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Author: Henry Edward Krehbiel
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 204
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Book Description
Author: Henry Edward Krehbiel
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 204
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Book Description
Author: Henry Edward Krehbiel
Publisher:
ISBN: 9781637237946
Category :
Languages : en
Pages : 0
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Book Description
Author: Henry Edward Krehbiel
Publisher: Clearfield Company
ISBN: 9780685700013
Category : Reference
Languages : en
Pages :
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Book Description
![Afro-American Folksongs. A Study in Racial and National Music. [With Musical Notes.]. PDF](https://books.google.com/books/content/images/frontcover/8n1vngEACAAJ?fife=w80-h100)
Author: Henry Edward Krehbiel
Publisher:
ISBN:
Category :
Languages : en
Pages : 176
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Book Description
Author: Henry Edward Krehbiel
Publisher: Createspace Independent Publishing Platform
ISBN: 9781480109315
Category : Music
Languages : en
Pages : 192
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Book Description
Published in 1914, this is a study in racial and national music. Includes folk songs, religion, modal characteristics, music among Africans, variations from the major and minor scales, dances, songs of black creoles and more.
Author: Henry Edward Krehbiel
Publisher:
ISBN: 9781627920247
Category : Music
Languages : en
Pages : 176
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Book Description
Author: Henry Edward Krehbiel
Publisher: Forgotten Books
ISBN: 9781330115619
Category : Music
Languages : en
Pages : 192
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Book Description
Excerpt from Afro-American Folksongs: A Study in Racial and National Music This book was written with the purpose of bringing a species of folksong into the field of scientific observation and presenting it as fit material for artistic treatment. It is a continuation of a branch of musical study for which the foundation was laid more than a decade ago in a series of essays with bibliographical addenda printed in the New York "Tribune," of which journal the author has been the musical reviewer for more than thirty years. The general subject of those articles was folksongs and their relation to national schools of composition. It had come to the writer's knowledge that the articles had been clipped from the newspaper, placed in envelopes and indexed in several public libraries, and many requests came to him from librarians and students that they be republished in book-form. This advice could not be acted upon because the articles were mere outlines, ground-plans, suggestions and guides to the larger work or works which the author hoped would the be the result of his instigation. Folksong literature has grown considerably since then, especially in Europe, but the subject of paramount interest to the people of the United States has practically been ignored. The songs created by the negroes while they were slaves on the plantations of the South have cried out in vain for scientific study, though "ragtime" tunes, which are their debased offspring, have seized upon the fancy of the civilized world. This popularity may be deplorable, but it serves at least to prove that a marvellous potency lies in the characteristic rhythmical element of the slave songs. Would not a wider and truer knowledge of their other characteristics as well lead to the creation of a better art than that which tickles the ears and stimulates the feet of the pleasure-seekers of London, Paris, Berlin and Vienna even more than it does those of New York? The charm of the Afro-American songs has been widely recognized, but no musical savant has yet come to analyze them. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Frederick Lewis Weis
Publisher: Genealogical Publishing Com
ISBN: 0806307994
Category : Church buildings
Languages : en
Pages : 188
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Book Description
The Colonial Clergy of the Middle Colonies is an annotated alphabetical list of approximately 1,250 colonial clergymen who settled in New York, New Jersey, and Pennsylvania
Author: Bruce M. Conforth
Publisher: Scarecrow Press
ISBN: 0810884895
Category : Music
Languages : en
Pages : 299
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Book Description
In African American Folksong and American Cultural Politics: The Lawrence Gellert Story, scholar and musician Bruce Conforth tells the story of one of the most unusual collections of African American folk music ever amassed—and the remarkable story of the man who produced it: Lawrence Gellert. Compiled between the World Wars, Gellert's recordings were immediately adopted by the American Left as the voice of the true American proletariat, with the songs—largely variants of traditional work songs or blues—dubbed by the Left as "songs of protest." As both the songs and Gellert’s standing itself turned into propaganda weapons of left-wing agitators, Gellert experienced a meteoric rise within the circles of left-wing organizations and the American Communist party. But such success proved ephemeral, with Gellert contributing to his own neglect by steadfastly refusing to release information about where and from whom he had collected his recordings. Later scholars, as a result, would skip over his closely held, largely inaccessible research, with some asserting Gellert’s work had been doctored for political purposes. And to a certain extent they were correct. Conforth reveals how Gellert at least "assisted" in the creation of some of his more political material. But hidden behind the few protest songs that Gellert allowed to become public was a vast body of legitimate African America folksongs—enough to rival the work of any of his contemporary collectors. Had Gellert granted access to all his material, scholars would have quickly seen that it comprised an incredibly complete and diverse collection of all African American song genres: work songs, blues, chants, spirituals, as well as the largest body of African American folktales about Irish Americans (what were referred to as "One Time I'shman" tales). It also included vast swaths of African American oral literature collected by Gellert as part of the Federal Writers' Project. In African American Folksong and American Cultural Politics, Conforth brings to light for the first time the entire body of work collected by Lawrence Gellert, establishing his place, and the place for the material he collected, within the pages of American folk song scholarship. In addition to shedding new light on the concept of "protest music" within African American folk music, Conforth discusses the unique relationship of the American Left to this music and how personal psychology and the demands of the American Communist party would come to ruin Gellert’s life. African American Folksong and American Cultural Politics will appeal to students and scholars in the fields of American social and political history, African American studies, the history of American folk music, and ethnomusicology.
Author: Henry Edward Krehbiel
Publisher: Nabu Press
ISBN: 9781293763995
Category :
Languages : en
Pages : 194
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Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
