Author: Beatrice Kitzinger
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110578395
Category : Literary Criticism
Languages : en
Pages : 638
Book Description
A volume that introduces new sources and offers fresh perspectives on a key era of transition, this book is of value to art historians and historians alike. From the dissolution of the Carolingian empire to the onset of the so-called 12th-century Renaissance, the transformative 10th–11th centuries witnessed the production of a significant number of illuminated manuscripts from present-day France, Belgium, Spain, and Italy, alongside the better-known works from Anglo-Saxon England and the Holy Roman Empire. While the hybrid styles evident in book painting reflect the movement and re-organization of people and codices, many of the manuscripts also display a highly creative engagement with the art of the past. Likewise, their handling of subject matter—whether common or new for book illumination—attests to vibrant artistic energy and innovation. On the basis of rarely studied scientific, religious, and literary manuscripts, the contributions in this volume address a range of issues, including the engagement of 10th–11th century bookmakers with their Carolingian and Antique legacies, the interwoven geographies of book production, and matters of modern politics and historiography that have shaped the study of this complex period.
After the Carolingians
Author: Beatrice Kitzinger
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110578395
Category : Literary Criticism
Languages : en
Pages : 638
Book Description
A volume that introduces new sources and offers fresh perspectives on a key era of transition, this book is of value to art historians and historians alike. From the dissolution of the Carolingian empire to the onset of the so-called 12th-century Renaissance, the transformative 10th–11th centuries witnessed the production of a significant number of illuminated manuscripts from present-day France, Belgium, Spain, and Italy, alongside the better-known works from Anglo-Saxon England and the Holy Roman Empire. While the hybrid styles evident in book painting reflect the movement and re-organization of people and codices, many of the manuscripts also display a highly creative engagement with the art of the past. Likewise, their handling of subject matter—whether common or new for book illumination—attests to vibrant artistic energy and innovation. On the basis of rarely studied scientific, religious, and literary manuscripts, the contributions in this volume address a range of issues, including the engagement of 10th–11th century bookmakers with their Carolingian and Antique legacies, the interwoven geographies of book production, and matters of modern politics and historiography that have shaped the study of this complex period.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110578395
Category : Literary Criticism
Languages : en
Pages : 638
Book Description
A volume that introduces new sources and offers fresh perspectives on a key era of transition, this book is of value to art historians and historians alike. From the dissolution of the Carolingian empire to the onset of the so-called 12th-century Renaissance, the transformative 10th–11th centuries witnessed the production of a significant number of illuminated manuscripts from present-day France, Belgium, Spain, and Italy, alongside the better-known works from Anglo-Saxon England and the Holy Roman Empire. While the hybrid styles evident in book painting reflect the movement and re-organization of people and codices, many of the manuscripts also display a highly creative engagement with the art of the past. Likewise, their handling of subject matter—whether common or new for book illumination—attests to vibrant artistic energy and innovation. On the basis of rarely studied scientific, religious, and literary manuscripts, the contributions in this volume address a range of issues, including the engagement of 10th–11th century bookmakers with their Carolingian and Antique legacies, the interwoven geographies of book production, and matters of modern politics and historiography that have shaped the study of this complex period.
After Charlemagne
Author: Clemens Gantner
Publisher: Cambridge University Press
ISBN: 1108840779
Category : History
Languages : en
Pages : 349
Book Description
Offers new perspectives on the fascinating but neglected history of ninth-century Italy and the impact of Carolingian culture.
Publisher: Cambridge University Press
ISBN: 1108840779
Category : History
Languages : en
Pages : 349
Book Description
Offers new perspectives on the fascinating but neglected history of ninth-century Italy and the impact of Carolingian culture.
After the Carolingians
Author: Beatrice Kitzinger
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110579499
Category : Literary Criticism
Languages : en
Pages : 494
Book Description
A volume that introduces new sources and offers fresh perspectives on a key era of transition, this book is of value to art historians and historians alike. From the dissolution of the Carolingian empire to the onset of the so-called 12th-century Renaissance, the transformative 10th–11th centuries witnessed the production of a significant number of illuminated manuscripts from present-day France, Belgium, Spain, and Italy, alongside the better-known works from Anglo-Saxon England and the Holy Roman Empire. While the hybrid styles evident in book painting reflect the movement and re-organization of people and codices, many of the manuscripts also display a highly creative engagement with the art of the past. Likewise, their handling of subject matter—whether common or new for book illumination—attests to vibrant artistic energy and innovation. On the basis of rarely studied scientific, religious, and literary manuscripts, the contributions in this volume address a range of issues, including the engagement of 10th–11th century bookmakers with their Carolingian and Antique legacies, the interwoven geographies of book production, and matters of modern politics and historiography that have shaped the study of this complex period.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110579499
Category : Literary Criticism
Languages : en
Pages : 494
Book Description
A volume that introduces new sources and offers fresh perspectives on a key era of transition, this book is of value to art historians and historians alike. From the dissolution of the Carolingian empire to the onset of the so-called 12th-century Renaissance, the transformative 10th–11th centuries witnessed the production of a significant number of illuminated manuscripts from present-day France, Belgium, Spain, and Italy, alongside the better-known works from Anglo-Saxon England and the Holy Roman Empire. While the hybrid styles evident in book painting reflect the movement and re-organization of people and codices, many of the manuscripts also display a highly creative engagement with the art of the past. Likewise, their handling of subject matter—whether common or new for book illumination—attests to vibrant artistic energy and innovation. On the basis of rarely studied scientific, religious, and literary manuscripts, the contributions in this volume address a range of issues, including the engagement of 10th–11th century bookmakers with their Carolingian and Antique legacies, the interwoven geographies of book production, and matters of modern politics and historiography that have shaped the study of this complex period.
