as well as his dancing and choreography-until the end of the Second World War, reaching the height of his fame under the German occupation of Paris (1940-44). Rumors of his collaborationism having remained inconclusive throughout the postwar era, Lifar retired in 1958. This book not only reassesses Lifar's career, both aesthetically and politically, but also provides a broader reevaluation of the situation of dance-specifically balletic neoclassicism-in the first half of the twentieth century. The Fascist Turn in the Dance of Serge Lifar is the first book not only to discuss the resistance to Lifar in the French press at the start of his much-mythologized career, but also the first to present substantial evidence of Lifar's collaborationism and relate it to his artistic profile during the preceding decade. In examining the political significance of the critical discussion of Lifar's body and technique, author Mark Franko provides the ground upon which to understand the narcissistic and heroic images of Lifar in the 1930s as prefiguring the role he would play in the occupation. Through extensive archival research into unpublished documents of the era, police reports, the transcript of his postwar trial and rarely cited newspaper columns Lifar wrote, Franko reconstructs the dancer's political activities, political convictions, and political ambitions during the Occupation.
Author: G. S. Smith
Publisher: Oxford University Press
ISBN: 9780198159544
Category : Language Arts & Disciplines
Languages : en
Pages : 142
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Book Description
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Author: Judith Chazin-Bennahum
Publisher: State University of New York Press
ISBN: 1438487991
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
Ida Rubinstein (1883–1960) captivated Paris's dancers, composers, artists, and audiences from her time in the Ballets Russes in 1909 to her final performances in 1939. Trained in Russia as an actress and a dancer, her life spanned the artistic freedom of the Belle Époque through the ravages of World War I, the Depression, and finally World War II. This critical biography carefully examines aspects of Rubinstein's life and career that have previously received little attention. These include her early life in Russia, her writing about performance aesthetics, her curated approach to acting and dancing roles, and her encumbered position as a woman and a Jew. Rubinstein used her considerable fortune to produce dozens of plays, lyric creations, and ballets, making her one of the foremost producers of the first half of the twentieth century. Employing the greatest scenic artists, Léon Bakst and Alexander Benois; the distinguished composers Igor Stravinsky, Arthur Honegger, and Claude Debussy; celebrated writers including Paul Valéry and André Gide; and the brilliant choreographer Bronislava Nijinska, Rubinstein transformed twentieth-century theater and dance.
Author: Klara Moricz
Publisher: University of California Press
ISBN: 0520344421
Category : Music
Languages : en
Pages : 309
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Book Description
The Bolsheviks’ 1917 political coup caused a seismic disruption in Russian culture. Carried by the first wave of emigrants, Russian culture migrated West, transforming itself as it interacted with the new cultural environment and clashed with exported Soviet trends. In this book, Klára Móricz explores the transnational emigrant space of Russian composers Igor Stravinsky, Vladimir Dukelsky, Sergey Prokofiev, Nicolas Nabokov, and Arthur Lourié in interwar Paris. Their music reflected the conflict between a modernist narrative demanding innovation and a narrative of exile wedded to the preservation of prerevolutionary Russian culture. The emigrants’ and the Bolsheviks’ contrasting visions of Russia and its past collided frequently in the French capital, where the Soviets displayed their political and artistic products. Russian composers in Paris also had to reckon with Stravinsky’s disproportionate influence: if they succumbed to fashions dictated by their famous compatriot, they risked becoming epigones; if they kept to their old ways, they quickly became irrelevant. Although Stravinsky’s neoclassicism provided a seemingly neutral middle ground between innovation and nostalgia, it was also marked by the exilic experience. Móricz offers this unexplored context for Stravinsky’s neoclassicism, shedding new light on this infinitely elusive term.
Author: Martha Weitzel Hickey
Publisher: Northwestern University Press
ISBN: 0810125277
Category : History
Languages : en
Pages : 630
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Book Description
Founded by Maksim Gorky and Kornei Chukovsky in 1919 and disbanded in 1922, the Petrograd House of Arts occupied a crucial moment in Russia's cultural history. By chronicling the rise and fall of this literary landmark, this book conveys in greater depth and detail than ever before a significant but little studied period in Soviet literature. Poised between Russian culture's past and her Soviet future, between pre- and post-Revolutionary generations, this once lavish private home on the Nevsky Prospekt housed as many as fifty-six poets, novelists, critics, and artists at one time, during a period of great social and political turbulence. And as such, Hickey contends, the House of Arts served as a crucible for a literature in transition. Hickey shows how the House of Arts, though virtually ignored by Soviet-era cultural historians, played a critical role in shaping the lively literature of the next decade, a literature often straddling the border between fiction and non-fiction. Considering prose writers such as Yevgeny Zamyatin, Olga Forsh, the Serapion Brothers group, Viktor Shklovsky, Boris Eikhenbaum, as well as poets including Alexander Blok, Nikolay Gumilev, Anna Radlova, Osip Mandelstam, and Vladislav Khodasevich, she traces the comings and goings at the House of Arts: the meetings and readings and lectures and, most of all, the powerful influence of these interactions on those who briefly lived and worked there. In her work, the Petrograd House of Arts appears for the first time in all its complexity and importance, as a focal point for the social and cultural ferment of the day, and a turning point in the direction of Russian literature and criticism.
Author: Robert P. Hughes
Publisher: Univ of California Press
ISBN: 0520414071
Category : History
Languages : en
Pages : 346
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Book Description
This publication in three volumes originated in papers delivered at two conferences held in May 1988 at the University of California, Berkeley, and the Kennan Institute for Advanced Russian Studies in Washington, DC. Like many other conferences organized that year in the United States, Europe, and the Soviet Union, they were convened to commemorate the millennium of the acceptance of Christianity in Rus'. This collection of essays throws light on the enormous, truly unique role that the Christian tradition has played throughout the centuries in shaping the nations that spring from Kievan Rus'—the Russians, Ukrainians, and Belorussians. Although these volumes devote greater attention to Russian culture, the investigation of the issue in the history of Christianity in Ukrainian and Belorussian cultures occupies an important and integral part of the project. Volume ISlavic Cultures in the Middle AgesEdited by Boris Gasparov and Olga Raevsky-Hughes Volume IIRussian Culture in Modern TimesEdited by Robert P. Hughes and Irina Paperno Volume IIIRussian Literature in Modern TimesEdited by Boris Gasparov, Robert P. Hughes, Irina Paperno, and Olga Raevsky-Hughes This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
