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Author: Nolan Warden
Publisher: VDM Publishing
ISBN:
Category : History
Languages : en
Pages : 220
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Book Description
How are new musical traditions formed? This is the central question guiding this book on an Afro-Cuban ceremony sometimes called cajón pa' los mu-er-tos, a spirit-possession ritual that has been developed in Cuba over the past few decades. Cajón ceremonies are deftly sculpted from a wealth of religious influences including Santería, Palo, Espiritismo, and Catholicism. Grupo Cuero y Cajón, the case study for this book, provide insight into how songs and rhythms are created for these ceremonies while also bringing together older separate traditions into a new whole. This process of transculturation re-quires preservation and innovation but also shows musicians as integral to the creation of religious practices. As the first work in any language to study Cajón ceremonies, this book documents the songs used in the ceremonies and the eclectic drum rhythms that accompany them. This book is geared towards scholars in the fields of ethnomusicology, anthropology, and religious stu-dies, but will also be of interest to the general reader wan-ting to learn more about Afro-American culture. Three CD's and a DVD to ac-company this book can be found at the author's website: www.nolanwarden.com.
Author: Nolan Warden
Publisher: VDM Publishing
ISBN:
Category : History
Languages : en
Pages : 220
Get Book Here
Book Description
How are new musical traditions formed? This is the central question guiding this book on an Afro-Cuban ceremony sometimes called cajón pa' los mu-er-tos, a spirit-possession ritual that has been developed in Cuba over the past few decades. Cajón ceremonies are deftly sculpted from a wealth of religious influences including Santería, Palo, Espiritismo, and Catholicism. Grupo Cuero y Cajón, the case study for this book, provide insight into how songs and rhythms are created for these ceremonies while also bringing together older separate traditions into a new whole. This process of transculturation re-quires preservation and innovation but also shows musicians as integral to the creation of religious practices. As the first work in any language to study Cajón ceremonies, this book documents the songs used in the ceremonies and the eclectic drum rhythms that accompany them. This book is geared towards scholars in the fields of ethnomusicology, anthropology, and religious stu-dies, but will also be of interest to the general reader wan-ting to learn more about Afro-American culture. Three CD's and a DVD to ac-company this book can be found at the author's website: www.nolanwarden.com.
Author: Edna M. Rodríguez-Plate
Publisher: Univ of North Carolina Press
ISBN: 0807876283
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
Lydia Cabrera (1900-1991), an upper-class white Cuban intellectual, spent many years traveling through Cuba collecting oral histories, stories, and music from Cubans of African descent. Her work is commonly viewed as an extension of the work of her famous brother-in-law, Cuban anthropologist Fernando Ortiz, who initiated the study of Afro-Cubans and the concept of transculturation. Here, Edna Rodriguez-Mangual challenges this perspective, proposing that Cabrera's work offers an alternative to the hegemonizing national myth of Cuba articulated by Ortiz and others. Rodriguez-Mangual examines Cabrera's ethnographic essays and short stories in context. By blurring fact and fiction, anthropology and literature, Cabrera defied the scientific discourse used by other anthropologists. She wrote of Afro-Cubans not as objects but as subjects, and in her writings, whiteness, instead of blackness, is gazed upon as the "other." As Rodriguez-Mangual demonstrates, Cabrera rewrote the history of Cuba and its culture through imaginative means, calling into question the empirical basis of anthropology and placing Afro-Cuban contributions at the center of the literature that describes the Cuban nation and its national identity.
Author: Miguel Arnedo-Gómez
Publisher: University of Virginia Press
ISBN: 9780813925424
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
Arising in the heyday of the music recently made famous by the Buena Vista Social Club, afrocubanismo was an artistic and intellectual movement in Cuba in the 1920s and 1930s that tried to convey a national and racial identity. Through poetry, this movement was the first serious attempt on the part of mostly white Cuban intellectuals to produce a national literature that incorporated elements from the Afro-Cuban traditions of lower-class urban blacks. One of its main objectives was to project an image of Cuban identity as a harmonious process of fusion between black and white people and cultures. The notion of a unified nation without racial conflicts and the idea of a mulatto Cuban culture and identity continue to play a prominent role in the Cuban imagination. The first book-length treatment of the poetry of this movement, Writing Rumba: The Afrocubanista Movement in Poetry questions the assumption that the poetry did manage to symbolize racial reconciliation and unification. At the same time it reveals a process of literary transculturation by which the dominant literature of European origins was radically transformed through the incorporation of formal principles from Afro-Cuban dance and music forms. To make his case, Miguel Arnedo-G mez establishes the nature of the movement s connections to Cuban blacks during this time, analyzes the poetry's links with the represented cultures on the basis of anthropological and ethnographic research, and explores the thought of leading figures of the movement, tying their discourse to specific sociocultural factors in Cuba at the time. Relating the poetry to music and dance, he further illuminates the interplay of power and culture in a social context. Essential for understanding Cuban nationalism and race relations today, Writing Rumba will appeal to an interdisciplinary audience not only in regional, cultural, and anthropological fields but also in the fields of music, dance, and literature.
