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Author: Peter Andrew Sturrock
Publisher:
ISBN: 9780984261413
Category : Authorship
Languages : en
Pages : 344
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Book Description
Author: Peter Andrew Sturrock
Publisher:
ISBN: 9780984261413
Category : Authorship
Languages : en
Pages : 344
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Book Description
Author: Brian Kulick
Publisher: Bloomsbury Publishing
ISBN: 1350201049
Category : Drama
Languages : en
Pages : 232
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Book Description
This book begins with a phone call. You answer it and learn that you got the job. Several months from now you're going to stage a Shakespeare play. Now ... what do you do? I mean, what do you do after that initial burst of adrenalin has passed through your body and you realize you haven't a clue as to what the play is really about, or what you might want to do with it? How exactly do you prepare for such an equally wonderful and daunting task? This is the central question of this book. It grows out of decades of preparing for Shakespeare productions and watching others do the same. It will save you some of the panic, wasted time, and fruitless paths experienced. It guides you through the crucial period of preparation and helps focus on such issues as: · What Shakespeare's life, work, and world can tell us · What patterns to look for in the text · What techniques might help unpack Shakespeare's verse · What approaches might unlock certain hidden meanings · What literary lenses might bring things into sharper focus · What secondary sources might lead to a broader contextual understanding · What thought experiments might aid in visualizing the play Ultimately, this book draws back the curtain and shows how the antique machinery of Shakespeare's theatre works. The imaginative time span begins from the moment you learn that on such and such date you will begin rehearsing such and such Shakespeare play. Our narrative clock starts ticking the moment you put down the phone and stops when you arrive at the rehearsal hall and begin your first table read. So much of what will be the success or failure of a director's project rests on this work that is done before rehearsals even begin.
Author: James Shapiro
Publisher: Simon and Schuster
ISBN: 1416541632
Category : Biography & Autobiography
Languages : en
Pages : 356
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Book Description
Shakespeare scholar James Shapiro explains when and why so many people began to question whether Shakespeare wrote his plays.
Author: Adam Hansen
Publisher: Bloomsbury Publishing
ISBN: 1441134255
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
Exploring the interactions between Shakespeare and popular music, this book links these seeming polar opposites, showing how musicians have woven the Bard into their sounds.
Author: John Hudson
Publisher: Amberley Publishing Limited
ISBN: 1445621665
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
Amelia Bassano Lanier is proved to be a strong candidate for authorship of Shakespeare's plays: Hudson looks at the fascinating life of this woman, believed by many to be the dark lady of the sonnets, and presents the case that she may have written Shakespeare's plays.
Author: Mark Thornton Burnett
Publisher: Edinburgh University Press
ISBN: 0748635246
Category : Literary Criticism
Languages : en
Pages : 588
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Book Description
Explores the place of Shakespeare in relation to artistic practices and activities, past and presentThis substantial reference work explores the place of Shakespeare in relation to cultural processes that take in publishing, exhibiting, performing, reconstructing and disseminating.The 30 newly commissioned chapters are divided into 6 sections: * Shakespeare and the Book* Shakespeare and Music* Shakespeare on Stage and in Performance* Shakespeare and Youth Culture* Shakespeare, Visual and Material Culture* Shakespeare, Media and Culture. Each chapter provides both a synthesis and a discussion of a topic, informed by current thinking and theoretical reflection.
Author: Margrethe Jolly
Publisher: McFarland
ISBN: 1476695385
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
Shakespeare most often locates his plays in Italy and England, and his third most frequent setting is France. Indeed, nearly 70 scenes at a conservative count, and perhaps as many as 100, take place in France in a variety of significant geographical locations. French is also the foreign language Shakespeare uses most; he is sufficiently au fait with French to use it for puns and scatological jokes. He weaves in comments on French fashion, ways of walking, and skills in horsemanship, sword-playing and dancing. Not only does Shakespeare draw directly or indirectly upon French chroniclers but he also presents us with parts of French history. Many French characters people his stage; sometimes historical figures appear as themselves, and sometimes they are alluded to. And the plays demonstrate Shakespeare's reading in French literature and how that influenced him. This work shows us just how widely that French presence is evident in his plays. Other books and articles may focus on Shakespeare's familiarity with Italy, the bible, law, medicine, or astronomy, for example. This book adds to those, shining another spotlight on Shakespeare's remarkable knowledge and eclectic reading, confirming him yet again as a truly extraordinary Renaissance figure.
Author: David Bruce
Publisher: Lulu.com
ISBN: 1304718514
Category : Fiction
Languages : en
Pages : 110
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Book Description
This is an easy-to-read retelling of William Shakespeare's ""A Midsummer Night's Dream,"" whose major theme is love and the silly things it makes us do: 1) Love can make us see a distinction where no real distinction exists. 2) Love can make us desire someone who is totally unsuitable for us. 3) Love can make us blind to the loved one's faults. 4) Love can make us jealous. 5) Love can make friends enemies. 6) Love can make us quarrelsome. 7) Love can make us fickle. 8) If we are rejected, love can make us have low self-esteem (e.g., Helena). 9) Love can make us chase after someone who hates us. 10) Love can make us attempt to use reason to explain love although love is a nonrational emotion. (Lysander does this.) 11) Love is not irrational, although it can make people act in silly ways. Love is nonrational. 12) One of the best comments on the nonrationality of love is made by Bottom: "And yet, to say the truth, reason / and love keep little company together nowadays."
Author: Peter Holland
Publisher: Cambridge University Press
ISBN: 1316139492
Category : Literary Criticism
Languages : en
Pages : 1342
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Book Description
Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, the Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for volume 64 is 'Shakespeare as Cultural Catalyst'. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey. This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic, and save and bookmark their results.
Author: Stephen Greenblatt
Publisher: W. W. Norton & Company
ISBN: 0393079848
Category : Biography & Autobiography
Languages : en
Pages : 441
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Book Description
Named One of Esquire's 50 Best Biographies of All Time The Pulitzer Prize and National Book Award finalist, reissued with a new afterword for the 400th anniversary of Shakespeare’s death. A young man from a small provincial town moves to London in the late 1580s and, in a remarkably short time, becomes the greatest playwright not of his age alone but of all time. How is an achievement of this magnitude to be explained? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world’s greatest playwright.
