Agamemnon in Performance 458 BC to AD 2004 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Agamemnon in Performance 458 BC to AD 2004 PDF full book. Access full book title Agamemnon in Performance 458 BC to AD 2004 by Fiona Macintosh. Download full books in PDF and EPUB format.
Author: Fiona Macintosh
Publisher: Oxford University Press, USA
ISBN: 0199263515
Category : Drama
Languages : en
Pages : 501
Get Book Here
Book Description
This interdisciplinary, multi-author volume is devoted to the performance reception of Aeschylus's 'Agamemnon', the first play in a trilogy. The eighteen essays trace the story of the impact of this seminal play, from its original performance in Athens, through ancient Rome and the European Renaissance until the present day.
Author: Fiona Macintosh
Publisher: Oxford University Press, USA
ISBN: 0199263515
Category : Drama
Languages : en
Pages : 501
Get Book Here
Book Description
This interdisciplinary, multi-author volume is devoted to the performance reception of Aeschylus's 'Agamemnon', the first play in a trilogy. The eighteen essays trace the story of the impact of this seminal play, from its original performance in Athens, through ancient Rome and the European Renaissance until the present day.
Author: Edith Hall
Publisher: MHRA
ISBN: 1904350615
Category : Literary Criticism
Languages : en
Pages : 411
Get Book Here
Book Description
Flying to Heaven to demand an end to war, building Cloudcuckooland in the sky, descending to Hades to retrieve a dead tragedian - such were the cosmic missions on which Aristophanes, the father of comedy, sent his heroes of the classical Athenian stage. The wit, intellectual bravura, political clout and sheer imaginative power of Aristophanes' quest dramas have profoundly influenced humorous literature and satire, but this volume, which originated at an international conference held at the Archive of Performances of Greek and Roman Drama at Oxford University in 2004, is the first interdisciplinary study of their seminal contribution to the evolution of comic performance. Interdisciplinary essays by specialists in Classics, Theatre, and Modern Literatures trace the international performance history of Aristophanic comedy, and its implication in aesthetic and political controversies, from antiquity to the twenty-first century. The story encompasses Jonson's satire, Cromwell's Ireland, German classicism, British Imperial India, censorship scandals in France, Greece and South Africa, Brechtian experiments in East Berlin, and musical theatre from Gilbert and Sullivan to Stephen Sondheim.
Author: Anna A. Lamari
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311062169X
Category : Literary Criticism
Languages : en
Pages : 734
Get Book Here
Book Description
This volume examines whether dramatic fragments should be approached as parts of a greater whole or as self-contained entities. It comprises contributions by a broad spectrum of international scholars: by young researchers working on fragmentary drama as well as by well-known experts in this field. The volume explores another kind of fragmentation that seems already to have been embraced by the ancient dramatists: quotations extracted from their context and immersed in a new whole, in which they work both as cohesive unities and detachable entities. Sections of poetic works circulated in antiquity not only as parts of a whole, but also independently, i.e. as component fractions, rather like quotations on facebook today. Fragmentation can thus be seen operating on the level of dissociation, but also on the level of cohesion. The volume investigates interpretive possibilities, quotation contexts, production and reception stages of fragmentary texts, looking into the ways dramatic fragments can either increase the depth of fragmentation or strengthen the intensity of cohesion.
Author: Hallie Marshall
Publisher: Bloomsbury Publishing
ISBN: 1350142360
Category : Drama
Languages : en
Pages : 281
Get Book Here
Book Description
Drawing together new research from emerging and senior scholars, this selection of papers from the decennial Greek Drama V conference (Vancouver, 2017) explores the works of the ancient Greek playwrights and showcases new methodologies with which to study them. Sixteen chapters from a field of international contributors examine a range of topics, from the politics of the ancient theatre, to the role of the chorus, to the earliest history of the reception of Aeschylus' Oresteia. Employing anthropological, historical, and psychological critical methods alongside performance analysis and textual criticism, these studies bring fresh and original interpretations to the plays. Several contributions analyse fragmentary tragedies, while others incorporate ideas on the performance aspect of certain plays. The final chapters deal separately with comedy, naturally focusing on the plays of Aristophanes and Menander. Greek Drama V offers a window into where the academic field of Greek drama is now, and points towards the future scholarship it will produce.