Author: Janet Sturman
Publisher: SAGE Publications
ISBN: 1483317749
Category : Music
Languages : en
Pages : 2730
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Book Description
The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world's musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology's fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by prominent scholars, are arranged A-to-Z and published in a choice of print or electronic editions Pedagogical elements include Further Readings and Cross References to conclude each article and a Reader’s Guide in the front matter organizing entries by broad topical or thematic areas Back matter includes an annotated Resource Guide to further research (journals, books, and associations), an appendix listing notable archives, libraries, and museums, and a detailed Index The Index, Reader’s Guide themes, and Cross References combine for thorough search-and-browse capabilities in the electronic edition
Author: Louis A. Perez, Jr.
Publisher: University of Pittsburgh Press
ISBN: 0822971208
Category : History
Languages : en
Pages : 205
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Book Description
Cuban Studies 39 includes essays on: the recent transformation of the Cuban film animation industry; the influence of the liberal agenda of Justo Rufino Barrios on Jose Mart; a profile of the music of the Special Period and its social commentary; an in-depth examination of the contents, important themes, and enormous research potential of the Miscelnea de Expedientes collection at the Cuban National Archive; and a realistic assessment on the political future of Cuba.
Author: Russell Hartenberger
Publisher: Cambridge University Press
ISBN: 1108492924
Category : Music
Languages : en
Pages : 371
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Book Description
An exploration of rhythm and the richness of musical time from the perspective of performers, composers, analysts, and listeners.
Author: Kraidy
Publisher: Pearson Education India
ISBN: 9788131711002
Category :
Languages : en
Pages : 248
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Book Description
Author: Marysol Quevedo
Publisher: Oxford University Press
ISBN: 0197552234
Category : Psychology
Languages : en
Pages : 297
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Book Description
"This book tells readers: tracing the classical music networks that Cuban composers cultivated between 1940 and 1991 through examining compositions, ensembles, and cultural institutions with a microhistorical approach. It sets the foundation for investigating how aesthetics and politics intersected in the case studies explored throughout the book: individual points of view largely determined the degree to which composers engaged in various local and international artistic networks; and these networks were constantly being nurtured and shaped by their actors, who also had to contend with national and global political and economic circumstances. This chapter provides readers with working definitions of key concepts: modernism, avant-garde, experimentalism, and vanguardia. Key figures Fernando Ortiz and Alejo Carpentier and their contributions to the intellectual milieu that Cuban composers inhabited -especially the concepts of transculturation and lo real maravilloso, respectively-are also discussed. It contextualizes the book within existing scholarship on 20th-century classical music of the Americas, Eastern Europe, and the Cold War, as well as those dealing with Cuban music and Cuban studies more broadly"--
Author: Wolfgang Welsch
Publisher: BRILL
ISBN: 9004697829
Category : Philosophy
Languages : en
Pages : 247
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Book Description
Wolfgang Welsch demonstrates for the first time that transculturality – the mixed constitution of cultures – is by no means only a characteristic of the present, but has de facto determined the composition of cultures since time immemorial. The historical transculturality is demonstrated using examples from the arts. While transculturality was often viewed with reservation where political, social, or psychological levels were at stake, it was rather welcomed and appreciated in the field of art. The book therefore demonstrates the historical prevalence of transculturality via all areas of art and does so with respect to all cultures and continents of our world.
Author: Vernon Boggs
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 480
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Book Description
Boggs presents a readable, exciting history of Salsa, showing how Afro-Cuban music was embraced in New York City and how it has undergone cycles of popularity and been replicated abroad. From its roots in Cuba through present-day Salsa clubs, Boggs provides a tour of a popular music form that has had a significant impact on the Latin community as well as contemporary musicians and composers. Extensively illustrated with photographs of the bands and clubs as well as the key leaders and promoters, the book also contains interviews with top performers and others instrumental in making salsa what it is today.