The Frankish Kingdoms Under the Carolingians 751-987
Author: Rosamond Mckitterick
Publisher: Routledge
ISBN: 1317872479
Category : History
Languages : en
Pages : 412
Book Description
An exciting examination of the entire history of the Carolingian 'dynasty' in western Europe. The author shows the whole period to be one of immense political, religious. cultural and intellectual dynamism; not only did it lay the foundations of the governmental and administrative institutions of Europe and the organisation of the Church, but it also securely established the intellectual and cultural traditions which were to dominate western Christendom for centuries to come.
Publisher: Routledge
ISBN: 1317872479
Category : History
Languages : en
Pages : 412
Book Description
An exciting examination of the entire history of the Carolingian 'dynasty' in western Europe. The author shows the whole period to be one of immense political, religious. cultural and intellectual dynamism; not only did it lay the foundations of the governmental and administrative institutions of Europe and the organisation of the Church, but it also securely established the intellectual and cultural traditions which were to dominate western Christendom for centuries to come.
The Carolingians and the Written Word
Author: Rosamond McKitterick
Publisher: Cambridge University Press
ISBN: 9780521315654
Category : History
Languages : en
Pages : 312
Book Description
Functional analysis of the written word in eight and ninth century Carolingian European society demonstrates that literacy was not confined to a clerical elite, but dispersed in lay society and used administratively as well.
Publisher: Cambridge University Press
ISBN: 9780521315654
Category : History
Languages : en
Pages : 312
Book Description
Functional analysis of the written word in eight and ninth century Carolingian European society demonstrates that literacy was not confined to a clerical elite, but dispersed in lay society and used administratively as well.
Carolingian Civilization
Author: Paul Edward Dutton
Publisher: Readings in Medieval Civilizations and Cultures
ISBN:
Category : History
Languages : en
Pages : 572
Book Description
"I've been teaching the 'Age of Charlemagne' for 25 years. Thanks to Paul Dutton, I finally have the book I need to make this age come alive." - Charles R. Bowlus, Professor Emeritus, University of Arkansas at Little Rock
Publisher: Readings in Medieval Civilizations and Cultures
ISBN:
Category : History
Languages : en
Pages : 572
Book Description
"I've been teaching the 'Age of Charlemagne' for 25 years. Thanks to Paul Dutton, I finally have the book I need to make this age come alive." - Charles R. Bowlus, Professor Emeritus, University of Arkansas at Little Rock
Using and Not Using the Past after the Carolingian Empire
Author: Sarah Greer
Publisher: Routledge
ISBN: 0429683030
Category : History
Languages : en
Pages : 297
Book Description
Using and Not Using the Past after the Carolingian Empire offers a new take on European history from c.900 to c.1050, examining the ‘post-Carolingian’ period in its own right and presenting it as a time of creative experimentation with new forms of authority and legitimacy. In the late eighth century, the Frankish king Charlemagne put together a new empire. Less than a century later, that empire had collapsed. The story of Europe following the end of the Carolingian empire has often been presented as a tragedy: a time of turbulence and disintegration, out of which the new, recognisably medieval kingdoms of Europe emerged. This collection offers a different perspective. Taking a transnational approach, the authors contemplate the new social and political order that emerged in tenth- and eleventh-century Europe and examine how those shaping this new order saw themselves in relation to the past. Each chapter explores how the past was used creatively by actors in the regions of the former Carolingian Empire to search for political, legal and social legitimacy in a turbulent new political order. Advancing the debates on the uses of the past in the early Middle Ages and prompting reconsideration of the narratives that have traditionally dominated modern writing on this period, Using and Not Using the Past after the Carolingian Empire is ideal for students and scholars of tenth- and eleventh-century European history.
