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Author: Amar Singha
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 54
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Book Description
This book about the cave paintings of Ajanta. In this book, it was the objective of the author to reveal out the pulse of those ancient paintings of Ajanta cave, in the light of his artistic knowledge and some hidden backgrounds he discovered from several resources. His artistic discussion is not only related to the grammatical aspects of art but also enlightens the soul of Buddhist spiritualism which is necessary to realize the inner-soul of those paintings. There are numerous books about Ajanta cave highlighted the several aspects of this controversial cave; however, not a single one discussed the insides of those paintings, including the ancient grammatical concepts and rules. This book is only a documentation of the ancient Asian art which followed some secret rules and grammars to compose those world-famous paintings.
Author: Amar Singha
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 54
Get Book Here
Book Description
This book about the cave paintings of Ajanta. In this book, it was the objective of the author to reveal out the pulse of those ancient paintings of Ajanta cave, in the light of his artistic knowledge and some hidden backgrounds he discovered from several resources. His artistic discussion is not only related to the grammatical aspects of art but also enlightens the soul of Buddhist spiritualism which is necessary to realize the inner-soul of those paintings. There are numerous books about Ajanta cave highlighted the several aspects of this controversial cave; however, not a single one discussed the insides of those paintings, including the ancient grammatical concepts and rules. This book is only a documentation of the ancient Asian art which followed some secret rules and grammars to compose those world-famous paintings.
Author: Rajesh Kumar Singh
Publisher: Hari Sena Press Pvt. Ltd.
ISBN: 8192510700
Category : Art
Languages : en
Pages : 257
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Book Description
This book presents the latest and updated information about the Ajanta caves, their histories, and painted themes. For the first time, a book accommodates-within the space of a single volume-many dimensions and components of the caves. It includes the latest research by the author on the gradual development of the caves. historical framework formulated by Walter M. Spink. identifications of the narrative paintings by Dieter Schlingloff. identifications of the devotional and ornamental paintings by Monika Zin. summaries of nearly all the narrative paintings (84 stories). corpus of photo documentation on the paintings, sculptures, and architecture. attempt on long exposure photography in poorly lit conditions. The language is so crafted as to help the students, travellers, and general readers grasp the beauty and complexities of Ajanta and the times. At the same time the content is so packed, and the issues discussed in such a manner, as to keep the expert readers engaged.
Author: MR Prakash Thorat
Publisher:
ISBN:
Category :
Languages : en
Pages : 146
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Book Description
Ajanta, [Longitude & Latitude Lat. 20°33'12.30"N Long. 75°42'1.70"E], located at 107 km [66 miles], from Aurangabad district of Maharashtra State, India, is a World Heritage monument, evolved during the period from 2nd Century B.C. to 6th Century A.D. Ajanta conjures before one's vision, a dream of beauty of Caves, hidden in the midst of a lonely glen with a streamlet flowing below, Caves that the ancient Buddhist monks, out on mission to spread tenets of Buddhism in ancient times, could dwell and pray, Caves that the followers of Lord Buddha, embellished with architectural details with a skillful command of the hammer over the chisel, with sculptures of highest craftsmanship and above all, with the paintings of infinite charm. At Ajanta, the paintings on the walls, Illustrate the events in the life of Prince Gautama Buddha, the founder of Buddhism and more popular Jataka stories pertaining to Buddha's previous incarnation. According to the older conceptions, the Buddha wrought many deeds of kindness and mercy in a long series of transmigration as a Bodhisattva, before achieving his final birth as the sage of Sakyas. Incidentally, they contain the scenes of semi-mythological history, the royal court and popular life of the ancient times, as told in romances and plays. Some pictures recall the Greek and Roman compositions and proportions, few late resemble to Chinese manners to some extent but majority belongs to a phase which is purely Indian as they are found nowhere else.The group of caves is designated by the UNESCO as a WORLD HERITAGE MONUMENT in 1983. Inclusion in this list confirms the exceptional universal value of a cultural or natural site which deserves protection for the benefit of all humanity.
Author: Ranjana Sengupta
Publisher:
ISBN: 9789622171367
Category : Ajanta (India)
Languages : en
Pages : 84
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Book Description
Author: Benoy K. Behl
Publisher:
ISBN: 9780500285015
Category : Art
Languages : en
Pages : 256
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Book Description
New in paperback, this stunningly photographed book was hailed by The Times Higher Education Supplement as one of the most gorgeous and stimulating books of Indian art ever produced.
Author: Rajesh Kumar Singh
Publisher:
ISBN: 9788192510774
Category :
Languages : en
Pages : 218
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Book Description
The monograph contains 15 Buddhist legends painted on the walls of Ajanta Cave No. 1. It is a compendium of ancient paintings systematically documented for the first time with colour photographs. It has at least one photo of every episode of the narratives, a summary of all 15 legends, and a bibliography of the nearest literary sources.
Author: Meena V. Talim
Publisher:
ISBN: 9789380852140
Category : Buddhist antiquities
Languages : en
Pages : 300
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Book Description
Author: Percy Brown
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 170
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Book Description
Author: Walter Spink
Publisher: BRILL
ISBN: 9047442113
Category : History
Languages : en
Pages : 374
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Book Description
Ajanta:Year by Year is planned as a biography of this remarkable site, starting with the earliest caves, dating from some two thousand years, to its startling renaissance in the brief period between approximately 462 and 480. Concentrating on the excavations of the later period, during the reign of the Vakataka emperor Harisena, it attempts to show how, after a surprising gap of some three hundred years, Ajanta’s proud and pious courtly patrons and its increasingly committed workmen created not only the greatest but the latest monument of India’s Golden Age. Nearly three hundred illustrations, in color and black and white, reveal the exuberant flowering of Ajanta and related Vakataka monuments, as well as the manner of their sudden demise.
Author: Om Datt Upadhya
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120809901
Category : Art
Languages : en
Pages : 428
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Book Description
Pauranic Prana-aesthetics, a finer shade different from that of vitalistic aesthetics )the earlier having breathing-rhythm of Ksaya-Vrddhi --diminuation and augmentation--other than the latter`s emphasis only on the rhythm of augmentation), has been delineated in this study with examples from the world`s two of the best art-monuments: Ajanta (India), now not remaining unknown even to the most casual connoisseur, and Sopocani (Yugoslavia), the most significant and monumentally beautiful work of Byzantine art. Tracing Prana-aesthetics as the aesthetics of inner-light coded in the creeper-motif by the artists of Ajanta, this work emphasises decoding of the creeper-motif by Byzantine artists culminating into the frescoes of Sopocani done in Hellenistic-Byzantine aesthetics beatifield by Hesycast meditation to which that of Buddhists was not unknown. Comparisons of various determinant aspects, aesthetics and artistic denominators, and constraints not allowing similar consummation are properly investigated to substantiate the thesis that Prana-aesthetics transfigures at Ajanta but transubstantiates at Sopocani. The significance of the anabolic aspects of this aesthetics is highlighted especially as a way out from the reductivistic tendencies of the present day visual-arts straining them upto the stage of catabolic dissolution.
