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Author: Patrick W. Galbraith
Publisher: Bloomsbury Academic
ISBN: 1501341103
Category : Music
Languages : en
Pages : 155
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Book Description
Since its formation as a girl group in 2005, AKB48 has become a phenomenal success and institution in Japan. Having originally recruited fans with photocopied fliers and daily performances in the Akihabara area of Tokyo, AKB48 now saturates Japan. Its members--nearly 800 of them, including five sister groups and four so-called "rival groups" across Japan, as well as six sister groups in other Asian cities--appear in print, broadcast, online, and social media; in advertisements and on products; at home and on the train; on- and off-screen. AKB48's multi-platform omnipresence is characteristic of "idols," whose intimate relationship to fans and appeals to them for support have made the group dominant on the Oricon Yearly Singles Chart in the 2010s; they hold several records, including most consecutive million-selling singles sold in Japan. A unique business model relentlessly monetizes fans' affections through meet-and-greet events and elections, which maximize CD sales, and their saturated presence in the media. At a time when affect is more important than ever in economic, political, and social theory, this book explores the intersection of idols and affect in contemporary Japan and beyond.
Author: Patrick W. Galbraith
Publisher: Bloomsbury Academic
ISBN: 1501341103
Category : Music
Languages : en
Pages : 155
Get Book Here
Book Description
Since its formation as a girl group in 2005, AKB48 has become a phenomenal success and institution in Japan. Having originally recruited fans with photocopied fliers and daily performances in the Akihabara area of Tokyo, AKB48 now saturates Japan. Its members--nearly 800 of them, including five sister groups and four so-called "rival groups" across Japan, as well as six sister groups in other Asian cities--appear in print, broadcast, online, and social media; in advertisements and on products; at home and on the train; on- and off-screen. AKB48's multi-platform omnipresence is characteristic of "idols," whose intimate relationship to fans and appeals to them for support have made the group dominant on the Oricon Yearly Singles Chart in the 2010s; they hold several records, including most consecutive million-selling singles sold in Japan. A unique business model relentlessly monetizes fans' affections through meet-and-greet events and elections, which maximize CD sales, and their saturated presence in the media. At a time when affect is more important than ever in economic, political, and social theory, this book explores the intersection of idols and affect in contemporary Japan and beyond.
Author:
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 28
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Book Description
Author: P. W. Galbraith
Publisher: Springer
ISBN: 1137283785
Category : Social Science
Languages : en
Pages : 317
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Book Description
This is the most complete and compelling account of idols and celebrity in Japanese media culture to date. Engaging with the study of media, gender and celebrity, and sensitive to history and the contemporary scene, these interdisciplinary essays cover male and female idols, production and consumption, industrial structures and fan movements.
Author: Fabienne Darling-Wolf
Publisher: Routledge
ISBN: 1317422929
Category : Social Science
Languages : en
Pages : 870
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Book Description
The Routledge Handbook of Japanese Media is a comprehensive study of the key contemporary issues and scholarly discussions around Japanese media. Covering a wide variety of forms and types from newspapers, television and fi lm, to music, manga and social media, this book examines the role of the media in shaping Japanese society from the Meiji era’s intense engagement with Western culture to our current period of rapid digital innovation. Featuring the work of an international team of scholars, the handbook is divided into five thematic sections: The historical background of the Japanese media from the Meiji Restoration to the immediate postwar era. Japan’s national and political identity imagined and negotiated through diff erent aspects of the media, including Japan’s ‘lost decade’ of the 1990s and today’s ‘post- Fukushima’ society. The representation of Japanese identities, including race, gender and sexuality, in contemporary media. The role of Japanese media in everyday life. The Japanese media in a broader global context. Taking an interdisciplinary approach, this book will be of use to students and scholars of Japanese culture and society, Asian media and Japanese popular culture.
Author: Patrick W. Galbraith
Publisher: Duke University Press
ISBN: 147800701X
Category : Comics & Graphic Novels
Languages : en
Pages : 249
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Book Description
From computer games to figurines and maid cafes, men called “otaku” develop intense fan relationships with “cute girl” characters from manga, anime, and related media and material in contemporary Japan. While much of the Japanese public considers the forms of character love associated with “otaku” to be weird and perverse, the Japanese government has endeavored to incorporate “otaku” culture into its branding of “Cool Japan.” In Otaku and the Struggle for Imagination in Japan, Patrick W. Galbraith explores the conflicting meanings of “otaku” culture and its significance to Japanese popular culture, masculinity, and the nation. Tracing the history of “otaku” and “cute girl” characters from their origins in the 1970s to his recent fieldwork in Akihabara, Tokyo (“the Holy Land of Otaku”), Galbraith contends that the discourse surrounding “otaku” reveals tensions around contested notions of gender, sexuality, and ways of imagining the nation that extend far beyond Japan. At the same time, in their relationships with characters and one another, “otaku” are imagining and creating alternative social worlds.