Author: Amit Shilo
Publisher: Cambridge University Press
ISBN: 1108961932
Category : History
Languages : en
Pages : 261
Get Book Here
Book Description
The Oresteia is permeated with depictions of the afterlife, which have never been examined together. In this book Amit Shilo analyses their intertwined and conflicting implications. He argues for a 'poetics of multiplicity' and 'poetics of the beyond' that inform the ongoing debates over justice, fate, ethics, and politics in the trilogy. The book presents novel, textually-grounded readings of Cassandra's fate, Clytemnestra's ghost scene, mourning ritual, hero cult, and punishment by Hades. It offers a fresh perspective on the political thought of the trilogy by contrasting the ethical focus of the Erinyes and Hades with Athena's insistence on divine unity and warfare. Shedding new light on the trilogy as a whole, this book is crucial reading for students and scholars of classical literature and religion. This title is available as open access on Cambridge Core.
Author:
Publisher: Bloomsbury Publishing
ISBN: 147250304X
Category : Performing Arts
Languages : en
Pages : 223
Get Book Here
Book Description
No Laughing Matter is a wide-ranging collection of new studies of the comic theatre of Athens, from its origins until the 340s BCE. Fifteen international scholars employ an array of approaches and methodologies that will appeal to Classics and Theatre scholars while still remaining accessible to students. By including discussions of fragmentary authors alongside Aristophanes, the collection provides a broad understanding of the richness of Athenian comedy. The collection showcases the best of the new scholarship on Old and Middle Comedy, using the most up-to-date texts and tools. No Laughing Matter has been prepared in tribute to Professor Ian Storey of Trent University (Peterborough, Ontario), whose work on Athenian comedy will continue to shape scholarship for many years to come.
Author: Giulia Maria Chesi
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110390213
Category : History
Languages : en
Pages : 212
Get Book Here
Book Description
"The play of words" examines the dynamics of interfamilial violence in the Oresteia. It argues that the key element of the play's discourse about violence is to be found in the inquiry for a definition of Clytemnestra's motherhood. The failure of this research challenges the reader with some open questions: who is Clytemnestra? Where is justice if a mother dies? By reading the play's narrative on interfamilial violence and matricide as a narrative of uncertainties in terms of the role of the mother figure, this book illustrates the complexity of the maternal role of Clytemnestra. It also breaks silence among scholars, who have generally portrayed Clytemnestra as the bad mother who kills the children's father and as the bad wife who betrays her husband.
Author: D. McInnis
Publisher: Springer
ISBN: 1137403977
Category : Literary Criticism
Languages : en
Pages : 300
Get Book Here
Book Description
Lost Plays in Shakespeare's England examines assumptions about what a lost play is and how it can be talked about; how lost plays can be reconstructed, particularly when they use narratives already familiar to playgoers; and how lost plays can force us to reassess extant plays, particularly through ideas of repertory studies.
Author: Bernadette Meyler
Publisher: Cornell University Press
ISBN: 1501739395
Category : Literary Criticism
Languages : en
Pages : 323
Get Book Here
Book Description
From Gerald Ford's preemptive pardon of Richard Nixon and Donald Trump's claims that as president he could pardon himself to the posthumous royal pardon of Alan Turing, the power of the pardon has a powerful hold on the political and cultural imagination. In Theaters of Pardoning, Bernadette Meyler traces the roots of contemporary understandings of pardoning to tragicomic "theaters of pardoning" in the drama and politics of seventeenth-century England. Shifts in how pardoning was represented on the stage and discussed in political tracts and in Parliament reflected the transition from a more monarchical and judgment-focused form of the concept to an increasingly parliamentary and legislative vision of sovereignty. Meyler shows that on the English stage, individual pardons of revenge subtly transformed into more sweeping pardons of revolution, from Shakespeare's Measure for Measure, where a series of final pardons interrupts what might otherwise have been a cycle of revenge, to later works like John Ford's The Laws of Candy and Philip Massinger's The Bondman, in which the exercise of mercy prevents the overturn of the state itself. In the political arena, the pardon as a right of kingship evolved into a legal concept, culminating in the idea of a general amnesty, the "Act of Oblivion," for actions taken during the English Civil War. Reconceiving pardoning as law-giving effectively displaced sovereignty from king to legislature, a shift that continues to attract suspicion about the exercise of pardoning. Only by breaking the connection between pardoning and sovereignty that was cemented in seventeenth-century England, Meyler concludes, can we reinvigorate the pardon as a democratic practice.
Author: Edith Hall
Publisher: A&C Black
ISBN: 0715638262
Category : Literary Criticism
Languages : en
Pages : 320
Get Book Here
Book Description
Constitutes the first analysis of the modern performance of ancient Greek drama from a theoretical perspective.
