Author: American Institute of Indian Studies
Publisher:
ISBN:
Category :
Languages : en
Pages : 148

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Author: Dipti Khera
Publisher: Princeton University Press
ISBN: 0691201846
Category : Art
Languages : en
Pages : 232

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"India retains one of the richest painting traditions in the history of global visual culture, one that both parallels aspects of European traditions and also diverges from it. While European artists venerated the landscape and landscape paintings, it is rare in the Indian tradition to find depictions of landscapes for their sheer beauty and mood, without religious or courtly significance. There is one glorious exception: Painters from the city of Udaipur in Northwestern India specialized in depicting places, including the courtly worlds and cities of rajas, sacred landscapes of many gods, and bazaars bustling with merchants, pilgrims, and craftsmen. Their court paintings and painted invitation scrolls displayed rich geographic information, notions of territory, and the bhāva, or feel, emotion, and mood of a place. This is the first book to use artistic representations of place to trace the major aesthetic, intellectual, and political shifts in South Asia over the long eighteenth century. While James Tod, the first British colonial agent based in Udaipur, established the region's reputation as a principality in a state of political and cultural deterioration, author Dipti Khera uses these paintings to suggest a counter-narrative of a prosperous region with beautiful and bountiful cities, and plentiful rains and lakes. She explores the perspectives of courtly communities, merchants, pilgrims, monks, laypeople, and officers, and the British East India Company's officers, explorers, and artists. Throughout, she draws new conclusions about the region's intellectual and artistic practices, and its shifts in political authority, mobility, and urbanity"--

Author: Anand Vivek Taneja
Publisher: Stanford University Press
ISBN: 1503603954
Category : Social Science
Languages : en
Pages : 386

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In the ruins of a medieval palace in Delhi, a unique phenomenon occurs: Indians of all castes and creeds meet to socialize and ask the spirits for help. The spirits they entreat are Islamic jinns, and they write out requests as if petitioning the state. At a time when a Hindu right wing government in India is committed to normalizing a view of the past that paints Muslims as oppressors, Anand Vivek Taneja's Jinnealogy provides a fresh vision of religion, identity, and sacrality that runs counter to state-sanctioned history. The ruin, Firoz Shah Kotla, is an unusually democratic religious space, characterized by freewheeling theological conversations, DIY rituals, and the sanctification of animals. Taneja observes the visitors, who come mainly from the Muslim and Dalit neighborhoods of Delhi, and uses their conversations and letters to the jinns as an archive of voices so often silenced. He finds that their veneration of the jinns recalls pre-modern religious traditions in which spiritual experience was inextricably tied to ecological surroundings. In this enchanted space, Taneja encounters a form of popular Islam that is not a relic of bygone days, but a vibrant form of resistance to state repression and post-colonial visions of India.

Author: Holly Shaffer
Publisher: Paul Mellon Centre
ISBN: 9781913107284
Category :
Languages : en
Pages : 320

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Conceptualizes "graft"-- the violent and creative processes of suturing arts as a method of empire building in western eighteenth-century India Grafted Arts focuses on Maratha military rulers and British East India Company officials who used the arts to engage in diplomacy, wage war, compete for prestige, and generate devotion as they allied with (or fought against) each other to control western India in the eighteenth century. This book conceptualizes the artistic combinations that resulted as ones of "graft"--a term that acknowledges the violent and creative processes of suturing arts, and losing and gaining goods, as well as the shifting dynamics among agents who assembled such materials. By tracing grafted arts from multiple perspectives--Maratha and British, artist and patron, soldier and collector--this book charts the methods of empire-building that recast artistic production and collection in western India and from there across India and in Britain. This mercenary method of artistry propagated mixed, fractured, and plundered arts. Indeed, these "grafted arts"--disseminated across India and Britain over the nineteenth century to aid in consolidating empire or revolting against it entirely--remain instigators of nationalist agitation today.

Author: Vaibhav Saria
Publisher: Oxford University Press
ISBN: 019287389X
Category : Social Science
Languages : en
Pages : 321

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Against easy framings of hijras that render them marginalized, Saria shows how hijras makes the normative Indian family possible. The book also shows that particular practices of hijras, such as refusing to use condoms or comply with retroviral regimes, reflect not ignorance or irresponsibility but rather a specific idiom of erotic asceticism arising in both Hindu and Islamic traditions. This idiom suffuses the densely intertwined registers of erotics, economics, and kinship that inform the everyday lives of hijras and offer a repertoire of self-fashioning distinct from the secularized accounts within the horizon of public health programmes and queer theory. Engrossingly written and full of keen insights, the book moves from the small pleasures of the everyday laughter, flirting, and teasing to impossible longings, kinship networks, and economies of property and of substance in order to give a fuller account of trans lives and of Indian society today.

Author: Judith Poucher
Publisher: University Press of Florida
ISBN: 0813047625
Category : History
Languages : en
Pages : 305

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Florida Historical Society Harry T. & Harriette V. Moore Award Drawing on previously unpublished sources and newly unsealed records, Judith Poucher profiles five individuals who stood up to the Johns Committee. Virgil Hawkins and Ruth Perry were civil rights activists who, respectively, foiled the committee’s plans to stop integration at the University of Florida and refused to divulge Florida and Miami NAACP records. G. G. Mock, a bartender in Tampa, was arrested and shackled in the nude by police but would not reveal the name of her girlfriend, a teacher. University of Florida professor Sig Diettrich was threatened with twenty years in prison and being "outed," yet he still would not name names. Margaret Fisher, a college administrator, helped to bring the committee's investigation of the University of South Florida into the open, publicly condemning their bullying. By reexamining the daring stands taken by these ordinary citizens, Poucher illustrates not only the abuses propagated by the committee but also the collective power of individuals to effect change.

Author: Daniel M. Cobb
Publisher:
ISBN:
Category : History
Languages : en
Pages : 336

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Broadens the scope and meaning of American Indian political activism by focusing on the movement's early--and largely neglected--struggles, revealing how early activists exploited Cold War tensions in ways that brought national attention to their issues.

Author: John T. Foster
Publisher:
ISBN: 9780813080901
Category : History
Languages : en
Pages : 0

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This book tells the story of Harriet Beecher Stowe (author of Uncle Tom's Cabin), her brother Charles, and a small group of Yankee reformers who lived in Reconstruction Florida.

Author: Thomas Reilly
Publisher:
ISBN: 9780813015446
Category : Biography & Autobiography
Languages : en
Pages : 236

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Recounts the aviation achievements of Tony Jannus, a prewar aviator who helped launch the first scheduled airline operation in the United States

Author:
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 2106

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