Author: William Andrews
Publisher: Oxford University Press
ISBN: 184904919X
Category : Political Science
Languages : en
Pages : 384
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Book Description
Conformist, mute and malleable? Andrews tackles head-on this absurd caricature of Japanese society in his fascinating history of its militant sub-cultures, radical societies and well-established traditions of dissent Following the March 2011 tsunami and Fukushima nuclear crisis, the media remarked with surprise on how thousands of demonstrators had flocked to the streets of Tokyo. But mass protest movements are nothing new in Japan and the post-war period experienced years of unrest and violence on both sides of the political spectrum: from demos to riots, strikes, campus occupations, faction infighting, assassinations and even international terrorism. This is the first comprehensive history in English of political radicalism and counterculture in Japan, as well as the artistic developments during this turbulent time. It chronicles the major events and movements from 1945 to the new flowering of protests and civil dissent in the wake of Fukushima. Introducing readers to often ignored aspects of Japanese society, it explores the fascinating ideologies and personalities on the Right and the Left, including the student movement, militant groups and communes. While some elements parallel developments in Europe and America, much of Japan's radical recent past (and present) is unique and offers valuable lessons for understanding the context to the new waves of anti-government protests the nation is currently witnessing.
Author: 30雜誌
Publisher: 遠見天下文化出版股份有限公司
ISBN:
Category :
Languages : en
Pages : 184
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Book Description
自戀世代 你自戀嗎？相信大多數人會不經思考就回答：「不」，甚至很多人會說：「一點也不！」 別急著否認，問自己下列的題目，再告訴我你的答案： ◎ 我認為我是個特別的人。 ◎ 我能隨心所欲過我的生活。 ◎ 我喜歡擁有命令別人的權威。 ◎ 如果我有機會管理公司，公司一定會比現在更好。 ◎ 除非得到我該有的，否則我永遠不滿足。 ◎ 我喜歡成為矚目的人。 如果你有超過1個題目回答了「是」，恭喜你，你就已加入自戀圈了。如果你6個題目都回答：「是」，你更是高度自戀者。 承認吧！其實，自戀你我都有，只是程度的問題。 這期《30》為何挑「自戀世代」作為我們的封面故事，因為我們連續6年進行「young世代品牌大調查」發現，不論是25~34歲的young世代，或是35~44歲的熟男熟女，一致呈現一個特質：就是自戀、自信與自我。也可以說，這反映了社會進入自戀世代，也就是「ONE生活哲學」。那個ONE，就是自己，自我，更是一種生活態度與風格。 由於自戀，也更有自信，我們觀察到現代男女喜歡獨處的時間變多了：一個人逛街，一個人待在文青咖啡店，一個人待在家裡打電玩。但他們不會完全隱居起來，仍會透過社群或實體見面，保持人際互動。 在生活上，我們也走向單一。大部分的人都是拿著1支手機，取代了一堆的電子產品，甚至也把家裡的筆記給丟了。在網路世界中，似乎也從一開始的3、5個帳號，減化到只用1個帳號即可走遍天下。同樣的，自戀吹起了獨特的風格，讓現代人喜歡上手作產品，以有別於大量生產的商品；同時，著重質感的品味風也跟著盛行，這都是自戀帶起的消費風格。 自戀也可以是某種程度的愛自己，在這裡，我們不反對愛自己，只是我們更希望當你愛自己的同時，也能愛別人，達到愛人如己。如果你愛別人就像愛你自己一樣，你對待別人也像對待你自己一樣，這個社會不是更美好嗎？這也正是我們發現年輕世代的另一特質：顧小我，也顧大我。
Author: Eryk Salvaggio
Publisher: Createspace Independent Publishing Platform
ISBN: 9781489596987
Category : Americans
Languages : en
Pages : 212
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Book Description
Most books about Japan will tell you how to use chopsticks and say "konnichiwa!" Few honestly tackle the existential angst of living in a radically foreign culture. The author, a three-year resident and researcher of Japan, tackles the thousand tiny uncertainties of living abroad. -- Adapted from back cover
Author: Ian F. Martin
Publisher:
ISBN: 9781937220051
Category : Music
Languages : en
Pages : 248
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Book Description
From the sugar rush of Tokyo's idol subculture to the discordant polyrhythms of its experimental punk and indie scenes, this book by Japan Times music columnist Ian F. Martin offers a witty and tender look at the wide spectrum of issues that shape Japanese music today. With unique theories about the evolution of J-pop as well as its history, infrastructure and (sub)cultures, Martin deconstructs an industry that operates very differently from counterparts overseas. Based partly on interviews with influential artists, label owners and event organisers, Martin's book combines personal anecdotes with cultural criticism and music history. An accessible and humorous account emerges of why some creative acts manage to overcome institutional pressures, without quitting their bands. Ian Martin's writing about Japanese music has appeared in The Japan Times, CNN Travel and The Guardian among other places. Martin is based in Tokyo, where he also runs Call And Response Records.
Author: Cy Coleman
Publisher: Hal Leonard Corporation
ISBN: 9781557830814
Category : Performing Arts
Languages : en
Pages : 216
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Book Description
(Applause Libretto Library). The libretto to the Tony winning musical featuring a book by Larry Gelbart, music by Cy Coleman, and lyrics by David Zippel. The book also includes an introduction by Larry Gelbart, illustrations by Al Hirschfeld, production photographs, and original costume designs.