Publisher: Routledge
ISBN: 0429683030
Category : History
Languages : en
Pages : 297
Book Description
Using and Not Using the Past after the Carolingian Empire offers a new take on European history from c.900 to c.1050, examining the ‘post-Carolingian’ period in its own right and presenting it as a time of creative experimentation with new forms of authority and legitimacy. In the late eighth century, the Frankish king Charlemagne put together a new empire. Less than a century later, that empire had collapsed. The story of Europe following the end of the Carolingian empire has often been presented as a tragedy: a time of turbulence and disintegration, out of which the new, recognisably medieval kingdoms of Europe emerged. This collection offers a different perspective. Taking a transnational approach, the authors contemplate the new social and political order that emerged in tenth- and eleventh-century Europe and examine how those shaping this new order saw themselves in relation to the past. Each chapter explores how the past was used creatively by actors in the regions of the former Carolingian Empire to search for political, legal and social legitimacy in a turbulent new political order. Advancing the debates on the uses of the past in the early Middle Ages and prompting reconsideration of the narratives that have traditionally dominated modern writing on this period, Using and Not Using the Past after the Carolingian Empire is ideal for students and scholars of tenth- and eleventh-century European history.
Images, Iconoclasm, and the Carolingians
Author: Thomas F. X. Noble
Publisher: University of Pennsylvania Press
ISBN: 0812202961
Category : History
Languages : en
Pages : 497
Book Description
In the year 726 C.E., the Byzantine emperor Leo III issued an edict declaring images to be idols, forbidden by Exodus, and ordering all such images in churches to be destroyed. Thus commenced the first wave of Byzantine iconoclasm, which ran its violent course until 787, when the underlying issues were temporarily resolved at the Second Council of Nicaea. In 815, a second great wave of iconoclasm was set off, only to end in 842 when the icons were restored to the churches of the East and the iconoclasts excommunicated. The iconoclast controversies have long been understood as marking major fissures between the Western and Eastern churches. Thomas F. X. Noble reveals that the lines of division were not so clear. It is traditionally maintained that the Carolingians in the 790s did not understand the basic issues involved in the Byzantine dispute. Noble contends that there was, in fact, a significant Carolingian controversy about visual art and, if its ties to Byzantine iconoclasm were tenuous, they were also complex and deeply rooted in central concerns of the Carolingian court. Furthermore, he asserts that the Carolingians made distinctive and original contributions to the whole debate over religious art. Images, Iconoclasm, and the Carolingians is the first book to provide a comprehensive study of the Western response to Byzantine iconoclasm. By comparing art-texts with laws, letters, poems, and other sources, Noble reveals the power and magnitude of the key discourses of the Carolingian world during its most dynamic and creative decades.
Publisher: University of Pennsylvania Press
ISBN: 0812202961
Category : History
Languages : en
Pages : 497
Book Description
In the year 726 C.E., the Byzantine emperor Leo III issued an edict declaring images to be idols, forbidden by Exodus, and ordering all such images in churches to be destroyed. Thus commenced the first wave of Byzantine iconoclasm, which ran its violent course until 787, when the underlying issues were temporarily resolved at the Second Council of Nicaea. In 815, a second great wave of iconoclasm was set off, only to end in 842 when the icons were restored to the churches of the East and the iconoclasts excommunicated. The iconoclast controversies have long been understood as marking major fissures between the Western and Eastern churches. Thomas F. X. Noble reveals that the lines of division were not so clear. It is traditionally maintained that the Carolingians in the 790s did not understand the basic issues involved in the Byzantine dispute. Noble contends that there was, in fact, a significant Carolingian controversy about visual art and, if its ties to Byzantine iconoclasm were tenuous, they were also complex and deeply rooted in central concerns of the Carolingian court. Furthermore, he asserts that the Carolingians made distinctive and original contributions to the whole debate over religious art. Images, Iconoclasm, and the Carolingians is the first book to provide a comprehensive study of the Western response to Byzantine iconoclasm. By comparing art-texts with laws, letters, poems, and other sources, Noble reveals the power and magnitude of the key discourses of the Carolingian world during its most dynamic and creative decades.
The Carolingian Economy
Author: Adriaan Verhulst
Publisher: Cambridge University Press
ISBN: 9780521004749
Category : Business & Economics
Languages : en
Pages : 176
Book Description
Sample Text
Publisher: Cambridge University Press
ISBN: 9780521004749
Category : Business & Economics
Languages : en
Pages : 176
Book Description
Sample Text
The Carolingian World
Author: Marios Costambeys
Publisher: Cambridge University Press
ISBN: 0521563666
Category : History
Languages : en
Pages : 529
Book Description
A comprehensive and accessible survey of the great Carolingian empire, which dominated western Europe in the eighth and ninth centuries.
Publisher: Cambridge University Press
ISBN: 0521563666
Category : History
Languages : en
Pages : 529
Book Description
A comprehensive and accessible survey of the great Carolingian empire, which dominated western Europe in the eighth and ninth centuries.